• Title/Summary/Keyword: 진한(辰韓)

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A Study on the Mirrors from the Western Han and Samhan Periods Donated by the Estate of Lee Kun-Hee (고 이건희 회장 기증 전한경과 삼한경 일괄 출토유물에 대해서)

  • Yi Yangsu
    • Bangmulgwan gwa yeongu (The National Museum of Korea Journal)
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    • v.1
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    • pp.198-233
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    • 2024

  • On April 28, 2021, the bereaved family of the late Samsung Group chairman Lee Kun-Hee made a gift of 9,797 items (in 21,693 pieces) from his estate to the National Museum of Korea. Among the donated cultural heritage are 535 mirrors (in 555 pieces), which constitute the largest proportion of the metal art in the donation. This article discusses a group of mirrors from the donated collection dating to the Western Han and Samhan periods - a total of twenty-three mirrors (twenty-two from the Western Han Dynasty and one from the Samhan Period) - that are presumed to have been found together. However, there is no known case of such a large number of Western Han mirrors being discovered together, raising doubts about whether this group should be considered to have been buried all together. Furthermore, the presence of a Samhan mirror among the group suggests that this one at least must have been found together with a Western Han mirror. Additionally, considering that early Samhan mirrors have been found in the southeastern part of the Korean Peninsula, particularly in the region occupied by Jinhan Confederacy (in present-day Gyeongsangbuk-do Province), it is likely that these mirrors were also excavated somewhere in Jinhan. Also, -18 is a repurposed imitation of a jade eye cover. No similar examples have been found in Korea, China, or Japan, but there are instances of bronze mirrors being used as substitutes for jade burial ornaments that have been identified in China. The repurposing and use of Western Han mirrors as circular ornaments have been observed only in Jinhan in the southern part of the Korean Peninsula, indicating that this item was likely used in Jinhan as well. Further research and discoveries are anticipated in the future.

  • https://doi.org/10.22790/theNMKjournal.2024.6.198 인용 PDF

Nitration of Toluene with NO2-O3 (이산화질소-오존을 이용한 톨루엔의 니트로화 반응)

  • Cho, Jin-Ku;Kim, Young-Tae;Kim, Young Gyu;Lee, Yoon-Sik
    • Applied Chemistry for Engineering
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    • v.9 no.7
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    • pp.1085-1089
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    • 1998

  • The well-established nitric acid-sulfuric acid mixed acid process for the nitration of aromatic compounds has serious problems due to the large amount of waste acids and severe reaction conditions. Nitration of toluene can be conducted using nitrogen dioxide and ozone instead of mixed acid. We found that conc. nitric acid increased the reactivity as catalyst and the amount of nitrogen dioxide controlled the extent of nitration. Dinitration proceeded to more than 92 mole % conversion within 2 hr at $0^{\circ}C$ with 6 eq. of nitrogen dioxide and 2 eq./hr of ozone flow. Toluene completed mononitration within 30 min using 3 eq. of nitrogen dioxide, 3 eq. of nitric acid, and 1.5 eq./hr of ozone flow. As a clean process of aromatic nitration, this method is expected to replace the present process which causes the environmental problems.

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A Study on Suk Dang Kim Sangjeong's Prose Works (석당(石堂) 김상정(金相定) 문학론과 산문 일고)

  • Ha, Jiyoung
    • (The)Study of the Eastern Classic
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    • no.70
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    • pp.119-156
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    • 2018

  • Suk Dang Kim Sangjeong (1722-1788) was one of the Big Three Noron literati of the mid-18th century, and is an author worth taking note of in that he expressed the duty to pursue the Qin-Han gomoon-ron (古文論) more clearly and radically than anyone else. The literary debates that unfolded in the letters he exchanged with Ahn Doje (安道濟) and Sin Daejeon (申大傳) are the clues that may explain the continual development of Qin-Han gomoon-ron within Joseon. His gomoon-ron is a self-reflection of the Dang-Song gomoon-ron that continued as tradition in the Noron literati after Kim Changhyeop (金昌協), and also reflects his literary and periodical confidence. At the same time, he also makes a distinction with Qin-Han gomoon-ron set forth by the Seven Masters literature from the Ming Dynasty (前後七子) in that he takes precautions against plagiarism and emulation. It has rarely been shown that his sentences plagiarize and excessively cite the classics, or that he abstrusely elaborates sentences. He sorted through things of value worth recording and cleanly reenacted them based on the scenes and conversations, further, delivered applicable normative lessons through allegoric writing. This may be discussed as the portions that are possessed by the Qin-Han gomoon-ron that he pursued, and particularly that have the esthetic and contact point of historical prose. Kim Sangjeong's writing pursued the Qin-Han gomoon-ron of a prior era, and though distinguishable from authors of difficult writings, possesses unique characteristics that make it distinct from the Dang-Song gomoon-ron that focuses on argument. The direction of Kim Sangjeong's antiquarianism seeks after imperial loyalty, and is mutually intelligible with the artistic discourse of the Noron Cheongryu literati such as Lee Yunyeong, Kim Sangsuk, Lee Insang, and Hong Naksun who preferred archaeological finds and classical prose. While their literary tastes are a reflection of their conservative worldviews, they may also have been utilized as a foundation supporting their lives which were devoted to literature.

  • https://doi.org/10.16880/SEC.2017.70.05.119 인용