• Title/Summary/Keyword: 콘텐츠 제작방식

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A Study on Gamepad/Gaze based Input Processing for Mobile Platform Virtual Reality Contents (모바일 플랫폼 가상현실 콘텐츠에 적합한 게임패드/시선 기반 입력 처리 기술에 관한 연구)

  • Lee, Jiwon;Kim, Mingyu;Jeon, Changyu;Kim, Jinmo
    • Journal of the Korea Computer Graphics Society
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    • v.22 no.3
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    • pp.31-41
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    • 2016
  • This study proposes suitable input processing technique for producing the mobile platform based virtual reality contents. First of all, we produce the mobile platform based virtual reality interactive contents to be used in experiments for improve user's immersion who experience the virtual reality contents, get interests and design the input processing that easily controllable. Then design the input processing technique in two methods, with gamepad that accessibility to mobile and with directly through user's gaze to interface. Through virtual reality based input processing technique that we proposed, we analyse effect of improve user's immersion, cause of get interests and whether provide the convenience or not for controlling contents through experiments. Moreover we verify whether bring negative psychological elements like sickness, fatigue or not.

Selecting an Optimal Stereoscopic Image using Mono Camera (단안 카메라를 이용한 최적의 입체영상 선택 방법)

  • Lee, Kwan-Wook;Jang, Seong-Eun;Kim, Man-Bae
    • Proceedings of the Korean Society of Broadcast Engineers Conference
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    • 2011.07a
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    • pp.532-534
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    • 2011
  • 최근 입체 콘텐츠 및 디스플레이의 지속적인 발전과 관심도가 증가하고 있고, 입체 변환에 대한 연구가 활발히 진행되어지고 있다. 본 논문에서는 단일 카메라로부터 획득한 다수의 영상을 이용하여 최적의 입체영상을 선택하는 방법에 대하여 제안한다. 이러한 방식은, 스테레오 카메라를 이용하여 입체를 제작하는 방식과 단일 영상의 깊이 정보를 이용하여 입체로 변환하는 방식의 단점을 없애고 장점을 가져올 수 있다. N 장의 영상을 획득한 후, 에지의 방향성을 계산하여 주각을 구한다. 또한 임의의 두 장을 선택한 후 두 영상에 대한 프로젝션 데이터를 구하여 상관관계를 계산한 후, 이를 이용하여 이동벡터를 구한다. 이 두 가지 변수를 이용하여 최적의 입체영상을 선택하고, 입체로 시청 가능하도록 보정한 후 입체영상으로 제작한다. 실험에서는 분석을 수행하여 성능을 평가한다.

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A Study on the Digital Motion-graphics for Facade Projection (Facade Projection의 디지털 영상 제작에 관한 연구)

  • Lim, Kyoung Hun
    • Proceedings of the Korea Contents Association Conference
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    • 2010.05a
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    • pp.508-510
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    • 2010
  • 디지털 기술의 발전은 디지털 미디어의 발달을 가져왔고 이는 곧 디지털 미디어의 다양한 영역 확장으로 이어졌다. 기존 미디어의 한계를 벗어난 다양한 시도들은 새로운 패러다임을 만들어 내며 하나의 미디어 영역을 구축해 나아가고 있다. 그런 영역 중에 하나인 Facade projection은 현실 공간이나 인위적 공간에 프로젝터로 이미지나 영상을 투영하여 공간의 디지털화, 가상현실, 착시와 같은 효과들을 만들어 내며 미디어 작품이나 상업적인 미디어로서의 가능성을 보여주고 있다. 본 연구는 Facade projection에 사용되어지는 디지털 이미지나 영상들이 어떤 방식으로 만들어지고 있는지 사례분석과 그 과정을 연구 분석하고자 한다.

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A study on the Factors of Success and Failure of Remake Games (리메이크 게임의 성공과 실패 요인 연구)

  • Kwon, Min-Jung;Lee, Jong-Won
    • Proceedings of the Korean Society of Computer Information Conference
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    • 2021.07a
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    • pp.175-177
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    • 2021
  • 최근 게임 시장에서는 과거에 인기를 끌었던 게임들이 리메이크되어 다시 출시되는 것이 주요한 트렌드로 자리 잡고 있다. 본 논문에서는 리메이크가 게임 시장에서 주요한 트렌드로 자리잡게 된 이유와 본 논문에서는 리메이크가 게임 시장에서 주요한 트렌드로 자리잡게 된 이유와 해당 방식으로 제작된 게임들의 사례를 파악하여, 앞으로 게임을 리메이크 할 때 고려해야할 사항을 제시한다.

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A Study on Course Preference according to Application of Web Identity in e-Learning (이러닝에서의 웹 아이덴티티 적용에 따른 과목 선호도 연구)

  • Hwang, Jung-Hye;Lee, Hyung-Ju
    • 한국HCI학회:학술대회논문집
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    • 2007.02b
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    • pp.200-205
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    • 2007
  • 본 연구에서는 컴퓨터를 이용해 시간과 공간에 구애 받지 않고 교사와 학생, 학생과 학생이 쌍방향으로 대화할 수 있는 첨단의 교육환경인 이러닝의 콘텐츠에 대한 연구를 진행하였다. 이러닝에서의 콘텐츠 디자인은 교육의 효율성과 수월성의 측면에서 많은 연구가 필요하다. 본 연구에서는 이러닝에서 교육 콘텐츠의 제작에 있어 웹 아이덴티티 적용의 필요성과 그 개념 및 효율성에 대한 연구를 수행하였다. 이론 고찰을 통해 이러닝에서 웹 아이덴티티가 학습에 미치는 효율적 작용을 연구하였고, 실증적 조사연구를 통해, 이러닝에서의 웹 아이덴티티 구현과 과목 선호의 상관관계를 규명하였다. 조사 방법으로는 가설을 세우고 이를 검증하는 방식으로 이루어졌으며, 가설은 '웹 아이덴티티가 적용된 이러닝 콘텐츠는 과목 선호에 영향을 주어 학습동기유발 및 학업 성취에 긍정적인 영향을 준다'로 설정하였으며, 사이버대학교 재학생을 대상으로 웹을 통한 이러닝에서 학습 콘텐츠에 웹 아이덴티티 적용 유무에 따른 과목 선호를 조사하였다. 이 조사를 통해 이러닝 콘텐츠에서 웹 아이덴티티 구현이 과목 선호도에 긍정적인 영향을 준다는 것이 확인되었다.

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On Production System by One-Person Production System in Broadcasting Program Production (방송프로그램제작에 있어 1인 제작시스템 변화)

  • Lee, Jong-Tak;Kwak, Hoon-Sung
    • The Journal of the Korea Contents Association
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    • v.7 no.8
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    • pp.117-124
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    • 2007
  • The one-person producing system is that planning program, arrangements, composition, taking pictures and edition are all done by only one person. In the reality of the producing systems of the broadcasting programs, as the number of the broadcasting stations, which apply one-person producing systems, is gradually increasing, the study on the change is going on. In this study I grasped the merits and demerits of both systems ; multi men producing system and one-person producing system. And then I analyzed the sudden change of the method of the producing programs into one using the 6m digital camera. The merits of producing programs by means of the 6m digital cameras are following ; the mobility of producing programs, a close contact with the source, the enlargement of the diversity of the contents and cutting down expenses. The demerits of it are following ; a lowering of the degree of completion and the unstableness of an image. Nowadays because of the enlargement of the rate of the outsourcing production, the number of the independent production studios rapidly increased. From the viewpoint of cutting down expenses and the diversity of contents, the number of broadcasting programs produced by means of one-person producing broadcasting program system is increasing.

Content design for Gamification applied to advertising in user interaction (사용자 상호작용에 광고를 적용한 게이미피케이션 콘텐츠 설계)

  • Jung, WonJoe;Lee, ChangJo
    • Journal of Korea Game Society
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    • v.17 no.1
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    • pp.71-78
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    • 2017
  • In this paper, we investigated the approach of advertisement to game users. The interaction area in the game was considered to be an effective advertising delivery area. In order to verify this, theoretical research was applied to the theory of advertising in game interaction. Then, based on the theory, we designed and produced the contents of the Gamification contents. The game was produced by being classified as exposed advertisement and interactive advertisement. Based on these two, professional focus test was conducted. As a result, we have verified the design of a Gamification advertisement applied to game interaction. The validity of the theory of Interactive Advertising Design was acknowledged. However, production verification proved to be below average.

Influence of the Change of Advertisement Policy in Broadcasting Industry (광고제도 변화가 방송 제작산업에 미친 영향)

  • Roh, Dong-Ryul
    • The Journal of the Korea Contents Association
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    • v.15 no.7
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    • pp.138-147
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    • 2015
  • The primary focus of Korea's advertisement policy has been on the securing of stability in the market through building categorical entry barriers whenever a new broadcaster came into the market. But the recent contraction of the advertisement market is pressing the policy makers to lift the categorical barriers to create one large-enough market. This change in the policy and the market, in turn, is triggering heightened competition among drama producers to get advertisements, at times, even at the expense of cost efficiency. The market is supposed to search for its own equilibrium in principle. This means that players, who fall behind, should be left to die out and exit, and the patient policy to let the market function on its own should be institutionalized. Separately, the fee-based public broadcasters should be banned from running advertisements.

Special Purpose Company and Drama Production: A Case Study of KGCS (방송드라마 제작방식으로서 문화산업전문회사에 대한 연구: KGCS문화산업전문회사를 중심으로)

  • Yu, Konshik;Moon, Sanghyun
    • The Journal of the Korea Contents Association
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    • v.14 no.2
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    • pp.172-180
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    • 2014
  • The purpose of this study is to examine how the Munjeonsa(SPC) has influenced the way terrestrial broadcasting networks produce drama. The study has three research objectives. First, this study investigates why the networks use SPC for drama production. Second, the study examines the features in the process of the setup and operation of SPC. Third, the study identifies the impacts of SPC on networks' drama production. This study analyzes which was produced by KBS SPC. The results of this study are as follows. First, networks introduce SPC to procure an enormous production costs and to manage the production system transparently and efficiently. Second, the feature of networks' SPC(KGCS SPC) is that it has a unique dual structure with main and project SPC. Third, SPC influences drama production system in various ways; revitalization of external investment, accounting transparency, growing of network's planning dramas, securing intellectual properties and revenue diversification.

Faction Contents' Practical Study for Korea Film Production's Variety (한국 영화 제작의 다양성을 위한 팩션 콘텐츠 활용 연구)

  • Han, Dal-Ho
    • The Journal of the Korea Contents Association
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    • v.9 no.2
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    • pp.193-202
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    • 2009
  • This dissertation is considerably studied Faction Genre which is embossed as a new image content, and it is figured out practical used works' possibilities for Korea film production's varieties. Faction, a neologism, which is combined by Fiction and Fact, is a boundary as limits. If authentic history is closed to a truth, it is a record history description method. Also, if unauthorized history is closed to a fake, it is a fictitious history description method. In addition, macro history and micro history are respectively connected to social criticism's matter and personal action, and these can make various analyses, depend on a boundary's limits and personal analysis. On the other hand, history film could be remembered to audience merely history film itself without existed history's fact. However, there are Faction Genre's Genre possibility and film's attraction which indirectness experience of historic fact could be experienced through film. For Faction Genre’s developing solution, there are three cognitive switches; audience's interpretation ability about history film through watching perception, linking between the past and the present for audience through communication with history, audience's considerable decision about history first or fiction first as film writer's interpretation. Above all, hopefully filmic pressure can be shown with historical true to audience. Therefore, it would be Korea Faction Genre's attraction and hope.