• Title/Summary/Keyword: 쪽 염색

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쪽과 괴화를 이용한 양모직물의 복합염색

  • An, Seon-Yeong;Bae, Jeong-Suk;Heo, Man-U
    • Proceedings of the Korean Society of Dyers and Finishers Conference
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    • 2009.11a
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    • pp.69-70
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    • 2009
  • 천연염색의 색상다양화를 위하여 단백질 섬유인 양모직물에 쪽과 괴화를 이용하여 복합염색을 실시하였다. 복합염색시 쪽염액으로 먼저 염색한 후 괴화염액으로 복합염색한 경우가 괴화염액으로 염색한 후 쪽염액으로 복합염색한 경우에 비해 염착량이 크게 상승한 것으로 나타났다. 복합염색시, 양모직물의 경우 색상의 다양한 효과는 괴화로 먼저 염색하는 것이, 중간색상 발현의 경우에는 쪽으로 먼저 염색하는 것이 효과적이었다.

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Dyeability and Antimicrobial Activity of Silks Dyed Singly with Sophora japonica L., Curcuma longa L., Combination-Dyed with Polygonum tinctorium L. and Sophora japonica L., and with Polygonum tinctorium L. and Curcuma longa L. (회화 및 울금에 의한 단독 염색 견직물 그리고 쪽과 회화 및 쪽과 울금에 의한 복합 염색 견직물의 염색성 및 항균성)

  • Jung, Jin Soun
    • The Journal of the Convergence on Culture Technology
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    • v.6 no.4
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    • pp.45-52
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    • 2020
  • We examined the dyeability and antimicrobial activity of silks dyed singly with Sophora japonica L., Curcuma longa L., combination-dyed with Polygonum tinctorium L. and Sophora japonica L., and with Polygonum tinctorium L. and Curcuma longa L.. The color of silk dyed singly with Sophora japonica L., Curcuma longa L. was Yellow with Hue of 5.0Y and 0.6Y, respectively. Two types of combination-dyed silk were Blue Green with 2.6BG and 1.5BG, respectively. In the case of dry Cleaning fastness and rub fastness, all four types of dyed silk was good, achieving grade 4~5. The antimicrobial activity of Staphylococcus aureus of silk dyed with Sophora japonica L. extract showed excellent antibacterial activity of 99.5% and the other three types of dyed silk of 99.9%. In addition, in antibacterial activity against Klebsiella pneumonia, silk dyed with Sophora japonica L. extract showed 99.6%, and the other three types of dyed silk exhibited excellent antibacterial properties of 99.9%.

자연에서 찾은 건강_알록달록 색 내 몸을 건강하게 - 색깔을 만드는 사람 - 홍루까 쪽염색 염색가 자연을 담은 색 건강을 지키는 색을 만들다

  • Lee, Yun-Mi
    • 건강소식
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    • v.35 no.11
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    • pp.10-11
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    • 2011
  • 감, 밤껍질, 포도, 숯, 쪽, 오배자로 빛깔을 내는 천연염색. 홍루까(54세) 쪽염색 염색가는 자연의 재료를 모아 건강한 색을 만든다. 천연염색은 인위적으로 만들어낸 색과 다르게 자연을 보는 듯한 자연스러움이 있고 항균성, 소취성, 항알레르기 등 건강한 기능까지 가지고 있다. 지난 10월 18일 한복아카데미에서 천연염색 강의를 진행하고 있는 홍루까 염색가를 만나 천연염색에 대한 이야기를 들어봤다.

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Color Sensibility and Preferences for Cellulose Fabrics Dyed with Natural Indigo According to Fiber Type and Dyeing Condition (섬유종류와 염색조건에 따른 쪽 염색직물의 색채감성과 색채선호도)

  • Shin, Judong;Choi, Jongmyoung
    • Science of Emotion and Sensibility
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    • v.20 no.3
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    • pp.3-12
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    • 2017
  • This research was carried out in order to suggest useful data for planning fabrics of summer eco-friendly fashion products. For this purpose, four cellulose fabrics were dyed with natural indigo under three different dyeing conditions, then, their colorimetric properties and color sensibilities were evaluated, and their influences on color preferences were analyzed. All cellulose fabrics naturally dyed with indigo showed the characteristics of PB color tones, middle and low value, and low chroma. Color characteristics were significantly different according to fiber type and dyeing condition. The color sensibilities of the fabrics dyed with indigo were classified into three factors: sporty, classic and natural. These sensibilities showed partially significant differences according to fiber type and dyeing condition. Also, there were partially significant relationships between color characteristics and the color sensibilities of the fabrics dyed with indigo. The color preferences of the dyed fabrics with indigo were found to be influenced by the sporty and classic of color sensibility and $L^*$ of color characteristics.

Effects of Colorimetric Properties and Color Sensibility Factors on Color Preferences for Green Yellow Natural Dyed Silk Fabrics: Focused on Combination Dyeing with Indigo and Japanese Pagoda Tree (연두색 천연염색 견직물의 색채특성과 감성요인이 선호도에 미치는 영향: 쪽과 괴화의 복합염색을 중심으로)

  • Shin, Judong;Kim, Yeowon;Choi, Jongmyoung
    • Science of Emotion and Sensibility
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    • v.21 no.1
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    • pp.143-154
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    • 2018
  • This study was performed in order to suggest useful data for color planning of eco-friendly and sensible fashion products. Silk fabrics were dyed in combination with natural indigo and Japanese pagoda tree and were treated with four kinds of mordants after combination dyeing. Then, their colorimetric properties were evaluated. From these composite-dyed silk fabrics, color sensibilities and color preferences of green yellow (GY) color were evaluated among the female university students, and thus, the influences of colorimetric properties and color sensibilities on color preferences were analyzed. When the silk fabrics were dyed in the combination of natural indigo and Japanese pagoda tree and were treated without mordants, they turned green color when indigo 10 g/L was used, and blue-green when indigo 20 g/L was added. And when they were dyed in combination of natural indigo and Japanese pagoda tree and were treated with four kind of mordants after combination dyeing, they turned GY color in almost all cases. The color sensibilities of the GY silk fabrics with the combination dyeing of indigo and Japanese pagoda tree, were classified into three factors: pleasantness, gracefulness, and comfort. Color sensibility factors showed significant differences according to the concentration of indigo and the kinds of mordants. There were almost significant relationships between colorimetric properties and color sensibilities factors of compositely dyed GY silk fabrics. The color preferences of the GY fabrics, which were dyed in the combination of using natural indigo and Japanese pagoda tree and four kinds of mordants, were found to be predicted by the color sensibility in a regression model.

The Effects of Various Vegatable Pesticides on Materials of Cultural Property - Dyed and Undyed Silk Fabrics, Cotton Fabrics and Korean Papers, Undyed Ramie Fabric, Pigments, Painted Plates - (식물에서 추출한 살충.살균제가 문화재 재질에 미치는 영향 - 견직물, 면직물, 저마직물, 한지, 안료분말, 채색편 -)

  • Oh, Joon-Suk
    • Journal of Conservation Science
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    • v.20
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    • pp.9-22
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    • 2007
  • Three kinds of natural pesticides extracted from plants which are being sold in the Korean markets, were estimated effects on materials of art of museum. Tested samples were 1) silk fabrics : undyed, dyed(amur cork tree, gallut, gallut(alum post mordancy), gallut(copperas post mordancy), gardenia, turmeric, acorn, acorn(copperas post mordancy), gromwell, madder, madder(alum post mordancy), safflower, sappanwood, sappanwood(alum pre mordancy, post mordancy), indigo, indigo+amur cork tree, indigo+sappanwood) 2) cotton fabrics : undyed, dyed(amur cork tree, gallut, gallut(alum post mordancy), gardenia, acorn, acorn(copperas post mordancy), gromwell, madder, madder(alum post mordancy), safflower, sappanwood, sappanwood(alum pre mordancy, post mordancy), indigo, indigo+sappanwood) 3) undyed ramie fabric 4) Korean papers : undyed, dyed(sappanwood, indigo, gardenia, amur cork tree, safflower) 5) pigments : azurite, malachite, red lead, litharge, orpiment, hematite, iron oxide, cinnabar, vermilion, indigo, lake indigo, kaolin, lead white, oyster shell white 6) painted plates : azurite, malachite, red lead, litharge, orpiment, hematite, iron oxide, cinnabar, vermilion, indigo, lake indigo, kaolin, lead white, oyster shell white. Conditions of tests were that after samples were exposed to 10 times of promoted concentration for 9 months in relative humidity $55{\pm}1%$ and temperature $20{\pm}2^{\circ}C$, they were compared with standards. Items of estimation were color difference(${\Delta}E^*$) and tenacity. After exposure to pesticides, undyed silk cotton ramie fabrics and Korean papers were not nearly changed in their colors, but colors of most of dyed samples were clearly changed by pesticides except for partial samples(acorn- and madder-dyed fabrics etc, gardenia-dyed samples). Especially changes of colors of turmeric-dyed silk fabrics were most distinct. And colors of pigments and painted plates containing lead, copper, arsenic, mercury and vegetable pigments, were clearly changed. Tenacities of yams of undyed silk fabrics were not nearly changed and undyed cotton fabrics were a little reduced as compared with standards. But tenacities of yams of dyed silk and cotton fabrics were clearly reduced or increased as compared with standards. Especially, madder-dyed silk fabrics were increased 10% or more and indigo-dyed silk fabrics were reduced 10% or less in all pesticides. Also madder- and sappanwood(alum post mordancy)-dyed cotton fabrics were increased 10% or more in all pesticides.

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Nondestructive Analysis of Textile Dyed with Traditional Blue and Green (전통 청색 및 녹색 염료로 염색한 직물의 비파괴 분석)

  • Yun, Eunyoung;Kwon, Hyeyoung
    • Conservation Science in Museum
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    • v.14
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    • pp.81-89
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    • 2013
  • This study concerns UV-Vis spectrophotometry and 3D-fluorescence spectrophotometry analysis of textile parts of blue and green tones dyed with indigo of blue tone and turmeric, gardenia, goldthread and amur cork tree of yellow tone. In order to verify whether the kinds of textiles affected analysis result of each dye, silk and cotton textile samples were produced. According to the analysis of the degree of reflection of UV-Vis spectrophotometry, unique reflection spectrum of indigo appeared regardless of the kinds of textiles when they were dyed with indigo. As for textiles of green tone, the 3D-fluorescence spectroscopic analysis result showed that unique spectrums of yellow dyes, turmeric, goldthread and amur cork tree appeared regardless of the kinds of textiles but the fluorescence spectrums of gardenia and indigo did not appear.

Product Quality in the Natural Indigo Production from Polygonum tinctorium L.

  • Ryu, Dong-Il;Sin, Yun-Suk;Son, Gyeong-Hui;Kim, Gang-Hwa
    • Proceedings of the Korean Society of Dyers and Finishers Conference
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    • 2008.10a
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    • pp.33-34
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    • 2008
  • 전통 쪽 염료인 니람 제조원리를 바탕으로 산업적인 쪽 염료 제조공정에 대한 제안과 함께 이와 관련한 몇몇 공정변수를 포함한다.

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One Step Natural Indigo Dyeing Technology

  • Ryu, Dong-Il;Sin, Yun-Suk;Jo, A-Rang
    • Proceedings of the Korean Society of Dyers and Finishers Conference
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    • 2008.10a
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    • pp.87-88
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    • 2008
  • 전통 쪽 염색과정을 단순화하여 기존의 환원과 발생이 동시에 이루어지는 공정조건을 다룬다.

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