• Journal of Korean Classical Literature and Education
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• no.37
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• pp.47-73
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• 2018

This thesis aims to find out the purpose of recording . I tried to understand the reason that the compiler of included this song in the record of King Yuri. The result of tracking the intention of the compiler in this thesis is as follows. I think that was chosen as a symbol of King Yuri's character, especially connected with his inner side. By introducing a hobby that contained the inner side of King Yuri, the compiler implied that his failures and mistakes in subsequent governments stem from human limitations that did not adequately refine his qualities. I think that the compiler who showed the character of King Yuri through only one short song also showed the highest level of enjoying poetry. The enjoyment of literature is a pleasure in understanding the life of someone through literature and bring it back into their lives. In this respect, by pursuing the intend of the compiler, we will be close to the value of the song, .

• The Journal of the Convergence on Culture Technology
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• v.8 no.6
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• pp.333-339
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• 2022

Finding traces of the numerous contexts that exist in our culture surrounding an old-narrative and leading to it's textualization provides a chance to read the story anew. The 'Pieun(避隱)' section of 'Samgukyusa' contains the stories of people who hide from the world and avoid it, as well as the different types of stories by the compiler, the Buddihist monk, Ilyeon. In other words, the compiler has textualized the story. This study aims to attentively analyze the specific story in the 'Pieun' section and read the insights of the compiler on whether to move into the world or hide from the world. Through this analysis, it is apparent that the episode of 'Pieun' does not only illustrate the characters who wish to escape or hide from the world, but it also enables readers to grasp the intention of Ilyeon who deliberately includes the banquet story which is contrary to the meaning of the title. In the 'Pieun', he emphasizes that the behavior of revealing and hiding oneself to and from the world has significant religious and cultural meanings for an individual. The writer, without distinguishing people who move into the world or hide from it, used the Buddhist Dialectictics method to present a different interpretation.

• KLA journal
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• v.34 no.4 s.281
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• pp.39-65
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• 1993

본고는 DDC 20판의 제1권에 실려 있는 ‘Introduction to the Dewey Dcimal Classification'을 번역한 것이다. 이 서론은 DDC 20판을 사용하기 위한 기본적인 사항들을 그 편찬자들이 상세히 설명하고 있는 것으로서, 일선 실무사서는 물론 DDC에 입문하는 학생들에게도 중요한 자료가 될 것이다.

• KLA journal
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• v.38 no.3 s.304
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• pp.3-39
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• 1997

본고는 DDC 제21판의 제1권에 실려 있는 "Introduction to the Dewey Decimal Classification"을 원출판사로부터 한국어 번역권을 얻어 우리말로 옮긴 것이다. 이 서론은 DDC 제21판을 사용하기 위한 기본적인 사항들을 그 편찬자들이 상세히 설명하고 있는 것으로서, 일선 실무 사서는 물론 DDC에 입문하는 학생들에게도 중요한 자료가 될 수 있을 것이다.

• Journal of the Korean association of regional geographers
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• v.18 no.1
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• pp.27-41
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• 2012

This research aims to organize and introduce "Dongyeopyengo(東輿便攷)" housed by the National Library of Korea that contains a limitless number of proofreading and adding marks in the margin of the pages, and to look into the academic value that it has in the history of geography book compilation. In conclusion, first, "Dongyeopyengo" was compiled with contents originated from "Sinjungdonggukyeojisungnam(新增東國輿地勝覽)" removed, under the reign of King Sunjo(純祖, 1800~1834). Second, mostly under the reign of King Sunjo, "Dongyeopyengo" has gone through proofreading and adding process based on information from "Donggukmooneonbigo (東國文獻備考)". Third, under the reign of King Heonjong(憲宗, 1834~1849), proofreading and adding work was performed based on various materials including "Jungjeongnamhanji(重訂南漢志)". Fourth, the compiler of "Dongyeopyengo" is surely Kim Jeong-ho(金正浩), considering documentations on the transfer of central city of Yangju (楊州) and the overall tendency found in geography book compilation. "Dongyeopyengo" is an important documentation that depicts the process of geography books that proceeded in the early years of his life as the greatest geographer in Korea, and it holds academic values in that it helps us to understand the life of Kim Jeong-ho prior to 1834, to which people has not paid much attention due to the lack of material and documents.

• The Science & Technology
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• v.32 no.5 s.360
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• pp.86-87
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• 1999

고려 명종때의 과학자이며 사학자였던 권경중은 상서 지제고 등 벼슬에 오른 사람으로 '고려사'에 소상하게 소개되고 있다. 권경중은 신선술에 빠져있던 사람으로 이규보 등과 함께 1186년 '명종실록'을 편찬하기도 했다. 그는 일식과 월식을 재이로 풀이했는데 일식은 내란과 가뭄ㆍ홍수의 징후로 보아왔으며 무지개ㆍ흙비ㆍ안개 등도 재이를 몰고다닌다고 주장해 왔다.

• Sijohaknonchong
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• v.25
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• pp.211-237
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• 2006

Mansebo[만세보] contains a total of 111 old shijos under the title of Haedongyeongeon[해동영언]. This dissertation presumes Haedongyeongeon[해동영언] as early 20th century shijo text and surveys its literary characteristic and its significance in relation with anthological compilation. Haedongyeongeon can be seen as both newspaper serials and a short anthology. The basic pattern of the serials shows an organization of 'title. musical designation, author. text. and a brief review. Of these, the review is what most clearly shows the characteristic of the serials. The review is written in Chinese followed by Korean letters to designate the sound of the Chinese. which is presumably designed to attract more readers for the newspaper. On the other hand, Haedongyeongeon[해동영언], when seen as a collection of works printed in serials, clearly shows an intention of compiling an anthology, particularly in its way of overall classification of works or arranging works according to their authors, and thus may well be defined as a short anthology. This anthology somewhat excessively pursues perfection in formality, and is characterized by its strong intent to be read as popular literature, and therefore could be said to manifest the general characteristic of 20th century anthologies. The planner of the serial Haedongyeongeon[해동영언], or the compiler of the anthology is thought to be one of the core figures of Mansebo[만세보], that is, O Sechang[오세창], Lee Injik[이인직], Choi Yeongnyeon[최영년], Shin Gwanghui[신광희], but of them all, considering all circumstances, Choi Yeongnyeon[최영년] is most likely to be the one. Lastly, it is presently unknown what anthology was used as the basis of Haedongyeongeon[해동영언] and accordingly any judgement on that head has been deferred.

• The Science & Technology
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• no.5 s.408
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• pp.8-9
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• 2003

자생식물에서 간경화 치료물질 개발/ 식물 분류학지 남북 공동 편찬/ 학교 집단 식중독 원인은 바이러스/ 위장질환 진단용 마이크로 소자 개발/ 국내 멸종 추정 '초령목' 제주서 발견/ 인터넷 사이트, 커뮤니티 뜬다/ 과학고, 영재반 이수자에 입학 혜택/ 성인병 '생활습관병'으로 바꾼다

• The Science & Technology
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• v.33 no.11 s.378
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• pp.42-44
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• 2000

고려 말 공민왕 때의 백문보는 수치를 만들어 가뭄피해를 줄여야한다고 임금에게 상소한 대학자이다. 우리 역사상 최초로 수차의 중요성을 제창한 백문보는 중국에서는 수차를 보급하여 가뭄걱정을 않고 농사를 짓고 있는데 우리는 한길도 안되는 아래 웅덩이의 물을 이용할줄 모른다 한탄했다. 그러나 기술 부족, 지형적 특성 그리고 정책의 일관성 부족 등으로 수차가 널리 보급되지는 못했다. 임금 앞에서 강의도 했던 그는 단군의 기원을 분명하게 계산한 학자로 '홍건적의 난'때 불타버린 국사를 다시 편찬하는 대사에도 참여했다.

• Sijohaknonchong
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• v.24
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• pp.139-171
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• 2006

'Geumokchongbu' that is Gajib(a book of songs) is composed only the works of An Minyoung. Ahn Minyoung was not only an editor of Gajib and also Musician that is a kind of singer, Because of his works, he is the one who should be studied for the history of literature of Sijo in the latter period of Chosun, especially in 19th century. Through the studies on 'Geumokchongbu' that is the Gajib edited by Ahn Minyoung. his excellent musical talent could be confirmed. 'Geumokchongbu' which is another Gajib in compared to 'Gagokwonryu' was produced under his careful musical consideration. The tunes shown on Gajib reflected the situation of Gagok just as it was sung and played in that period. Generally, the system of Gajib which was edited in that period Including 'Geumokchongbu' was continued on nowaday's tradition of singing and playing the Gagok. Nevertheless lots of studied results about Ahn Minyoung, the editor of Gajib. was reported. his personal aspect still was not explained for many detailed part. The introduction o( the background of works and various explanation was recorded for each work in 'Geumokchongbu'. The written year of works was found in the introductions. and some of Ahn Minyoung's life could be traced through the chronicle. It could be confirmed for his broad knowledge about music and detailed reality of active correspondences with many loyal family including Daewongun, Lee Haeung and artists in that period. The existence of a type of singing and playing which takes any part of specific tunes shown on Gajib was confirmed. For example, Hachuksi, a blessing poem, dedicated for Daewongun or loyal family was created for supposing singing and playing thoroughly. Accordingly, Hachuksi dedicated to specific persons might be sung and played at the same place, and in the same bundle. Through the study, the way of singing and playing the Gagok was much various, and the variety was confirmed concretely.