• 대한가정학회지
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• 제43권8호
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• pp.161-174
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• 2005

The purpose of this study was to examine the history and significance of t-shirts used in school that have a dress code to examine the meaning of the various messages that appears on t-shirts and also to examine how these t-shirts are used as form of communication. Many people that have strong social or political views or opinions use t-shirts with message as a means of communicating their opinion and views. Due to the low cost and ease in manufacturing these types of t-shirts, it is possible to express various slogans, messages and drawings. Based on our observations, there were various messages on t-shirts such as, 'no war', 'peace', 'no drugs', 'anti-smocking', 'protect the environment' and 'race or sex discrimination' among others. In this study, t-shirts were grouped based on their messages. T-shirts were put in to the following groups anti- war t-shirts, political t-shirts, t-shirts with messages about social issues and t-shirts with messages about fashion. Both international and domestic t-shirts were examined.

• 한국의상디자인학회지
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• 제7권2호
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• pp.101-110
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• 2005

Vivienne Westwood could be placed in a unique position in the contemporary fashion design. She has never belonged in a core group of mainstream fashion designer but not been always in an outsider position. She got from mainstream fashion designer circles enormous appreciation, even established fashion industry was influenced by her fashion design. She began her fashion design with rebellious T-shirts like 'destroy' T-shirt, chicken-bone T-shirt, and nipple-zipper T-shirt, all of which revealed her disgust against establishment. All these T-shirts testify her total negation tendency in her youth. However, she did not continue to keep such a kind of total negation attitude against establishment In 1980s she changed her political attitude towards establishment, and this change also found a reflection in her fashion design. In her pirate-collection the dark image of her fashion in the 1970s changed into a totally different bright image with full of gold colour. Although this collection had radiated brightness, it contained still outsider character from mainstream fashion design. The following fashion design in 1980s and 1990s evolved further on the line of Pirate-collection, but they continued to contain certain outsider characteristics. Vivienne Westwood kept some kind of anti-establishment attitude, and this attitude more or little came to the surface of her design. She was always political and critical to the establishment. In 2005, in her 64, she designed a liberty T-shirt, which showed her political attitude and her engagement in social issues. Also it showed the change from the early total negation to the constructive critical affirmation. In this paper the relation between the fashion design of Vivienne Westwood and her political attitude and the influence of her political attitude to her fashion design is analyzed.

• 한국엔터테인먼트산업학회논문지
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• 제13권8호
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• pp.231-242
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• 2019

영국 태생의 이란인 2세 애나 릴리 아미푸르 감독의 뱀파이어 영화 <밤을 걷는 뱀파이어 소녀 A Girl Walks Home Alone at Night>(2014)는 이란인들이 사는 유령마을(Iranian ghost-town) '배드 시티'를 배경으로 스트라이프 티셔츠를 입고 검은 차도르를 두른 채 스케이트보드를 타는 여성 뱀파이어를 등장시켜 여러 문화의 재조합이 어떻게 문화·정치적으로 흥미로운 해석을 만들어내는지 시도하고 있다. 전통적인 호러 영화에서 흡혈귀 서사의 중심에는 주로 타자로서의 드라큘라-남성이 있었으나 포스트모더니즘 이후의 영화들은 희생자 캐릭터에 머물러 있던 여성을 뱀파이어 주체로 자리를 옮기는 시도를 한다. 본 영화의 주인공 소녀는 보수적인 가부장 사회의 여성-무슬림-뱀파이어로 여성을 향해 폭력을 행사하는 남성을 처단한다. 흑백으로 촬영한 영상은 스토리보다는 이미지를 앞세우며 이란계 배우들이 등장해 페르시아어로 대화한다. 또한, 이란의 저항적인 록음악과 영국 스타일의 테크노 팝이 어우러져 이란의 정치학과 미국-유럽의 팝 컬처를 크로스 오버한다. 본 연구는 뱀파이어 영화의 전통적인 관습을 따르지 않으면서 장르 혼성과 여러 문화적 도상을 내세우며 뱀파이어의 소재의 이야기를 동시대의 문제의식으로 전환하고 이식해내는 데 성공한 <밤을 걷는 뱀파이어 소녀>에 특징적으로 나타난 스타일에 주목해 분석해보고자 한다.