• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2021.06a
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• pp.135-136
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• 2021

최근 지상파 UHD 방송에서는 자막을 비디오 패킷에 삽입하여 전달하는 기존 방식이 아닌 별도의 전송로로 전달하는 폐쇄형 자막(closed caption) 방식을 적용하고 있다. 또한 자막에는 문자 뿐만 아니라 이미지까지 포함하여 청각장애인의 프로그램 이해도를 높이는데 활용할 수 있다. 따라서 본 논문에서는 청각장애 시청자가 방송 콘텐츠 내용의 이해도를 향상시키기 위하여 지상파 UHD 방송에서 기존의 문자 자막과 움직이는 이미지 자막(=감정표현 자막)을 수신하여 동시에 표현할 수 있는 수신시스템을 제안한다.

• Proceedings of the Korea Institute of Convergence Signal Processing
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• 2000.12a
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• pp.57-60
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• 2000

Even if the video data is utilized for a lot of field, its very difficult to reuse and search easily because of its atypical(unfixed form) and complicated structure. In this study, we presented the video retrieval system which is based on the synchronized closed caption and video, SMIL and SAMI languages which are described to structured and systematic form like multimedia data These have next structure; At first, a key word is inputted by user, then time stamp would be sampling from the string which has a key word in the caption file. To the result, the screen shows an appropriate video frame.

• Journal of Korea Game Society
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• v.19 no.1
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• pp.73-84
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• 2019

This study is intended to suggest ways to improve the quality of the service of subtitles provided for the convenience of viewing for deaf people on e-sports broadcast content and game streamer content. Generally, subtitling files of broadcast content are manually written on air by stenographers, so a delay of 3 to 5 seconds is inevitable compared to the original content. Therefore, the present study proposed the formation of an automatic synchronization calibration system using speech recognition technology. In addition, a content application experiment using this system was conducted, and the final result confirmed that the time of synchronization error of subtitling data could be reduced to less than 1 second.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2012.07a
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• pp.222-224
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• 2012

본 논문에서는 듀얼 스트림 기반의 지상파 양안식 3DTV 서비스를 위하여, 상용제품의 MPEG-2 인코더와 AVC/H.264 인코더를 이용하여 부호화할 경우, 두 개의 인코더에서 출력되는 MPEG-2 전송스트림을 입력받아 좌우 영상의 스트림을 프레임단위로 동기화하는 방법을 제안한다. 제안하는 동기화 방법은 좌우 HD-SDI 신호의 수직 보조 데이터 공간(VANC-Vertical ANCillary data space)에 동기정보를 삽입하고, 이 동기정보를 바탕으로 2 개의 DTV 인코더에서 출력되는 좌우영상의 전송스트림을 동기화할 수 있도록 한다. 따라서, 본 논문에서 동기정보는 기존의 상용 DTV 인코더에서 프레임 단위로 부호화를 지원하는 폐쇄자막(Closed caption) 구문에 따라 VANC 에 삽입하는 방법을 제안한다.

• The Journal of the Acoustical Society of Korea
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• v.20 no.2
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• pp.16-20
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• 2001

An important aspect of video program indexing and retrieval is the ability to segment video program into meaningful segments, in other words, the ability of content-based video program segmentation. In this paper, a new approach using speech recognition technology has been proposed for content-based video program segmentation. This approach uses speech recognition technique to synchronize closed caption with speech signal. Experimental results demonstrate that the proposed scheme is very promising for content-based video program segmentation.

• The Journal of the Convergence on Culture Technology
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• v.10 no.2
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• pp.499-503
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• 2024

Broadcasting programs are provided to various media such as Internet replay, OTT, and IPTV services as well as self-broadcasting. In this case, it is very important to provide keywords for search that represent the characteristics of the content well. Broadcasters mainly use the method of manually entering key keywords in the production process and the archive process. This method is insufficient in terms of quantity to secure core metadata, and also reveals limitations in recommending and using content in other media services. This study supports securing a large number of metadata by utilizing closed caption data pre-archived through the DTV closed captioning server developed in EBS. First, core metadata was automatically extracted by applying Google's natural language AI technology. The next step is to propose a method of finding core metadata by reflecting priorities and content characteristics as core research contents. As a technology to obtain differentiated metadata weights, the importance was classified by applying the TF-IDF calculation method. Successful weight data were obtained as a result of the experiment. The string metadata obtained by this study, when combined with future string similarity measurement studies, becomes the basis for securing sophisticated content recommendation metadata from content services provided to other media.

• Journal of Popular Narrative
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• v.25 no.4
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• pp.263-288
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• 2019

Barrier-free films enhance accessibility to audiovisual image contents by providing specific information on screen and through sound so that people with vision or hearing loss can receive the same amount of information as those without disabilities and immerse themselves in the audiovisual images. This study pays attention to barrier-free audiovisual contents in relation to the cultural civil rights of people with vision or hearing loss in South Korea. While institutional efforts have been made in the 2010s to improve the access to audiovisual media of people with vision or hearing loss, the goal of enabling people with vision or hearing loss to fully enjoy all audiovisual contents at a level equal to the non-disabled has not yet been realized. Amid the lingering conflict between disabled groups and multiplexes that has lasted years, the global video streaming service Netflix has aggressively threatened the dominance of local multiplexes with the launch of its Korean service. As Netflix, which is subject to U.S. regulations guaranteeing the rights of people with vision or hearing loss, has produced original dramas and movies involving Korean production teams, the cultural civil rights discourse of the disabled has transitioned to the issue of the rights of cultural consumers crossing national borders in the era of globalization. Changes in the media environment raise the issue of civil rights guarantees in which disabled people enjoy the right to simultaneously watch movies and comment on movies by participating in a common discourse, equally with non-disabled people. The "right to be part of the audience for Korean cinema" for Korean deaf people, which has long been neglected, should also be considered as a cultural civil right that crosses the boundaries of language, nation and disabilities. This essay examines the current issues surrounding the right to cultural entertainment of people with vision or hearing loss in South Korea in conjunction with the contemporary trend of rapid changes in the media environment and the global spread of the movement for cultural civil rights of people with disabilities, and suggests the need for visual culture studies to take a serious step toward disability studies.