• Title/Summary/Keyword: 주자소

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객원기자코너-계미자 주조 600주년

  • Hwang, Jeong-Ha
    • 프린팅코리아
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    • s.9
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    • pp.164-165
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    • 2003
  • 올해는 계미년으로 인쇄인들에게는 뜻 깊은 해이다. 왜냐하면 1392년 태조 이성계가 조선을 건국하고, 3대 태종 이방원(1401-1418)이 왕이 된 후 3년만인 1403년(조선 태종3, 계미년)에 주자소를 설치하고, 금속활자를 만든 것이 '계미자'로 올해가 600주년이 되는 해이기 때문이다.

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다산 정약용의 『중용』해석에 대한 일고찰

  • Im, Heon-Gyu
    • (The)Study of the Eastern Classic
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    • no.54
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    • pp.125-153
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    • 2014
  • 이 글은 다산 정약용의 "중용자잠"과 "중용강의"를 주자의 "중용장구" 및 "중용혹문"과 비교 고찰함으로써, 다산의 "중용"의 해석에 나타난 경학적 특징을 드러내는 것을 목적으로 한다. 다산의 "중용"해석을 살펴보려는 우리는 우선 "중용"에 대한 다산의 분장절(分章節), 그리고 "중용"이란 책의 성격을 규정하는 데에서 출발하였다. 주자는 "중용"을 이학(理學)의 관점에서 이해하였지만, 다산은 천명(天命)으로 일관된 책으로 규정하면서 '소사상제지학(昭事上帝之學)'으로 규정하고 있다. II장에서는 '중용(中庸)'을 어떻게 규정하고 있는지를 살펴보았다. 주자는 '중(中)'을 불편불의무과불급지명(不偏不倚無過不及之名)으로 규정하고, 용(庸)은 평상(平常)이라고 정의했다. 이에 대해 다산은 중용(中庸)의 연원에 천착하면서, 중(中)에 대한 주자의 정의는 수용하지만, 용(庸)에 대한 해석에는 반대의 입장을 표명하면서 용(庸)이란 경상(經常) 혹은 항상(恒常)으로 해석해야 한다고 주장한다. III장에서는 주자와 다산의 "중용" 해석에서 가장 큰 대비 점을 이루는 구절을 살펴보았다. 그것은 곧 수장(首章)의 구절에서 "군자(君子) 계신호기소불도(戒愼乎其所不睹) 공구호기소불문(恐懼乎其所不聞)"에서 '불도불문(不睹不聞)', "막견호은(莫見乎隱) 막현호미(幕顯乎微)"에서 '은미(隱微)와 신독(愼獨), 그리고 "희노애락지미발(喜怒哀樂之未發) 위지중(謂之中) 발이개중절(發而皆中節) 위지화(謂之和)"에서 '미발(未發)'이라는 구절을 어떻게 해석할 것인가와 연관된다. 여기서 주자는 이학(理學)의 관점에 입각한 해석을 제시했으며, 다산은 상제학(上帝學)의 관점에서 실천지향적 해석을 제시함을 고찰하였다. 주자는 성정(性情)의 체용론의 관점에서 이 구절을 해석했지만, 다산은 모두 상제(上帝)의 조임(照臨)을 자각한 신독군자의 계신공구(戒愼恐懼)로 해석함을 살펴보았다.

CFD 연구 및 초고속선 선형개발

  • 곽승현
    • Computational Structural Engineering
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    • v.10 no.3
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    • pp.67-73
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    • 1997
  • CFD 연구를 초고속선 선형개발에 활용한다면 선체주위의 유동장 계산결과로부터 압력 및 속도, 자유표면 파고분포 등 초고속선의 설계 및 기본계획 단계에서 필요한 저항 및 추진성능 자료를 얻을 수 있다. 이러한 기능을 더욱 개선 발전시키면 선형개발에 더 많은 적용이 예상된다. 또한 항주 시간에 따른 초고속선의 운동특성을 고려할 수 있게 된다면 앞으로 항주자세제어 및 내항성능과 승선감의 추정도 CFD 연구를 통해서 가능하리라 믿는다. 이제 국내 조선소를 중심으로, 21세기에 도래할 것으로 예측되는 고속 해상수송 수단에 대한 수요에 대응하고 조선기술의 우위확보를 위해 고부가가치, 고성능이 요구되는 초고속선 기술개발에 연구를 집중해야겠다.

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첨단과학현장 - 퍼스널컴퓨터(PC)의 미래

  • Hyeon, Won-Bok
    • The Science & Technology
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    • v.30 no.2 s.333
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    • pp.67-71
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    • 1997
  • 세계 컴퓨터업계는 중대한 전환기를 맞고 있다. 미국의 콤패크, 게이트웨이, IBM, 마이크로소프트사를 비롯하여 네덜란드의 필립스사, 프랑스의 톰슨사 그리고 일본의 소니, 도시바, NEC, 히다치, 후지츠 등 세계의 유수한 컴퓨터와 가전메이커들은 요즘 전화와 텔레비전의 편의성과 맞먹는 수준의 쓸모있고 편리한 가정용 PC개발에 열을 올리고 있다. 1997년에는 앞으로 10년간 사이버 스페이스의 성격을 좌우할 수도 있는 네트워크 컴퓨터(NC)를 둘러싸고 인터넷의 선발주자 넷스케이프사와 소프트웨어의 '거인'인 마이크로소프트사간의 사활을 건 '일대 격전'이 전개된다.

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A Study of Perspective on Cheon Gwan(天觀) of Toegye (퇴계(退溪)의 천관(天觀) 연구(硏究))

  • Hwang, Sang Hee
    • (The)Study of the Eastern Classic
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    • no.56
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    • pp.147-170
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    • 2014
  • To divide by the concept of Cheon (天) before and after the period of Song Dynasty: before Song Dynasty; according to the ancient Book of Odes (Sigyeong-詩經), "Cheon (天) gives birth to a large number of people", and, Confucius(孔子) say "Cheon(天) gave me Virtue(德)." Mencius(孟子) say "The person done with all his heart knows Seong(性, personality), so if he knows such Seong(性, personality), then he knows Cheon(天)." In Doctrine of the Mean(中庸), it says "Cheon(天) ordered it to be called - Seong(性, personality)." So, Cheon(天) had a religious meaning, such as Sangje(上帝) - Supreme Ruler. During the Song period, Cheon(天), the source of its existence, had construed as Mugeuk i Taegeuk Non(無極而太極論 - Theory of Supreme Ultimate while being Indeterminate) and Theory of li and ki (iginon-理氣論). Juja (朱子, a honorary name of Juhui, 朱熹) had said a reasonable Cheon(天), that is, Heavenly Principle (天理 - Cheolli) by interpreting Cheon(天) as Taegeuk(太極 - Supreme Polarity) and li(理) of Muwi(無爲 - uncontrived action). That's why Juja had lost the religiosity because of his reasonable frame. The purpose of this dissertation is to identify of the quality of being religious of li(理) on the basis of attribute of Cheon(天) argued by Toegye and Juja. In the text of Seomyeong(西銘 - Western Inscription), we can see their interpretation of the content that Toegye as "西銘考證講義"(Lecture on Historical Research of Western Inscription), and Juja as "西銘解"(Commentary on the Western Inscription). Seomyeong(西銘 - Western Inscription) was expounded as a logic of 'iil bunsu' (理一分殊 - coherence is one and distinguished into many). '理一分殊' means to live in as meaningful as possible according to the human nature that has been bestowed upon thyself. Juja and Toegye both said that in the aspect of 'iil'(理一 - coherence is one), Reverence(事天) ought to be done, but to look into the aspect of 'bunsu'(分殊-distinguished into many), Juja argued that people should follow the order of Heavenly Principle(天理 - Cheolli), and Toegye argued that people should have to perform the filial piety(孝). There are differences in methods of Toegye and Juja on account of distinction between attributes of Cheon(天). Such a distinction affects the attribute of li(理). Juja said divisively that Soiyeon(所以然-why its principle is so) is li(理), and Sodangyeon(所當然-what should be so) is Sa(事-divine project). Toegye argued that Sodangyeon(所當然-what should be so) is indeed li(理). It is the position of Toegye that to know Seong(性-the personality) of Sodangyeon(所當然-what should be so) is the first, rather than to know Cheon(天) of Soiyeon(所以然-why its principle is so) that is out of reach in a faraway place. Seong(性-the personality) is li(理) that bestowed by Cheon(天). In view of discussion about the essence and existence, for Toegye, the existence is the first, rather than the essence. The issues of existence is now enabled to talk about amid the discussion of metaphysics, namely li(理). Different from Juja, a theory noticed in Toegye is the theory of 'Lijado'(理自到). 'Lijado'(理自到) denotes 'Li(理) leads on their own.' It tells that separate from thing-in-itself, there is an energy that moves and oversees the thing. This is an issue of response between "I" as the principal agent and other people. If "I" as the principal agent is sincere to others, the others will come to me insomuch as they will be revealed through me. Here, a problem between the host and guest arises. Toegye perceived this problem that do not see me and others as same, and also do not see me and others as two. This is the logic of 'ilii iiil'(一而二 二而一 - looks like one but two, looks like two but one) of '理一分殊' (coherence is one and distinguished into many). The first thing to do between these two processes is to recognize the existence of 'iil'(理一). Toegye strongly displays a religious attitude identifying Cheon(天)=Li (理)=Sangje(上帝- Supreme Ruler) in the same light.

An Bibliographic Analysis on the Gyemi Metal Type Sasichanyo (계미자본(癸未字本) 『사시찬요(四時纂要)』의 서지적(書誌的) 연구(硏究))

  • Nam, Kwon-Hee
    • Journal of Korean Library and Information Science Society
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    • v.49 no.2
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    • pp.25-58
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    • 2018
  • This study analyzed the agriculutral book Gyemi Metal Type Sasichanyo which was produced in Jujaso(鑄字所), by early Joseon dynasty's king Taejo(太宗). It is the most advanced edition of Sasichanyo("四時纂要") among whole east-northern Asia, which contains miscellanies about monthly agricultural plan(月令式 農家雜錄) and the themes are; agriculture, production spin-off processing, sanitation and medicine, tool fixing and conservation, business management. This research divided all letters appeared in Gyemi metal type Sasichanyo("四時纂要") by three categories; small letters, smaller letters, smallest letters to define its' function and characteristics and estimated the value of Sasichanyo("四時纂要"). Also in the aspect of typeface of letters and typesettings, this study compared all editions of Sasichanyo("四時纂要") with Gyemi metal type Sasichanyo("四時纂要").

A Study on the Import to Chosun and It's Distributions of the Saseodaejeon Published by Yongle Emperor of the Ming Dynasty (영락(永樂) 내부각본(內府刻本) <사서대전(四書大全)>의 조선(朝鮮) 전래(傳來)와 유포(流布))

  • Song, Il-Gie
    • Journal of the Korean Society for Library and Information Science
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    • v.48 no.1
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    • pp.97-116
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    • 2014
  • When the Yongle Emperor of the Ming Dynasty seized the power as the emperor of China, he issued a royal order to Hokwang and others, to publish a book entitled "Sambudaejeon," in the name of following the death-bed instruction of Taizu. The book was completed no less then 10 months after the order was issued in September 1415(Yongle 13). With the first copy imported from the Ming Dynasty as the original script, Sambudaejeon was engraved on wood by going sharing with 3 provinces including Gyeongsang-do, Jeonlla-do, and Gangwon-do, during the period of 1427~1428(Sejong 9~10). The result of surveying and analysing the distribution of the Ming Dynasty was imported to Chosun, shows that the engraving copy of the original script from the Ming was published more then 18 times in Chosun, among which only 50 types are identified to exist currently. As a result of analyzing these 50 existing types, This status of publication suggests that the books were intensively published and distributed in Gyeonggi and Gyeongsang provinces where the demands for the books were urgent, to meet the needs when the books were rapidly lost during the period of Japanese invasion.

The Origin of Records and Archives in the United States and the Formation of Archival System: Focusing on the Period from the Early 17th Century to the Mid 20th (미국의 기록(records) 및 아카이브즈(archives)의 역사적 기원과 관리·보존의 역사 17세기 초부터 20세기 중반까지를 중심으로)

  • Lee, Seon Ok
    • The Korean Journal of Archival Studies
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    • no.80
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    • pp.43-88
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    • 2024
  • The National Archives and Records Administration (NARA) is a relatively quiet latecomer to the traditional archives of the Western world. Although the United States lacks a long history of organized public records·archives management, it has developed a modern system optimized for the American historical context. This system focuses on the systematic management and preservation of the vast amount of modern records produced and collected during the tumultuous 20th century. As a result, NARA has established a modern archival system that is optimized for the American historical context. The U.S. public records·archives management system is based on the principle that records·archives are the property of the American people and belong to the public. This concept originated during the British colonial era when records were used to safeguard the rights of the colonies as self-governing citizens. For Americans, records and archives have long been a symbol of the nation's identity, serving as a means of protecting individual freedoms, rights, and democracy throughout the country's history. It is natural, therefore, that American life and history should be documented, and that the recorded past should be managed and preserved for the nation's present and future. The public records·archives management system in the United States is the result of a convergence of theories, practices, lessons learned, and ideas that have been shaped by the country's history, philosophies, and values about records, and its unique experience with records management. This paper traces the origins of records and archives in the United States in a historical context to understand the organic relationship between American life and records. It examines the process of forming a modern public records management system that is both uniquely American and universal to the American context without falling into the two forms of traditions that reflect the uniqueness of American history.

Spatial Composition and Landscape Characteristics of Shimwon-Pavilion Garden in Chilgok - Focusing on 'Shimwon-pavilion Poem of 25 Sceneries' and 「Shimwon-pavilion Soosukgi(心遠亭水石記)」 - (칠곡 심원정원림의 공간구성과 경관특성 - '심원정 25영(心遠亭 二十五詠)'과 「심원정수석기(心遠亭水石記)」를 중심으로 -)

  • Kim, Hwa-Ok;Park, Yool-Jin;Rho, Jae-Hyun;Shin, Sang-Seop;Cho, Ho-Hyeon
    • Journal of the Korean Institute of Traditional Landscape Architecture
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    • v.34 no.2
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    • pp.27-34
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    • 2016
  • The results of investigation on the spatial composition and landscape characteristics of Shimwon-pavilion garden built and enjoyed by Jo Byeong-sun in 1937 during the period of Japanese colonialism based on 'Shimwon-pavilion Soosukgii(水石記)' and 'Shimwon-pavilion Poem of 25 Sceneries(二十五詠)' contained in 'Anthology of Giheon(寄軒)' are as follows. 1. Shimwon-pavilion garden is assumed as Byeol-Seo garden based on the planning background and contents of Gimun and the observations on spot. By its location, it is classified as 'Planted forest' with a pine forest in the north and 'Byeol-Seo of mooring type' with Guyacheon flowing in the garden. It is about 400m away from the main house in the straight-line distance. 2. The meaning and attributes of reclusiveness are well represented in the 'screening structures' all around Shimwon-pavilion garden with Hakrimsan, a Gasan(假山) in the north, vines on Chwibyeong(翠屛) in the east and west, Eunbyeong(隱屛) of stone walls along with Guyacheon in the south, which shows the spirit of Giheon who adored the Taoistic life. 3. Shimwon-pavilion garden, located in the Songrimsa, a temple of thousand years, is a place of consilience where Buddhism was accepted, Taoistic life was pursued with Tao Yuan-ming's philosophy regarding rural areas and romantic sensibilities of Li Po, called poem master(詩仙), the confucian values of Zhu Xi were realized. Giheon intended to build and enjoy this place as a microcosm and shelther where he unfolded his own view of learning and cultivated his mind. 4. 25 sceneries on Shimwon-pavilion consist of 5 sceneries in the space of pavilion(architecture) and 20 sceneries in the outer garden. First, 5 sceneries consist of ancillary rooms for various uses, including Jeongunru, Amsushil, Wiryujae, Iyeoldang, and Jeong-Gak Shimwon-pavilion embracing them, which shows that Shimwon-pavilion is a place to foster younger students. And 20 scenary is divided into 9 sceneries on the natural spaces and 11 artificially created facilities. 9 sceneries are engraved on the rocks as described in 'Seokgyeonggi'. 5. 4 sceneries of the indoor scenery lexemes(亭閣 心遠亭 怡悅堂 停雲樓 闇修室) were intended to be recognized by the framed pictures, 5 places among the scenery lexemes in garden(龜巖 醒石 隱屛 兩忘臺 東槃) by letters carved on the rocks, and 8 places(君子沼 杞泉 天光雲影橋 芳園 槐岡 柳堤 石扉 東翠屛) by sign stones, but signs of 8 sceneries are not currently identified because they have been be swept away and demolished. 6. A variety of plant landscapes with various meanings and water landscape with various types are contained in 25 sceneries - Sophora symbolizing a tree for scholar in Gehgang(槐岡), Willow symbolizing Tao Yuanming and continued vitality in Yooje(柳堤), Boxthorn symbolizing family togetherness in spring(杞泉), vines and herbal plants and waterfalls(隱瀑), shallow pond(君子沼), pond(湯池), water hole(杞泉), water flowing in the middle of rock(盤陀石), water flowing between the rocks(水口巖). 7. While Shimwon-pavilion garden is a garden near the water, the active involvements with 11 sceneries directly built is distinguished. The other pavilion gardens are faithful in engraving the names by setting the scenery lexemes of the nature-oriented Gyeong(景) and Gok(曲) near and far, but Shimwon-pavilion garden is a garden for active learning(修景) with the spaces built to match with the beautiful nature and to show the depths of space off.