• 한국환경과학회:학술대회논문집
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• 한국환경과학회 2003년도 봄 학술발표회 발표논문집
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• pp.203-208
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• 2003

• 한국방사선학회논문지
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• 제7권3호
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• pp.199-204
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• 2013

우리나라는 태권도의 종주국임에도 불구하고 신체활동량과 그에 따른 에너지 소모량에 대한 기초연구가 미흡하며 이에 대한 연구가 시급한 상태이다. 본 연구에서는 센서(SenseWear$^{(R)}$ $PRO_2$ Armband)를 이용하여 태권도의 신체활동량을 획득하였고, Inbody 520을 통하여 체성분 데이터를 획득 하였으며, CT로 하체부위(허벅지)를 스캔하여 허벅지 근육면적 데이터를 추출하였다. 획득된 데이터를 이용하여 허벅지 둘레와 근육면적의 상관관계, 허벅지 근육면적과 분당 에너지 소모량의 상관관계를 분석하였다. 분석결과 실험자 8명의 평균 허벅지 근육면적은 132.79 $cm^2$ 였으며, 무릎뼈(Pattela) 위 20 cm의 평균 허벅지 전체 면적은 178.79 $cm^2$이었다. 실험자들의 허벅지 둘레와 근육면적은 상관관계가 있는 것으로 나타났다. 실험자들의 평균 분당 에너지 소모량은 6.94 칼로리였으며, 허벅지 근육면적과 평균 분당 에너지 소모량도 상관관계가 있는 것으로 나타났다.

• 인문언어
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• 제1권2호
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• pp.179-196
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• 2001

According to Formalist theory, form is not separate from content. Form does not merely convey or express content but can itself produce meaning. The close correlation of the narrative structure, more specifically the time structure of the narrative, and the narrative style of Kim Seung-Ok′s short story′"Travel in Mujin" provides a good example of this argument. The story opens with the first-person narrator, currently living in the bustling city of Seoul, back in his small provincial home town Mujin, where he brings up memories that had been hitherto suppressed. The revived memories are ordered into the narrator′s present thought structure, in effect bridging the vast psychological rift between the lost past and the present. The narrator′s travel in Mujin thus becomes a psychological journey, and Mujin becomes a psychological space where the narrator can experience the continuity of his own being. The "narrating I" excludes the principles of reality from his narrative, concentrating on the inner thoughts, recollections, psychological experience, and the level of consciousness of the "narrated I." This narrative attitude or style expresses the narrator-protagonist′s acceptance and affirmation of the thoughts and actions occur in Mujin (which he had till now been resistant to). It is also an affirmation of the narrative act itself. Before the travel back to Mujin, the narrator-protagonist′s thoughts about his home town was ambivalent-an attitude originating from nostalgia, together with the narrator-protagonist′s ambivalent attitude toward his youthful past. It is a reflection of the narrator-protagonist′s desire for purity intermingled with a disdain for his enervated existence in Seoul. This ambivalence is resolved by the "I" of the narrative present, and Mujin enables him to come to a renewed affirmation of his life.