• KOMUNHWA
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• no.63
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• pp.83-108
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• 2004

Gaegyeong(開經), the capital of the Goryeo Dynasty (918-1392), acted as the hub for producing various potteries for the royal family, governmental offices, temples, and markets in the Gyeonggi and Hwanghae Provineces where consumptions were highly concentra

• Bangmulgwan gwa yeongu (The National Museum of Korea Journal)
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• v.1
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• pp.96-119
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• 2024

Some inscribed bricks excavated from the western region of North Korea have been found bearing an era name used after 314 when the Nangnang and Daebang Commanderies had been completely ousted from the region. Others have been found with an era name used in the early fifth century. This indicates that the tradition of constructing brick chamber tombs was sustained for a century after the disappearance of the two commanderies. However, brick chamber tombs were never adopted as a burial system for the ruling class of the Goguryeo Kingdom. The Tomb of Jang Mui built in 348 and the Tomb of Dongni built in 353 both departed from the typical brick chamber tomb style of the region, and elements associated with stone chamber tombs were added to them. The Tomb of Dongsu (Anak Tomb No. 3), which is similar to the other two tombs in that its occupant is of Chinese descent, was constructed in 357 not as a brick chamber tomb, but as an earthen mound tomb with a stone chamber. Still, the continuation of brick chamber tomb tradition in the next half century has been somewhat puzzling. Although dated inscribed bricks have served as important evidence for understanding the continuation of the brick chamber tomb tradition, there has been a problem of continually repeating previous studies. It has also been pointed out that there was an error in the interpretation of era names in some of the dated inscribed bricks that had been believed to have been produced in or after 357. For example, "second year of Taean" (Taian in Chinese), which had been understood to correspond to 386 (during the Former Qin Dynasty), in fact refers to 303 (during the reign of Emperor Hui of the Western Jin Dynasty). In the case of "first year of Geonsi" (Jianshi in Chinese), which had been believed to indicate 407 (during the Later Yan Dynasty), it actually refers to 301. "Geonsi" is the era name used during the period when Sima Yun ousted Emperor Hui of the Western Jin Dynasty and briefly occupied imperial throne. Outside these two cases, the remaining dated inscribed bricks thought to have been produced in or after 357 are those dated to the "third year of Wonheung" (Yuanxing in Chinese). However, a reexamination of these bricks reveals that what is really "Yeongheung" (Yongxing in Chinese) has been misread as "Wonheung." The third year of Yeongheung corresponds to either 306 during the Western Jin Dynasty or 352 during the Later Zhao Dynasty, but it is highly probable that it refers to 306. This means that there is no conclusive evidence to support the hypothesis that brick chamber tombs were built in the area until the late fourth century and even into the early fifth. Accordingly, the Tombs of Jang Mui and Dongni should be viewed as the latest known brick chamber tombs to be constructed in the western region of North Korea. Moreover, brick chamber tombs appear to have been no longer built in the area around the time when the Tomb of Dongsu was constructed. These speculations accord with the historical circumstances of the time.

• 발명특허
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• v.4 no.9 s.43
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• pp.24-25
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• 1979

• KOREAN POULTRY JOURNAL
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• v.12 no.11 s.133
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• pp.44-46
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• 1980

• The Science & Technology
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• v.10 no.12 s.103
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• pp.44-44
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• 1977

• Journal of architectural history
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• v.24 no.4
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• pp.55-64
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• 2015

This paper aimed to identify architectural historical meaning of the brick-constructed platform of the west hall in Hwangnyoungsa buddhist temple site based on studying published the excavation survey report and comparing with other platforms of Silla remains. Mass and height of the building has a hierarchical structure within a buddhist temple site, this is applicable in Hwangnyongsa. So in case of a rank equal to or lower buildings than the west hall, those of platforms were built of brick-constructed. As stone relics, jidaeseoks are very narrow, I think that wooden pagoda and main hall's platform were built of brick in first construction period. West hall's platform was built at the late 6th~the mid of 7th century, these brick-remains were considered as a quite earlier construction period relics. Because in west hall there is no jidaeseok under bricks, and all bricks relics have a rectangular shape.

• Korean Deer Journal
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• v.11 no.1 s.64
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• pp.68-72
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• 2006

축산정책 품질이 달라진다/ 전축종 사육마리수 감소/ 소 부루세라병 전국 농장 검사 실시/ 양계농가 정책자금 상환연장/ 올해 양돈자조금 106억 4천만원 확정/ 충북, 닭 사육규모 20% 급감/ 양축가 폐사축 방역관리 강화요청/ 농장주인, 사슴에 받혀 숨져/ 셀레늄 사슴 사육 성공/ 사슴질병 방력관리 교육

• Proceedings of the KSME Conference
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• 2005.11a
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• pp.220.1-220.1
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• 2005

• Journal of Oral Medicine and Pain
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• v.23 no.4
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• pp.433-445
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• 1998

본 연구는 정상인의 저작근에서 지속적인 등척성 수축후 근전도 power spectrum과 압력통각 역치의 회복 특성을 구명하기위해 시행되었다. 악안면 영역의 동통과 긴으장애의 벙력 및 현증이 ㅇ벗고 정상적인 교합관계를 가진 26명의 정상인(남자 14명, 여자 12명) 을 대상으로 최대근활성도의 70% 수준에서 인내가능 할 때까지의 등척성 수축과 수축후 회복기 동안의 근전도 power spectrum과 압력통각 역치를 컴퓨터를 이용한 근전도 시스텀과 전자식 압력통각계를 사용하여 분석한 결과 다음과 같은 결론을 얻었다. 1. 지속적인 등척성 수축 시작 시점의 중간주파수에서 남녀간에는 통계적으로 유의한 차이가 관철되지 않았지만, 근육간 비교에서는 전측두근에서 교근보다 유의하게 높게 나타났다(p<0.05). 2. 지속적인 등척성 수축전 암력통각 역치는 전축두근에서 교근보다 유의하게 높았고(p<0.001), 남성에서 여성보다 유의하게 높게 나타났다(p<0.05). 3. 지속적인 등척성 수축시 중간주파수와 압력통각 역치의 변화량은 성별간, 근육간에 우의한 차이가 관찰되지 않았다. 4. 지속적인 등척성 수축말기 중간주파수는 수축초기에 비하여 유의하게 감소하였으며(p<0.001), 이의 회복은 모든 근육에서 60초와 120초 사이에서 이루어 졌다. 5. 지속적인 등척성 수축후 압력통각역치는 수축전에 비해 유의하게 감소하였으며(p<0.001), 수축전 수준으로의 회복은 여자군의 전측두근과 교근에서는 30분후에 남자구느이 전측두근과 교근에서는 50분 후에 이루어졌다. 6. 지속적인 등척성 수축후 주관적인 동통이 소실된 시각은 여자군의 전축두근에서는 28분, 교근에서는 42분으로 남자군의 전측두근에서는 30분, 교근에서는 40분으로 나타났다.

• Journal of Conservation Science
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• v.27 no.4
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• pp.451-458
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• 2011

This study aims at identifying wall painting production technique of Songsanri No. 6 tomb based on optical examination and scientific analysis along with the investigation of written records of ancient wall paintings. The result displays that bricks with mortar were used for the construction of the wall, and masonry joint were made of lime, sand and gypsum. The surface of brick were plastered with black and thereafter with white lime. Finely sifted clay on the top of the white surface, were applied not with plasterer's trowel but with a brush for making ground surface. The clay are mineral particles smaller than $30{\mu}m$ of silt. The wall paintings of Sonsanri No. 6 is the only example of making ground layer with clay for painting of Sasindo (literally four heavenly animals painting) among remaining wall paintings of ancient tombs. The historical value of the painting should be attributed not only in terms that it displays a rare production techniques which were never discovered in any other paintings in Korea and Asia, but also it might had been uncompleted when the tomb were closed, even though it considers the fact that the wall painting were discovered in damaged condition in 1933.