• Title/Summary/Keyword: 청산별곡

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The Relationship of Cheongsanbyeolgok in Goryeo Dynasty and Gangbo in Joseon Dysnaty (고려 <청산별곡>과 조선 <강보>의 관계)

  • Chung, Kyung Rhan
    • The Journal of the Korea Contents Association
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    • v.13 no.9
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    • pp.81-91
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    • 2013
  • Chongsanbyeolgok is one of Goryeo songs which might be composed in Goryeo dynasty, the composer of which is not known as well as other Goryeo songs. Balsang songs is structured with eleven songs that has been composed newly by King Sejong in Joseon Dynasty for using at Jongmyo (royal ancestral shrine), Johoe (royal audiences), performance, Gangbo is one of 11 songs in Balsang. In Sejongsillok, it is written that Balsang was composed by taking the melody and rhythm of gochwiak (processional music) or hyangak. Thus, it is interesting to know how gochwiak and hyangak, especially Chongsanbyeolgok affected structure and rhythm of Gangbo. As an analytical result of Gangbo and Chongsanbyeolgok, Gangbo consisted of 48 Haeng(line) repeated Chongsanbyeolgok's melody (10 Haeng) by three times. That is, 1-16, 17-32, and 33-48 Haeng of Gangbo excerpted from Cheongsanbyeolgok's melody, and those melodies of Gangbo are same or similar to Chongsanbyeolgok. In this report, Gangbo, one of Balsang's musics in Jos대n Dynasty is proven to be excerpted from the melody of Chongsanbyeolgok in Goryeo Dynasty and repeated.

The relationship of Cheongsan byeolgok in Goryeo Dynasty and Gangbo among Balsang in Joseon Dysnaty (고려 <청산별곡>과 조선 <발상> 중 <강보>의 관계)

  • Chung, kyung-rhan
    • Proceedings of the Korea Contents Association Conference
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    • 2013.05a
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    • pp.139-140
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    • 2013
  • <청산별곡>은 고려시대의 작자 미상의 가요이며, <강보>는 조선 세종이 창제한 <발상> 중의 한 곡으로, "세종실록"에 의하면 <발상>은 기존의 고취악과 향악에 의거하여 창제되었다고 하였으므로, 이 기록에 근거하여 이 논문은 <발상> 중 <강보>가 고려 향악인 <청산별곡>에 근거하여 창제되었음을 고증한 논문이다.

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The Characteristics in the Genres of Sijo and Byul-gok (시조와 별곡의 장르적 특성)

  • Lee chan-wook
    • Sijohaknonchong
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    • v.22
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    • pp.143-171
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    • 2005
  • Sip and Byul-Gok (New tunes), as folks musics, are musical concepts opposite to that of the Court musics. They have the tunes. typical and universal. and Byul-Gok for singing. has the words in which the properties of melodies in the structures of compositions are reflected harmoniously. The Song. or Shiga. in Koryo-Sa, History of Koryo. Acjee and Acjanggasa. named ByulGok. is divided into two types. according to the characteries of the forms.: Koryo Sokyo. or the folk songs in Koryo. such as Chengsanbylulgok. and Segyoungbyulgok. and Kyonggichega, or nobility songs in Koryo and Chosen Dynasty. such as Hallimbyulgok. Kwandongbyulgok. and Jucgyebyulgok. In addition. Gasa. or the nobility and folk songs in Chosen Dynasty. such as K wandongbyulgok. also has the title. Byul-Gok. Even though these types of the songs have the same tittle. Byul-Gok, it is not appropriate that Byul-Gok is used as a term described as a branch of the literature: in light of music. they have the properties in common in the sense that they are opposite to the Court music. but. in light of literature. their forms are very different from one another. Therefore, it is appropriate that they are classified according to the characteristics of the forms, winters, the ideology of people who enjoy them, and periods: Sokyo, Kyonggichega, and Gasa. Byul-gok means not only the folks songs opposite to the court musics, but also the songs by setting words to the melodies present. Orignal tunes and their new tunes are not different musical compositions, but the same ones with the melodies which Korean acquired transcendentally. It is general tendency, at those times, that after compositions were made, words are set to them. Such words represent the politic thought in which courtesy and music are considered important. and the spirit with which the ruler and the people enjoy together.

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Aspects of Classical Literary Materials in Secondary School Korean Textbooks and Literature Textbooks in the 2009 Revised Curriculum (2009 개정 교육과정 시기 국어·문학 교과서 고전문학 제재 수록 양상 연구)

  • Cho, Hee-jung
    • Journal of Korean Classical Literature and Education
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    • no.32
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    • pp.63-118
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    • 2016
  • The purpose of this study is to examine the change in literary materials in secondary school Korean textbooks and literature textbooks as per the 2009 revised curriculum. Literary materials in secondary school Korean textbooks have increased student awareness of literary canons because these have been taught and learned through public education. Seodongyo, Gemangmega, and Gasiri in classical poetry and the tale of Heungbu, Pongsan Mask Dance, the Tale of Ch'unhyang and the tale of Honggildong(by Heo Gyun) in classical prose are published in secondary school Korean textbooks and literature textbooks as per the revised curriculum of 2009. A three-verse Korean ode and a classical novel are the most chosen genres in classical literature.