• Broadcasting and Media Magazine
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• v.22 no.3
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• pp.39-47
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• 2017

• Broadcasting and Media Magazine
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• v.26 no.1
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• pp.19-30
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• 2021

전 세계 모바일 데이터 트래픽은 지속적으로 증가하고 있으며 이 중 상당 부분을 모바일 비디오 서비스가 차지할 것으로 전망되고 있다. 최근 방송 및 통신 전송 기술에서 전송용량 및 대역폭의 증대와 스펙트럼 이용의 유연성 및 효율성이 크게 개선됨에 따라 다양한 모바일 방송 서비스에 대한 기대가 고조되고 있다. 증가하는 모바일 방송 수요와 더불어 미래에는 이동통신 및 차세대 방송 기술의 융합을 통하여 초고화질 콘텐츠, VR/AR 등 다양한 미디어 서비스가 가능할 것으로 전망된다. 본 고에서는 새로운 미디어 서비스를 위하여 이동통신과 지상파 방송에서 전송 기술들을 살펴보고, 이들 기술이 새로운 미디어 서비스를 제공하기 위한 발전 및 융합 방향에 대해 살펴보고자 한다.

• The Journal of the Convergence on Culture Technology
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• v.7 no.4
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• pp.711-719
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• 2021

EBS has been producing numerous educational contents with traditional virtual studio production systems since the early 2000s and applied AR video production system in October 2020, twenty-years after. Although the basic concept of synthesizing graphic elements and actual image in real time by tracking camera movement and lens information is similar to the previous one but the newly applied AR video production system contains some of advanced technologies that are improved over the previous ones. Marker tracking technology that enables camera movement free and position tracking has been applied that can track the location stably, and the operating software has been applied with Unreal Engine, one of the representative graphic engines used in computer game production, therefore the system's rendering burden has been reduced, enabling high-quality and real-time graphic effects. This system is installed on a crane camera that is mainly used in a crane shot at the live broadcasting studio and applied for live broadcasting programs for children and some of the videos such as program introductions and quiz events that used to be expressed in 2D graphics were converted to 3D AR videos which has been enhanced. This paper covers the effect of introduction and application of the AR video production system on EBS content production and the future development direction and possibility.

• Journal of Digital Contents Society
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• v.16 no.3
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• pp.397-406
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• 2015

Terrestrial broadcasters are devoting great efforts in order to increase sense of reality that would help viewers feel as if they were watching events on site by producing-depth, differentiated news and offering a variety of information to them. They maximize news video graphic effects by replacing news set and install large display units, rail camera, and Jimmy Jib camera. This study aims to grasp whether there is any difference among the main evening news of the three major terrestrial broadcasters. KBS, MBC, and SBS used 18%, 15%, and 12% of graphic usage hours respectively while the number of graphic usage cases amounted to 267, 329, and 276 for each of them. The number of cases where in-depth news report hours exceeded three minutes that require increasingly more virtual reality graphic technology production was 16 for KBS, 7 for MBC, and 5 for SBS. MBC showed the highest number of uses in graphics while KBS showed more graphic use hours than the other two. There have been a number of preceding studies on news contents, but it is significant that this study looked at how much graphics technologies are used in such news video contents.