• Title/Summary/Keyword: 찰현악기

Search Result 3, Processing Time 0.015 seconds

Consideration of Korean Ajaeng and Chinese Yazheng Based on Organology (한국 아쟁(牙箏)과 중국 알쟁(軋箏)의 악기학적 고찰)

  • Lee, You-Jung
    • Journal of Korea Entertainment Industry Association
    • /
    • v.14 no.7
    • /
    • pp.217-226
    • /
    • 2020
  • Ajaeng is the bowed string instrument among zither instruments in East Asia, which has a circular form to date, and it has established itself as an important instrument in today's creative Gugak along with traditional music. Looking at previous prior studies, musical instrument studies have not been actively conducted due to insufficient data from musical history studies, and this study looked at the origin, form of musical instrument, and performance methods of zither bowed string instrument through historical records of Chinese Yazheng and music drawings. The analysis of various documents showed that Ajaeng originated from an ancient Chinese traditional musical instrument called Chuk. In terms of the performance style, the Chinese Yazheng had different musical forms depending on the purpose and location of the performance, and there was a method of standing up and fixing the musical instrument horizontally to the ground. Ajaeng in Korea has been handed down without much change in the form of musical instruments introduced in China during the Goryeo Dynasty and the way they sit on the floor and play on a pedestal. Through this study, we hope that it will help to preserve and develop traditional music and Korean traditional musical instruments by enhancing understanding of musical.

A Study of Analysis about Virtual Musical Instruments' Timbre - Focused on Violin, Erhu, Haegeum - (가상악기의 음색 분석 연구 - 바이올린, 얼후, 해금을 중심으로 -)

  • Sung, Ki-Young;Lee, You-Jung
    • Journal of Korea Entertainment Industry Association
    • /
    • v.13 no.7
    • /
    • pp.219-227
    • /
    • 2019
  • In this paper, we proactively looked at the structure and characteristics of each instrument in order to compare and analyze the sound colors of the western violin, chinese erhu and korean haegeum, which are representative bow string instruments. Also, many performers have simply been unable to fully explain how the violin is rich in pitch and the haegeum has a unique tone. Also, many performers thinks that violin sounds rich just because it has many overtones and have been unable to fully explain how haegeum makes unique tone. While previous research data show that most instruments are studied and published by analyzing their own frequencies or related cases of acoustic studies, this study provides a visual look how the harmonics composition, which determines musical instruments' timbres, consists of and suggests data specifically by analyzing each sound pressure of integer multiple overtones so that the structure of instruments' unique timbre can be understood. Based on this, we hope that it will be of considerable help to the development of virtual musical instruments of korean traditional instruments, which are relatively small compared to western virtual instruments, by reproducing instrument sounds through the synthesizers in the future.

Acoustic Characteristics of the Haegeum Body (해금 몸체의 음향학적 특성에 관한 연구)

  • Noh, Jung-Uk;Park, Sang-Ha;Sung, Koeng-Mo
    • The Journal of the Acoustical Society of Korea
    • /
    • v.26 no.7
    • /
    • pp.317-322
    • /
    • 2007
  • This paper is the first step to study on the acoustic characteristics of the Haegeum, a Korean traditional bowed-string instrument. We measured acoustic transfer functions of a Haegeum body using impulse response method. All the measurements are performed in anechoic chamber, INMC, SNU. We examined resonant characteristics of the Haegeum body with obtained transfer functions. Then we performed additional studies which are the Chladni pattern experiments and calculations of air cavity resonances to verify relations between the resonant peaks on the transfer functions and the resonances of each component, such as top plate, air cavity and so on. As a result, we can explain the acoustic characteristics of a Haegeum body and its components.