• Journal of Korea Entertainment Industry Association
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• v.13 no.5
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• pp.73-82
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• 2019

The satirical content of the absurd play, centered on Lee Keun-sam's play, represents the family image of a modern capitalist society where only duty is emphasized while the characters are lost in love with the family. They show humans becoming subordinate to economic logic as traditional relationships and family relationships change into material ones due to the rapid development of the economy. The narrator expresses the roles of the performer and the narrator together. It also presents the plot as a characteristic element of epic and absurd dramas, and directs actors as directors. It also foretells the events that will take place in the future, presents the inner consciousness of the characters in the play, and reduces and expands events and times. In terms of conflict, in order to fulfill the financial responsibility of their children, the professor translates them like a machine and the wife distributes the money they earn as they demand. The middle-aged professor and his wife are not willing to make a difference in the real world, so specific conflicts are not revealed. Therefore, no concrete conflict appears within this work. The plot of consisted of 22 epicentre compartments, consisting of a time frame from evening to the next morning. And no special events happen and show only one family's daily life. In addition, materials that show simple repetition of daily life such as newspapers, rice, birthdays, etc. are effectively showing the character of absurdity through repeated structure. The linguistic features of the absurd play focus on expressing anxiety, despair, fantasy and the sense of loss that the object's purpose has disappeared. The stage system avoids detailed portrayals of naturalist plays and creates a thoroughly simplified image that the theme of the play demands, which shows that the stage unit is also an important element that characterizes the absurdity of reflexes.

• KCID journal
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• v.1 no.2
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• pp.36-47
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• 1994

미국 펜실베이니아 주의 4개 지역에 대해 면적우량을 분석하였다. 강수량이 제일 큰 지점에서 시작하여 이 지점 주위로 직사각형의 블럭을 확장하여 만들었다. 이 직사각형 블럭의 강수량을 구한 후 최대 지점 강수량에 대한 비를 구하였다. 이 강수량 비(Relative storm magnitudes)를 플롯트하여 기존의 커브와 비교하였으며, 각 지역에 대해 여름과 겨울의 강수량비를 각각 구하였다. 또한 등우량선도를 이용한 분석도 시도해 보았다. 이 연구에서 구

• 한국HCI학회:학술대회논문집
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• 2008.02b
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• pp.521-526
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• 2008

The cinema of the digital age remediates digital media not only its technology but also its storytelling, image and even its way of thinking. This paper examines the spatial storytelling of cinema in digital age. In order to analyze the remediation aspects, this research applies and reconstructs the concepts of 'spatial stories' of Michel de Ceteau.

• Proceedings of the Korea Contents Association Conference
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• 2017.05a
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• pp.215-216
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• 2017

<복수는 나의 것>, <올드 보이>, <친절한 금자씨>는 죄와 복수, 구원의 문제를 다룬 박찬욱 감독의 복수 삼부작으로서, 보이스 오버를 활용한다는 공통점이 있다. 이 연구는 박찬욱 감독의 복수 삼부작이 각 내러티브의 주제에 따라 내러티브 정보를 통제하고 관객의 심리적 거리감을 조절하기 위해 보이스오버 전략을 어떻게 구사하는지 논의한다. 이를 위해 각 작품의 플롯, 초점화 유형, 보이스오버의 특징들을 분석한 결과, 보이스오버를 통해 관객의 정서적 참조점을 형성하고, 인물과 이야기에 대한 동일시나 감정이입을 통제하는 복수 삼부작의 특성을 확인하였다.

• Proceedings of the Korea Contents Association Conference
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• 2013.05a
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• pp.83-84
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• 2013

이 연구는 코엔 형제 영화의 열린 결말이 작품의 주제와 어떻게 연관되는지, 그리고 그러한 열린 방식으로 내러티브를 종결시킬 수 있게 하는 서사 논리가 무엇인지 논의한다. <바톤 핑크>(1991), <노인을 위한 나라는 없다>(2007), <시리어스 맨>(2009) 등 코엔 형제의 열린 결말 영화들은 모두 '불확실성'에 관한 영화이다. 이 불확실성은 부조리하고 아이러니컬한 세상의 불가해성과 그것에 대한 캐릭터의 이해 불능으로 나타난다. 코엔 형제의 영화들은 바로 이러한 세계의 불가해성에 대한 논증의 내러티브이며, 이들의 열린 결말은 플롯과 논증의 중층 구조에서 스토리 문제의 해결이 아니라 논증의 완결을 추구한 결과이다.

• The Journal of the Korea Contents Association
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• v.17 no.8
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• pp.351-365
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• 2017

Illness has long been an important plot device in Korean dramas. In earlier years, the device typically was supposed to be in the form of a terminal bodily disease occurring for the female main character toward the end of the story. On the other hand, the latest trend is to situate a mental illness for the male lead character at the earlier part, and use it as a tool to build characters, construct causal relations and set the intense tone for the overall story. The mental illness as a plot device helps to provide a series of reversals, revelations and turnarounds, giving viewers a stronger sense of intensity, empathy and identification. While the illness used to play the role of a deus ex machina to make a big emotional finish, the latest adoption of the mental illness as a main plot device has enhanced the flexibility of the plot and the effect of versimilitude in dramas. These noticeable changes make one suspect that the focus of Korea's drama contents might have already begun to grow out of the conventional soap operas into different genres.

• The Journal of the Korea Contents Association
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• v.14 no.3
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• pp.80-93
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• 2014

This paper examines how split-screen technique works to meet the goals and strategies of the narrative in the romantic comedy films which deal with love and sex. The plot of romantic comedy films aims to the union and marriage of the couple, but is structured to delay the union as much as possible through comical situations and episodes. Usually split-screen scenes are placed before plot point 2 and serve to make a laugh and humor. Besides, it helps focusing on two main characters. Comedy related to love and sex comes from information gap between two main characters which can cause a tension, double meaning of spoken words and combination of split-screen images. Michael Gordon's Pillow Talk(1959) and Peyton Reed's Down with Love(2003) are reviewed in this study.

• Applied Chemistry for Engineering
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• v.10 no.8
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• pp.1216-1220
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• 1999

Different amounts of zinc stearate were incorporated as a plasticizer into poly(styrene-co-sodium methacrylate) ionomers prepared by bulk-suspension plymerization and neutralization with sodium hydroxide and effects of the zinc stearate on the thermal and rheological properties were investigated. It was obseved that the crystallization of zinc stearate in the ionomers were partially suppressed depending on the content of ionic moieties. It is postulated that the ionic moieties dissolved zinc stearate and suppressed crystallization of the zinc stearates. We speculated that 0.4~0.6 mole of zinc stearate was dissolved by one mole of the ionic moiety. Poly(styrene-co-sodium methacrylate) containing only the dissolved zinc stearates showed typical rheological properties of homogeneous systems in Cox-Mertz plots. However, poly(styrene-co-sodium methacrylate) containing crystallizable zinc stearates as well as dissolved ones showed typical rheological properties of heterogeneous systems.

• Education of Primary School Mathematics
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• v.18 no.2
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• pp.141-154
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• 2015

This study analyzed storytelling in mathematics textbooks for third graders, which had been developed according to the 2009 revised mathematics curriculum. Storytelling are supposed to be composed of elements such as message, conflicts, characters, and plot, all of which should be consistent with and focused on unit contents. Especially, conflicts in storytelling should be so obvious that children can take an initiative in learning tasks to solve the problems required by the tasks. The analysis of storytelling in the introduction part in teacher's guides for the third-grade textbooks indicates the following: 1) messages are unclear; 2) conflicts are frequently absent (if any, they are unclear); 3) incidents attributable to textbook characters are insufficient; and 4) plots often lack plausibility. In order to achieve the purposes for which storytelling in mathematics textbooks is intended, storytelling should be reconstructed and improved, taking the roles that each component should serve into consideration.

• KNOM Review
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• v.21 no.2
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• pp.18-25
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• 2018

Since the development of block-chain technology by Satoshi Nakamoto and Bitcoin pioneered a new cryptocurrency market, a number of scale of cryptocurrency have emerged. There are crimes taking place using the anonymity and vulnerabilities of block-chain technology, and many studies are underway to improve vulnerability and prevent crime. However, they are not enough to detect users who commit crimes. Therefore, it is very important to detect abnormal behavior such as money laundering and stealing cryptocurrency from the network. In this paper, the characteristics of the transactions and user graphs in the Bitcoin network are collected and statistical information is extracted from them and presented as plots on the log scale. Finally, we analyze visualized plots according to the Densification Power Law and Power Law Degree, as a result, present features appropriate for detection of anomalies involving abnormal transactions and abnormal users in the Bitcoin network.