• KOREAN POULTRY JOURNAL
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• v.18 no.3 s.197
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• pp.121-125
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• 1986

본고는 미국 알칸사주립대의 이광 박사가 월간양계 독자들을 위해 특별기고한 것으로 카니발리즘에 대한 문헌을 체계적으로 정리, 3회에 걸쳐 게재할 예정이다.

• KOREAN POULTRY JOURNAL
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• v.18 no.2 s.196
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• pp.68-73
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• 1986

본고는 미국 알칸사주립대의 이광 박사가 월간양계 독자들을 위해 특별기고한 것으로 카니발리즘에 대한 문헌을 체계적으로 정리, 3회에 걸쳐 게재하고 있다.

• KOREAN POULTRY JOURNAL
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• v.18 no.1 s.195
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• pp.99-102
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• 1986

본고는 미국 알칸사주립대의 이광 박사가 월간양계 독자들을 위해 특별기고한 것으로 카니발리즘에 대한 문헌을 체계적으로 정리, 3회에 걸쳐 게재할 예정이다.

• Korean Journal of Environment and Ecology
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• v.26 no.3
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• pp.342-347
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• 2012

This study was conducted to demonstrate the relationship between experience of cannibalism and difference of phenotype in the Korean salamander Hynobius leechii from March to April 2011. We examined whether the different polyphenism of larval salamander is induced as a result of indirect cannibalism in early life cycle. We divided into two groups(one group continuously exposed to the indirect cannibalism and the other group never exposed to the cannibalism). We measured the head width at the level of eyes(HWE), the largest head width(LHW) and snout-vent length(SVL) of the each larva then calculated the ratio of the head size by dividing HWE by LHW. We found that exposure of indirect cannibalism in early life cycle cause the different polyphenism. Our result means the larval salamander responded to the chemical cue from conspecific.

• Journal of Wetlands Research
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• v.15 no.4
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• pp.485-491
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• 2013

This study examined the cannibalistic polyphenism of larval salamander Hynobius leechii by the level of predation risk. Salamander eggs were collected from three regions (Mountain Inwang, Mountain Surak and Gwangju). Eggs were treated by three different risk conditions: (1) high risk, predation risk three times a day; (2) medium risk, predation risk once a day; and (3) low risk, no predation risk. Predation risk was conducted using a chemical cue from Chinese minnows. The chemical cue treatment started from the day of collection and ended one week after hatching. Post-treatment measurements were head width at the level of the eyes (HWE), largest head width (LHW), and Snout-vent length of the each larva. To compare the morphological change according to the predation risk, we modified the two head size, HWE and LHW, to HWE/LHW. A significant difference in HWE/LHW and snout-vent length was evident according to the level of predation risk. And larval mortality was increase by the predation risk. The results indicate that predation risk can cause cannibalistic polyphenism of larval salamander and this morphological change could influence larval mortality.

• KOREAN POULTRY JOURNAL
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• v.5 no.5 s.43
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• pp.109-111
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• 1973

• Korean Journal of Environment and Ecology
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• v.32 no.3
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• pp.256-260
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• 2018

Cannibalism is a widely observed phenomenon in the animal kingdom. However, it is rarely found among birds outside nests in the wild because it occurs irregularly and it is almost impossible to monitor animal behavior constantly. On 17 January 2017, this behavior was directly observed from a group of vultures feeding on a conspecific in a paddy field near Lake Geumho in Haenam-gun ($34^{\circ}35^{\prime}58.25^{{\prime}{\prime}}N$, $126^{\circ}26^{\prime}57.64^{{\prime}{\prime}}E$). It was observed and recorded with the binoculars and a camera with a telephoto lens in a car approximately 20 m (or 60 m) away from the site. The observer approached the feeding site after the last vulture had finished feeding and flown away and found remains of a vulture, including body feathers, skull, sterna keel, and both legs. It was the first report of cannibalism in Cinereous vulture Aegypius monachus in its overwintering grounds. The remaining skeleton was very fleshy, and the surrounding grass was wet with the blood of vulture. No other traces of a mammal or bird that could have been the vultures' prey were found. This report provides a detailed account of the events related to this rare observation and the causes that might have led to it.

• Iberoamérica
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• v.21 no.2
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• pp.25-52
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• 2019

Esperpento denotes a literary style in Spanish literature first established by Spanish author Ramón María del Valle Inclán that uses distorted descriptions of reality in order to criticize society. And esperpento's narrative strategy is similar in many ways to Mikhail Bakhtin's carnivalism. Especially Valle Inclán's first esperpentic theatre, Luces de Bohemia contained various carnivalistic elements of Bakhtin. The various techniques of Valle Inclán's esperpento used in Luces de Bohemia can be explained by Bachchin's carnivalist techniques. Therefore, this paper aims to re-examine the esperpentic techniques in Luces de Bohemia of Valle Inclán in terms of Bakhchin's carnivalism. Because the esperpentic tecniques of this play pursue the subversion of power or authority through the carnivalistic aspects such as polyphony, subversion of seriousness, parody, grotesque realism, plaza, ambivalence, anomalous structure of space, time and plot, etc. Esperpento and carnivalism serve as a tool to interpret the social reality, beyond criticism and satire of Spanish society. The characters act passively on all the external factors that determine human destiny, rather than actively carving their own destiny like the classic heroes. Modern man cannot defy or control the external situation of the modern civilization. So they are tragic. In this situation, the protagonist of the tragedy who challenges reality disappears and a puppet figure like Max Estrella, the protagonist of the Luces de Bohemia, takes his place on a satirical level. This is the satire and the true meaning of carnivalistic humor that Valle Inclán tried in his play.

• KOREAN POULTRY JOURNAL
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• v.50 no.12
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• pp.162-165
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• 2018

• Journal of the Korean Society of Fashion and Beauty
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• v.5 no.1 s.12
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• pp.97-111
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• 2007

This study was motivated not only by the curiosity of clown as a comedian, but also by the clown's special makeup coordination. To analyze the clown makeup coordination Carnivalism, the researcher inquired 1) clown's meaning, sorts, periodic roles and stages, 2) Mikhail Bakhtin's Carnival theory, and 3) makeup coordination of clowns (Harlequin, Pierrot, Auguste and White Face Clown) as the theoretical background. The clown makeup coordination carnival characteristics were shown in masquerade, amusement and ambiguity. The masquerade was expressed on the mask for Harlequin and white makeup for Pierrot, Auguste and White Face Clown. The amusement was revealed on the fall and the inharmony of the grotesque makeup and childish costumes. And also the ambiguity was expressed on the sexless and the infant of clown's real nature and costumes.