• 베이커리
• /
• no.12 s.449
• /
• pp.56-57
• /
• 2005

• 베이커리
• /
• no.2 s.355
• /
• pp.116-117
• /
• 1998

• 베이커리
• /
• no.9 s.410
• /
• pp.102-103
• /
• 2002

• 베이커리
• /
• no.5 s.382
• /
• pp.100-101
• /
• 2000

• 베이커리
• /
• no.7 s.432
• /
• pp.67-81
• /
• 2004

• 베이커리
• /
• no.10 s.411
• /
• pp.120-123
• /
• 2002

• 베이커리
• /
• no.4 s.369
• /
• pp.40-55
• /
• 1999

• 베이커리
• /
• no.12 s.449
• /
• pp.204-207
• /
• 2005

• 베이커리
• /
• no.2 s.379
• /
• pp.90-93
• /
• 2000

• The Journal of the Korea Contents Association
• /
• v.21 no.4
• /
• pp.723-733
• /
• 2021

'Reboot' and 'Homage' are using as creative techniques in traditional storytelling media fields such as movies or dramas, but the possibility of expanding the transmedia story world has not yet been presented. This study was written to present a new concept of transmedia story world expansion type using the 'Reboot' and 'Homage' methods. 'Reboot' and 'Homage' are typical storytelling methods of K-POP idol groups that need to develop content. I selected , , and , which have built their story world, and examined both the narrative creation section and the marketing application section. The result of the study is as follows. First, EXO is an example of a reboot case. They set the original set as 'past' and insert the new storylines. Second, BTS is an example of a character's reboot. They built a story world by paralleling 'Idol BTS' and 'Character BTS'. Third, Wanna One is an example of the original story world's homage. They reorganize the story world of and attracting the attention of the existing audience. Fourth, BTS is an example of other media homage which reinterprets the meaning of BTS characters and story world by using the meaning of classic works.