• 건축사
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• 1호통권226호
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• pp.62-78
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• 1988

• 한국실내디자인학회논문집
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• 제18권2호
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• pp.61-70
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• 2009

Architectural color would be understood as a essential tool to be reflected the architect's value criteria, thinking process and the specific methodology. This study was established the characteristics of color use correlated with Eisenman's architectural features based on his point of view. At first, it could be organized with data and use the color in view points with the becomming process. Especially it would be expressed the color as a trace of unsynchronized formation. Second, it was introduced the color by graphics engaged with form, to be expressed the dividing, folding, reiteration for deliver of escape from graphic thinking process. Third, it was analyzed to be imported the color to have a multi-lateral space experience in center of user's space recognition and behavior by introduction of color. Finally, it could be inducted the consistent color by viewpoint of interfacial between interior and exterior environment, communicated with strong meaning by conversion from interior elements to color from these processes. A characteristics of Eisenman's architecture color is reflected his thinking process in architecture color as it is and can be understand of 'becomming process use of color' as a tool that is corresponded in form creation. Specially, it would be kept continuous viewpoint of interior and exterior space, giving user color as a viewpoint of linking space, enable many-sidedness experiences through space.

• 한국디지털건축인테리어학회논문집
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• 제11권4호
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• pp.39-46
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• 2011

This Study is about the Axis used for creating forms of interior spaces in representative works of Peter Eisenman architecture. The plans, elevations, photos of interior spaces of his architecture were collected and analysed. In conclusion, the methods using axises were classified in the axises crossing right angle and the rotating axises crossing right angle. The rotating axis were divided into one-angle rotating and multi-angle rotating. The axises were rotated on the plan or rotated on the elevation. The axises crossing right angle were used for dividing, assembling, transforming and composing different proportions of rectangles in interior spaces. The rotating axises crossing right angle were used for creating divers forms such as triangle, quadrilateral, and polygon. The one-angle rotating emphasizes directions of axises in interior spaces. The multi-angle rotating emphasizes decentered directions in interior spaces. The parts created while crossing axises three-dimensionally were opened or filled. The axises were used dynamically and three-dimensionally for diversity of forms in interior spaces of Peter Eisenman architecture.

• 한국실내디자인학회논문집
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• 제21호
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• pp.147-153
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• 1999

Deconstruction, which aims at art for pure art's sake, along with post-modernism which pursues for de-unification and variety, is trend of design characterizing the contemporary society. Responding to this trend, in Korean the design which advocates post-modernism has been begun and the trend of deconstruction spreads among young architects and designers and this trend is shown in furniture, accessories and lighting design, as well as in interior desigv. This study is under the assumption that the movement of recovering the limits of the existing one is the thinking of deconstructiov. By analyzing and considering the theory and works of Peter Eisenman who shows the trend of deconstruction, this study tries to disclose the design theory of deconstruction and get the reasonable approach toward the progress of design resulting from the progress of human being, science, and humanities.

• 한국실내디자인학회논문집
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• 제15권3호
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• pp.201-210
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• 2006

Among the architects who use diagrams as a digital design process, especially through Peter Eisenman and Ben van Berkel's works, we have specifically got the meaning of their diagrams. Their diagrams act as 'the block of becoming' and we can regard the diagrams not only as a tool of devenir including architect's root thoughts beyond a tool of schematic presentation, but also as architect's intention including devenir thought. And in the case of diagrams which the architects use, we can recognize that architects' intentions are to think that Deleuze's 'machine abstraite' evolve the diagram into various and transformed form. That is to say, Peter Eisenman interprets the machine abstraite as a root thought of devenir by using diagram as medium to reveal the virtual. And Ben van Berkel transforms the diagram by including all external conditions into selected diagram which shows the abstract relations to the elements. We can get the meaning of the machine abstraite from these cases well. This study will play an important role in giving good usage of the diagram in making a form of contemporary digital architecture and showing the direction of form creation field.