• Aerospace Industry
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• v.57
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• pp.34-37
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• 1997

지난 6월의 파리 에어쇼에서 여러가지 최신형 항공기 실물이나 모형이 전시된 가운데 한쪽에서 특이한 대형 항공기가 전시되고 있었다. 그리고 이 항공기 앞에는 내부에 들어가 보려고 순서를 기다리는 관중들의 행렬이 길게 줄서 있어 눈길을 끌었다.

• The Optical Journal
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• s.119
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• pp.92-96
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• 2009

한 해에 전 세계를 통틀어 8천여회가 넘는 엄청난 전시회가 열린다. 그중에서도 본 고에서는 사진영상 및 광학, 광정밀, 정보통신, 전자, 태양광 등 국내 및 세계 유력 전시회를 뽑아 2009년도 한해 전시일정을 소개한다.

• The Optical Journal
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• s.151
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• pp.19-21
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• 2014

한국광학기기협회와 케이훼어스의 주최로 국내 최대의 광학 장비 및 부품소재 전시회가 지난 4월 2일부터 4일까지 사흘간 서울 코엑스에서 성황리에 개최됐다. 우리나라 광산업체의 비즈니스 활성화를 위해 전시기간 동안 한자리에서 다양한 국내외 바이어들을 불러 모았다.

• Nuclear industry
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• v.4 no.3 s.19
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• pp.55-57
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• 1984

• Food Industry
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• s.169
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• pp.31-46
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• 2002

• The Optical Journal
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• s.134
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• pp.41-45
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• 2011

일본 대지진의 영향으로 상반기 예측보다 다소 하향 조정된 부분이 있지만 2011년 주요 기관에서 내놓은 경기지표를 살펴보면 반도체, 전자부품 등이 지난해에 비해 전망이 밝은 것으로 나타났다. 특히 올해 PC시장, 휴대폰, LCD/LED TV 시장을 중심으로 높은 성장세와 함께 관련 부품산업이 호조를 보일 전망이다. 2011년 한 해도 세계 각지에서 다양한 성격의 산업전시회가 열릴 예정이어서 새로운 상품 및 기술 동향, 시장 성장 가능성 등을 살펴볼 수 있는 기회가 될 것으로 보인다. 다음에 소개하는 전시회 정보는 글로벌전시포탈(www.gep.or.kr) 홈페이지에서 발췌한 것이다.

• The Optical Journal
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• s.145
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• pp.45-46
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• 2013

국내 최대 규모의 전자제조장비 종합 전시회 'Electronics Manufacturing Korea 2013(EMK 2013)'가 지난 4월 3일부터 5일까지 서울 삼성동 코엑스에서 개최됐다. EMK 2013은 K.Fairs와 학국광학기기산업협회, Reed Exhibition, J.EXPO가 공동 주최하고 산업통상자원부, 중소기업청, 전자부품연구원, 대한전자공학회, 한국산업기술시험원 등이 후원하는 전시로, 올해 약 20여 나라에서 260여 업체가 750여 부스 규모로 참여한 가운데 성황리에 진행됐다.

• Journal of Korea Entertainment Industry Association
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• v.15 no.8
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• pp.193-202
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• 2021

HYBE Insight, opened in May 2021, is an exhibition space that visually displays and re-interprets the BTS Universe and its content. The space echoes the identity of BTS as an artist and the specificity of the cultural phenomenon they have generated. This study analyzes HYBE Insight's BTS exhibition by applying new museological theories and discourses. Based on a qualitative research methodology including literature review and observational method, the primary themes of the exhibition are follows: 1) a contextualized exhibition content presenting the identity of BTS and their music, 2) the role of the fandom Army's participation in (re) producing BTS content related to the characteristic of popular music museums, 3) the elements of convergence art and its contemporary implication, 4) and the illumination of cultural value in popular music museum management. As the pivotal theory of new museology suggests, investigating a specific exhibition based on each context it has created is significant. However, those studies, including exhibitions related to popular music/artists, were mostly developed in Western nations. In this respect, HYBE Insight's BTS exhibition provides considerable room to explore. In addition to the recent research on BTS, such as their convergent artistry, socio-cultural influence, the role of Army, and the characteristics of HYBE's content management, this article aims to contribute to the multifaceted research by scrutinizing the BTS exhibition content from the new museology perspective.

• Asia-pacific Journal of Multimedia Services Convergent with Art, Humanities, and Sociology
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• v.6 no.3
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• pp.291-300
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• 2016

The emergence of smart devices and IoT leads to the appearance of O2O service to blur the difference between online and offline. As online services' merits were added to the offline market, it caused a change in the dynamics of the offline industry, which means the offline-space's digitization. Unlike these changing aspects of the offline market, exhibition industry grows steadily in the industry, however it is also possible to create a new value added by combining O2O service. We conducted a survey targeting 20 spectators in '2015 Seoul Design Festival' at COEX. The survey was used to analysis of the spatial structure and generate the dataset for machine learning. We identified problems with the analysis study of the existing spatial structure, and based on this investigation we propose a new method for analyzing a spatial structure. Also by processing a machine learning technique based on the generated dataset, we propose a novel evaluation model of exhibition-space cells for O2O service layout.

• Journal of Korea Entertainment Industry Association
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• v.14 no.3
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• pp.201-210
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• 2020

The aim of this thesis is to investigate exhibition spaces which are being expanded and transformed concurrently with social phenomena that are also the result of rapid changes, all of which are reflective of a modern society in transition. Such investigation would also include an analysis of changes in the viewing public and artworks themselves, and also an assessment of the public nature of art and its effective aspects. Expansion of exhibition spaces and the increasing connection between art and the public have very important ramifications, in many respects. They present opportunities for the viewing public to immerse themselves in artistic spaces, with some reaching further into other activities - activities that they often share with other individuals. This also leads them to expand their range of activities, turning them into more mobile, proactive audiences. In connection, many corporations have turned their attention to this public aspect of art, which has resulted in a display of art in different types of spaces. The government also began to adopt 'public art' as a matter of policy, using it as a medium of communication between the state and its populace. The public aspect of art, being highlighted as a result of expansion and diversification of exhibition spaces, will have a significant impact not only on the viewing public, but also on the art market. This represents a momentous change for creators of art, which naturally warrants close scrutiny and research.