• Archives of design research
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• v.13 no.3
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• pp.211-220
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• 2000

Cultural contact, which means a current that an influential culture diffuses to another, represents the penetration of the one to the other in a negative respect and'mixture'or 'fusion'of them in an affirmative respect. Fusion of cultures was not easy to take place in the past when nationalism and ultranationalism suppressed it ideologically, inconvenient transportation and communications were obstacles to it, and most of countries were under the influences of folk religions. Today, however, mutually heterogeneous cultures can be shared by a lot of things such as collapse of a view of nation resulted from globalization, breakdown of regional characteristics, abolition of trade barriers, freedom of communications and realtime information network. Those have rendered fusion possible. Fusion in this modern consuming society is extending much faster and more extensively than at any time in the past. In addition, more and more cultural elements seem to collide and compromise with one another in the name of fusion, not relaxing the bridle of fusion, from the present situations that preference in consumption becomes subdivided and a variety of individuality is strongly attempted to seek for, This study is on the subject of the properties of'Fusion', one of new styles in a mass culture, especially focused on sociologic cultural phenomena. Furthermore, it is expected to look for a fusion in interior design which expresses sociologic cultural phenomena most in a field of design, to examine it theoretically, and to prospect a future trend of fusion design based on investigation of the latest prevailing trend.

• Journal of the Korea Fashion and Costume Design Association
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• v.13 no.2
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• pp.133-146
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• 2011

The purpose of this study is to analyze the fusion phenomenon that appears in contemporary women's denim fashion in order to find a way to come up with a creative denim design. The methodology of this study is to research documents related to fusion phenomena and consider precedent studies to establish a criteria for analyzing fusion phenomena. The results are as follows: First, fusion phenomena in modern women's denim can be categorized into fusion of time, fusion of space, fusion of gender, fusion of culture, and fusion of genre. Fusion of time appears as fusion with the past and fusion with the future. Fusion of space appears as fusion with Asia and fusion with other regions. Fusion of gender appears as unisex, androgynous, and genderless. Fusion of culture appears as fusion with subcultures such as grunge, kidult, lingerie, hippy look, hip hop fashion, etc. Finally, fusion of genre appears as fusion of materials, fusion of style, and fusion of circumstances. Second, when analyzing the frequency of appearance for fusion phenomena, fusion of culture appeared with a frequency of 29.7%, followed by fusion of genre with 19.1%, fusion of time with 10.5%, fusion of gender with 9.9%, and fusion of space with 8.5%. When analyzing the most frequently appearing fusion phenomena by year, fusion of culture appeared the most from the year 2000 to 2004, fusion of space and time in 2005, fusion of genre from 2006 to 2007, fusion of culture again in 2008 and 2009, and once more fusion of genre appeared the most in 2010.

• Journal of Korea Entertainment Industry Association
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• v.13 no.8
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• pp.267-280
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• 2019

The hybrid phenomenon of pronunciation of K-Pop lyrics, which is the diction fusion phenomenon of lyrics, is not a strategic measure for an overseas expansion but a natural formation in the course of history of K-Pop. With the debut of Seo Tai-ji and Boys in 1992, the course of K-Pop changed and settled from ballad to dance music. After three years, the success of a hip hop dance music, 'Come Back Home', opened up a door to Korean Americans who ascertained the potential competitiveness of a hip hop music in K-Pop market. And the writer insists that such advance of Korean Americans into K-Pop market is the origin of the bilingual usage and diction fusion phenomenon of K-Pop lyrics. Therefore, this research will look into the pronunciation system of Korean and English in order to understand the bilingual pronunciation system shown in the lyrics sung by Korean American hip hop singers in the 1990s. Moreover, through Korean pronunciation system, this analysis will discover the main cause of continual acceptance and application of Korean American's broken Korean in the diction of lyrics. Last but not least, this exploration will show the correlation of English pronunciation method of Korean lyrics appeared in K-Pop and the diction of Korean lyrics used by Korean American hip hop singers in late 90s. This research will identify the primary cause of the diction fusion phenomenon in the course of history of K-Pop.

• Journal of the Korea Fashion and Costume Design Association
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• v.9 no.2
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• pp.167-178
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• 2007

The purpose of this study is to systematically examine fusion phenomenon in the cultural aspect aiming to grasp the characteristics of fusion phenomenon, which has a steady impact on fashion trend. A reason for fusion to be noted as a cultural code is because diversely cultural interpretations are impossible from one viewpoint. Therefore, it is aimed to inquire into the characteristics of fusion culture, which is one phenomenon of newly mass culture, and to examine which cultural fusion phenomenon in modern fashion is being displayed in fashion design. First, the culturally fusion phenomenon, which was indicated in modern fashion, is displayed as repetition. The fusion, which integrates into fashion as a cultural code, is a trend of pursuing the experience with different culture. The needs of consumers are shown as fusion fashion that repeatedly uses the traditional detail and the modern detail through cultural repetition. Second, it is displayed as transformation. A concept of fusion is not the simple aggregate in [1+1=2], but the creation of new culture called [1+1=1]. In modern fashion, the cultures in the East and the West are harmoniously transformed, and through transformation, each culture is being compressively delivered. Third, it is displayed as interdependency. The fusion fashion which was newly re-interpreted while having reciprocal influence upon mutual culture, is re-interpreted by forming the equal relationship in heterogeneous elements without destroying fashion that was made previously.

• Proceedings of the IEEK Conference
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• 2001.09a
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• pp.635-638
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• 2001

본 논문에서는 수중 환경에서 분산 소나 시스템의 최적 정보 융합에 관한 알고리즘을 제시하였다. 기존의 방법은 Bayesian 법칙을 이용하여 local 소나와 퓨전 센터의 문턱치를 적절히 조절하여 분산 소나 시스템을 최적화했다. 그러나, 이러한 최적화 과정에서 소나의 개수를 늘려감에 따라 P/sub F/(false alarm probability)가 단조 증가하는 현상이 발생하였고 이러한 단점을 보완하기 위해 P/sub F/를 작은 간에 제한시키고 Bayesian 법칙과 Neyman-Pearson 법칙을 함께 적용하여 분산 소나 시스템을 최적화시킨다. 그러나, 이러한 조건 하에 시스템을 최적화시키는 것은 N-P hard 문제에 의해 계산 부하가 매우 크므로 unate 함수와 SQP(Sequential Quadratic Programming)을 이용하여 계산 부하를 감소시켰다.

• Proceedings of the Korea Multimedia Society Conference
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• 2001.11a
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• pp.308-313
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• 2001

최근 인터넷의 급속한 성장과 빠른 보급, 정보통신 분야의 기술퓨전 현상들은 인터넷을 이용한 다양한 컨텐츠의 개발을 가속화시키고 있다. 특히 멀티미디어 스트리밍 기술은 일반 사용자들에게 동영상은 물론 풍부한 멀티미디어 데이터 전송을 통하여 능동적인 대화형 서비스를 제공할 수 있는 장점들을 가지고 있다. 본 논문에서는 사용자의 접속 횟수 및 접속시간 등의 빈도수에 따른 사용자 개인 가중치를 이용하여 사용자에게 보다 친숙하고 흥미를 유발할 수 있는 비디오 데이터 서비스를 제공하고자 하였으며, 카테고리 기반 및 키워드 기반에 따른 사용자 접근 정보를 이용하여 비디오 데이터를 분류하고 선별한 검색 서비스를 제공하고자 하였다. 또한 비디오 브라우징 시스템을 이용하여 사용자가 원하는 항목에 대한 비디오 검색을 장면 검색에서 샷 검색까지 프레임단위로 동영상을 이용하여 브라우징 할 수 있도록 하였으며, 해당 영역의 텍스트 및 관련 정보를 보다 세밀하고 정확하게 브라우징 할 수 있도록 정보를 제공하고자 하였다.

• Proceedings of the Korea Multimedia Society Conference
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• 2001.11a
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• pp.303-307
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• 2001

최근 인터넷의 급속한 성장과 빠른 보급, 정보통신 분야의 기술퓨전 현상들은 인터넷을 이용한 다양한 콘텐츠의 개발을 가속화시키고 있다. 특히 멀티미디어 스트리밍 기술은 일반 사용자들에게 동영상은 물곤 풍부한 멀티미디어 데이터 전송을 통하여 능동적인 대화형 서비스를 제공할 수 있는 장점들을 가지고 있다. 비디오 편집시스템은 데이터의 종류에 따라서 제안된 알고리즘과 자동/수동 분류방식을 이용하여 장면전환 검출의 정확성과 효율성을 높이고자 하였으며, 사용자의 요구에 적합한 의미 정보들을 추출하고 편집하여 내용기반 데이터베이스 시스템을 구축하고자 하였다. 또한 원격에서 웹을 통한 브라우징 서비스를 통하여 데이터베이스로부터 사용자의 요구에 능동적으로 대처할 수 있는 비디오 브라우징 서비스를 제공하고자 하였다.

• Journal of the Korean Society of Food Science and Nutrition
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• v.46 no.10
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• pp.1178-1185
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• 2017

Two types of kimchi with a different total acidity (TA, 0.75% or 1.19%) were heated at $100^{\circ}C$ for up to 60 min to develop a gratin added with heated-kimchi. Their browning index and color intensity increased with increasing heating time, which was more apparent for the kimchi with the higher TA. This was attributed to the Maillard reaction facilitated at a higher heat intensity and by the smaller fermentation products. The same tendency was also observed for the antioxidant activities determined by the total reducing capacity, metal-chelating activity, and 2,2-diphenyl-1-picrylhydrazyl (DPPH) radical scavenging activity. In particular, heating kimchi at $100^{\circ}C$ only for 10 min increased the activities significantly. Therefore, the heated-kimchi was added to gratin at 20%. With the addition, the dietary fiber, ${\gamma}-aminobutyric$ acid (GABA) and ornithine contents in the gratin were increased appreciably (P<0.01). Nevertheless, there was little change in its salinity. The antioxidant activities of the gratin were significantly (P<0.001) higher than the control gratin without kimchi, with DPPH radical scavenging activity being 3.6 times higher. The results suggest that the functionality of kimchi could be effectually added to gratin even after heat treatment.

• The Journal of the Korea Contents Association
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• v.11 no.2
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• pp.251-258
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• 2011

Nowadays, 'fusion style' television programs are increasingly found in the production of television program. Originally such a trend has been developed with a purpose of changing tedious cultural program into entertaining style. Recently, however, it has also become as an alternative style of genre which is against from lasciviousness or lewdness of entertaining programs. This study is designed to analyse the characteristics of television production and theorize a producing process of the television genre-over program As a result of various aspects of research, it is found that recent producers who make genre-over program choose any kind of genre which is thought to be needed for their program, without any limitation in terms of methods or skills for specific genre. And with this change of concept for making programs, genre-over programs are newly defined as the entertaining programs, in which its entertaining function is widen and broaden, absorbing the informative function of cultural programs.

• Journal of Digital Contents Society
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• v.19 no.1
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• pp.165-171
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• 2018

Shadow is a physical phenomenon observed in natural scenes and has a negative effect on various image processing systems such as intelligent video surveillance, traffic surveillance and aerial imagery analysis. Therefore, shadow detection should be considered as a preprocessing process in all areas of computer vision. In this paper, we define and analyze various feature elements for shadow detection in a single natural image that does not require a reference image. The shadow elements describe the intensity, chromaticity, illuminant-invariant, color invariance, and entropy image, which indicate the uncertainty of the information. The results show that the chromaticity and illuminant-invariant images are effective for shadow detection. In the future, we will define a fusion map of various shadow feature elements, and continue to study shadow detection that can adapt to various lighting levels, and shadow removal using chromaticity and illuminance invariant images.