• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2017.03a
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• pp.19-21
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• 2017

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2023.04a
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• pp.148-149
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• 2023

• Proceedings of the Korea Water Resources Association Conference
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• 2023.05a
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• pp.419-419
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• 2023

하천의 최종 유출부와 해양이 만나는 지점을 하구라고 하며, 우리나라는 주로 서해안 지역에 하구 방조제 건설에 따른 담수호가 조성되어 다양한 목적으로 수자원이 활용되고 있다. 이러한 하구 담수호는 바다로 유입되기 직전의 물을 저류시켜 수자원 확보에 긍정적이나, 일반적으로 유역의 최하류에 위치해 있어 오염물질 유입, 부영양화, 염분 침출로 인한 오염물질 용출 등에 취약하다. 따라서 담수호의 회복탄력성 향상과 지속가능한 수자원 관리를 위해서는 미래 기후변화에 따른 영향 분석이 필수적이다. 특히 기후변화는 거대규모의 홍수과 같은 자연재난, 농업가뭄 및 식생가뭄 등의 증가로 이어질 수 있으므로, 이에 효과적으로 대비하기 위해서는 미래 기후조건에 따른 하천의 미래 유출량 변화 예측이 수행되어야 한다. 본 연구에서는 불확실한 미래 수문변화를 예측하기 위해 CMIP6(Coupled Model Intercomparison Project Phase 6) GCMs(Global Climate Models)의 SSP(Shared Socioeconomic Pathways) 시나리오를 유역 유출모델에 적용하여 기후변화에 따른 미래 유출특성의 변화를 예측하였다. 충청남도 서산시에 위치한 간월호 유역을 대상유역으로 선정하고, HSPF(Hydrological Simulation Program-FORTRAN) 모형을 적용하여 상류유역의 과거 및 미래 장기유출량 모의를 수행하였다. 모의된 시나리오별 유출량을 기반으로 최빈유량곡선법을 적용하여 미래의 기준유량 발생시점 및 지속기간의 변화를 분석하였으며, CVDs(Center-of-volume dates)의 변화를 통해 기후변화에 따른 홍수기의 시기적 변화 양상을 파악하고자 하였다. 본 연구의 결과는 미래 유역 환경변화를 고려한 담수호의 수자원 보전관리계획 수립에 있어 기초자료로 활용될 수 있을 것으로 기대된다.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.32 no.2
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• pp.159-166
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• 2014

Beatrix Farrand was America's first female landscape architect and Dumbarton Oaks in Washington, D.C., USA site of her best known garden design. The purpose of this study is to identify characteristics of the American Neoclassical tendencies in the early 1900s and Farrand's style through an analysis of Dumbarton Oaks. The results of analysis indicated that although Dumbarton Oaks was influenced by many European classic gardens, the garden has the unique style which reflects regional contexts and culture based on the philosophy of arts and crafts movement, The major characteristics of the late Neoclassical style in America can be summarized as follows. First, A series of terraced gardens were connected by paths and stairways and natural terrain was preserved as much as possible. Second, the formal and informal style coexist and the symmetric and asymmetric forms are well-balanced throughout the garden. Third, selection of plant materials and planting methods, influenced by both classical gardens and the Arts and Crafts style in UK, are in harmony with the space configuration and shape.

• Journal of the Korean Institute of Landscape Architecture
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• v.37 no.1
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• pp.131-138
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• 2009

This research was carried out to keep a sharp look-out on changes of estimated unit power and material in landscape architectural construction in Korea from 1962 to 2007 and to suggest basic information for its desirable direction in the near future. The research results are as follows. At first, work classification of estimated unit power and material landscape architectural construction was included under the earth work and in 1974 it had the name which was called landscape architectural process with earth works, and in 1984 the estimated unit power and material of landscape architectural construction was separated from the earth work but it was still under name of estimated unit manpower and material of the engineering construction. In 1972 the estimated unit power and material began with a 'planting' and a 'pruning' and still consists of 7 work classification total: 'sodding and herbaceous sowing', 'digging out', 'planting', 'digging round the root', 'keeping and management', 'rubble masonry' and 'planting for protection of rocks split section'. The processes consist of 29 sub-processes in total. The lawn construction was mainly established in the 1960s, the planting construction in the 1970s, the keeping and management in the 1980s, split section protection in the 1990s along with new technology with keeping management in the 2000s. On the basis of these research results, the process to be added in the near future could be related to new material and new technology and the process might be much more subdivided.

• Journal of the Korean Institute of Landscape Architecture
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• v.39 no.5
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• pp.91-100
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• 2011

This study aimed at the identity of the landscape architectural award, which is the highest authority award system in landscape architecture; the establishment of cooperation between the landscape architecture and urban public sector, which deals with infrastructure is significantly requested nowadays. The identity characteristic of a detailed concept which configures the sameness in the shape of inner self-cognition and individuality as external and correlative cognition are utilized as the research methodology, and the findings are summarized as follows. The Korean Landscape Architectural Award holds an internal value as the only award in landscape architecture that is granted municipalities and public agencies. However, when it is compared with several correlated award systems, the vulnerable sides such as short origin and partly limping in terms of sustainability, the possibilities of losing the interest in the public sector due to management's reform program and insufficient participants and responses regarding social authority have been found. In addition, according to the today's paradigm tha taims for green cities, the aspect that shares the large portion with the values set by detailed categories of city planning that enforces metropolis awards is also in the spotlight. Hence, the landscape architectural award should construct specialization and development strategies by strengthening the superiority compared with the city award in the field of city planning. In other words, the Ministry of Land, not limited to the systematic cooperation with various administrative areas will be strengthened and it will communicate with the aspect that reinforces characters as an academic and practical area that covers various districts and disciplines. Thus, the identity is directly connected to the landscape architectural award's competitive reinforcement as a detailed characteristic variously combined, and it requires huge interest and discussions regarding internal and external landscape architecture areas and the democratic public discussion process.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.36 no.2
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• pp.61-67
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• 2018

Jens Jensen was an American landscape architect and early conservationist who pioneered a unique naturalistic landscape style. The purpose of the present study is to study Jensen's life, careers, design philosophy, and his contributions to the history of landscape architecture. Inspired by nature, Jensen worked closely with native plants, local materials, curvilineal and circular forms, and native scenery. His pioneering work in the Chicago's West Parks, including the design of Columbus Park and Humboldt, Garfield and Douglas Parks, was informed by his philosophical belief in the humanizing power of parks. In summary, first, Jensen played a prominent role in the creation of a unique native landscape style respecting regional landscape. Second, as a devoted conservationist and educator he organized conservation movements preserving landscape heritage and founded a education institution. Third, as a social reformer he emphasized the value of parks and nearby nature for urban citizens and children. Jensen's visions and philosophies have influenced on recent naturalistic landscape style and conservation efforts to preserve cultural landscape and natural environment.

• Journal of the Korean Institute of Landscape Architecture
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• v.45 no.5
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• pp.71-86
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• 2017

This work explores the historical transformation of manual landscape architectural drawings in terms of hybridization to uncover their inherent creative aspect. Landscape architectural drawing has duel functions; namely, scientific instrumentality and artistic imagination, which are relative, interchangeable, and transformable. These characteristics have been embodied in the forms of particular types of drawing, projections, perspective views, and diagrams, which are not so much clearly distinguishable as rather mutually complementary and hybridized. In particular, the pictorial views of plants in the forms of a perspective view or elevation were frequently hybridized to projection drawings of grounds and architectural structures, which is called planometrics. Particular drawing types have often emerged as suitable and thereby dominant forms, depending on the particular historical styles of landscape design. Sixteenth-century Italian Renaissance gardens and seventeenth-century French formal gardens were generally visualized in the form of projections. Eighteenth-century and early nineteenth-century English landscape gardens were frequently represented in a pictorial perspective view. In nineteenth-century America, different drawing techniques such as competition drawing, photography, and map overlay were specialized depending on their respective functions. Twentieth-century American modernists began to explore the diagram to deploy design strategies. In such transformation, however, the planometric, which considers both the ground plane and plant's frontal identities simultaneously and thereby is suitable to landscape design, was frequently used as a hybridization technique. In the mid-nineteenth century, a top view of plants replaced the planometric, and then, in the twentieth century, plants were no longer represented artistically, instead reduced to the forms of standardized flat symbols. The use of instrumental visualizations thereby gradually increased rather than the use of an imaginative representation for landscape architectural drawings.

• Journal of the Korean Institute of Landscape Architecture
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• v.13 no.2
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• pp.1-12
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• 1985

인간은 역사적으로 의식주와 같은 기본적 생존과는 무관한 '아름다움'을 왜 그토록 열렬히 추구해 왔는가\ulcorner 본 논문은 이러한 문제의 해답을 찾고자 실험미학자인 벌라인 (Berlyne)의 이론을 중심으로 미적 반응에 관한 고찰을 하였으며 다음의 사항을 다루고 있다. 1) 미적 반응을 '자극-반응'의 동적 과정으로서 이해하고 이러한 종적 과정의 구조적 측면을 고찰하였다. 2) 미적 반응의 심리생물학적 작용을 고찰하였다. 3) 미적 반응을 초래하는 자극의 특성을 고찰하였다. 4) 미적 반응의 하나인 시각적 선호에 관한 기존의 연구를 검토하였으며, 시각자원연구에의 응용 가능성이 높음을 고찰하였다.

• Journal of the Korean Institute of Landscape Architecture
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• v.25 no.2
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• pp.82-93
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• 1997

교통의 발달 및 빈번한 문화와 정보의 교류는 옥외 recreation 활동 참여의 다양한 인종적 구성을 가져왔다. 이 연구의 목적은 옥외 recreation 활동의 하나인 스키장에서 이용 밀도에 대한 선호도를 문화·인종간의 혼잡규범적 차이로서 해석하는데 있다. 한국의 용평 스키장과 미국 Hunter Mt. 스키장에서 한국인, 주한 미국인, 미국인, 재미 한인 들을 대상으로 이용밀도에 관한 선호도를 측정하기 위한 설문조사를 실시한 결과, 1,157부의 설문지를 회수하여, 문화·인종간의 차이를 규명하기 위하여 Kruskal-Wallis test 실시하였다. 연구의 결과로서 재미한국인의 이용밀도에 대한 선호도가 동일 인종인 한국인집단보다 사회 문화적으로 공통성이 있는 미국인집단에 더 유사하였으며 그와 반대로 재한미국인집단은 동일 인종집단인 미국 집단과 차이가 없었다. 이 결과는 혼잡 규범으로서의 이용 밀도의 선호도가 이용자의 개인적 특성 및 인종적 특성뿐만이 아니라 문화인종적 특성에 영향을 받는다는 결론을 얻었다.