• Proceedings of the Korea Information Processing Society Conference
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• 2019.10a
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• pp.1053-1055
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• 2019

최근 사용자에게 단순히 체험을 제공하는 것을 넘어서 같은 내용의 체험을 제공하더라도 더욱 실감있는 체험을 제공하기 위한 연구가 이루어지고 있다. 사용자에게 시각적으로 현존감 있는 체험을 제공하기 위한 유사 홀로그램(hologram-like)시스템은 고전적인 디스플레이 방식에 빛의 간섭현상을 더해 투영되는 물체가 실제 현장에 존재하는 것과 같은 효과를 준다. 이러한 유사홀로그램 시스템은 공연, 전시, 교육 등 다양한 서비스 분야에 널리 확대가 가능한 차세대 디스플레이 시스템이다. 유사홀로그램 시스템을 구성하는 방법은 피라미드, 반투명 대형 단일 스크린 등 다양한 형태의 H/W 구성 특성에 따라 다양한 형태로 제작이 가능하지만 시스템 내부에 콘텐츠를 표현할 때 마다 H/W 구성 특성에 맞춰 콘텐츠를 매번 재구성해야 하는 번거로움이 존재한다. 본 논문에서는 다양한 형태의 H/W 구성을 가질 수 있는 유사홀로그램 시스템에 표현되는 콘텐츠 구성을 자동적으로 보정하여 다양한 종류의 유사홀로그램 시스템 H/W 를 사용하여도 콘텐츠를 변형없이 적용할 수 있는 저작도구 설계를 제안한다.

• Management & Information Systems Review
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• v.28 no.3
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• pp.99-115
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• 2009

This research analyzed determining factors of expenditure for processing fee by targeting trade show participants under a microeconomic approach in order to analyze determining factors of the participations of trade shows. As a result, with regard to the participation fees, income and the level of education seemed to be the socioeconomic factors that positively affected visitors in paying admission fees: and age and gender were negative elements. With regard to the participating businesses, the sales and the corporate history of the businesses were the positive elements to their willingness to pay the participation fees: however, the ratio of male and female personnel turned out to be a negative element in incurring the participation fees. The purchase of ticket was a positive mode-of participation factor to the visitors: however, distance tended to be a negative element for the visitors. For the participating businesses, the number of participation tended to be a positive element: however, distance was a negative one. The positive satisfaction factors that affected visitors' willingness to pay the participation fees included exhibited items, location, and schedules for events of the convention: for the participating businesses, the actual sales at the convention, the effects of advertisement and the level of satisfaction for location tended to play positive parts.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2018.06a
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• pp.107-109
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• 2018

지상파 UHD 방송을 위해 과학기술정보통신부는 UHD 방송장비의 국산화를 위한 R&D 사업을 UHD 워크플로우 전반에 걸쳐 추진한 바 있다. KBS와 RAPA는 국산 UHD 방송장비로 구성된 UHD 라이브 워크플로우의 시연 및 정합시험을 위한 시연용 테스트베드를 기획 및 제작하였다. 전체 시스템은 뉴스 및 토크쇼 형태의 시연 영상 연출을 위한 미니 스튜디오, 비디오 및 오디오 믹서, CG, 서버 등으로 구성된 부조정실, ATSC 3.0 시그널링 서버 등 송출시스템, 익사이터를 통한 송신 그리고 모바일 수신 단말을 통한 수신 시스템 등 실제 지상파 방송 송출 시스템을 모델링하여 테스트베드 형태로 구성된다. 본 논문은 시연 테스트베드 각 부분의 기획의도 및 구체적인 설계 방안의 제시를 통해 소규모 UHD 방송 스튜디오 등 워크플로우의 구성에 대한 이해를 돕고 아울러 상호운영성 검증 방안 들을 제시한다. 구현된 테스트베드는 방송기술인연합회와 공동으로 KOBA 2018 전시회에서 구축되어 전시기간 동안 전시회를 홍보하는 방송 프로그램 제작에 활용되었다.

• Archives of design research
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• v.12 no.4
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• pp.231-241
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• 1999

This study propose to analyze the design method and the form elements of museums, of works by Richard Meier, and through the analysis, spacial characteristics of museums will be understood. The museum works of Richard Meier, as an exhibition space, not only display the art works efficiently, but they also offer visitors the opportunity to experience the art of architecture, as a cultural space. Richard Meier, when working on the projects, has utilized the design methods and the architectural language, learned from Mies van der Rohe and Le Corbusier, resourcefully. Having the structural grid as basis, the rational rectangular forms were intended for exhibition space, while the circular and partial circular forms of geometry were utilized in formative space. This was able to maintain the balance between functional and formative space. In the museums of his works, the ramp and the glass wall separated from the structure become very important means of expression. The ramps, not only make people to enjoy the interior and exterior of museum, but also able them to see the works of art from different distances and angles repeatedly and the large glass wall reveals the various shapes of interior to exterior. In comparing with the design method and language of two masters mentioned, the design principles and elements, developed by Meier were applied to the site plans, exhibition space planning and elevations to manifest its originality. The design concept, derived from the urban fabric and historical buildings around, gave harmony to the museum with its surroundings, and employing the deformed axis brought variation and the effect of diversion to the site plan. The exhibition space is much vitalized by the well arrangement of various exhibition fixtures in the museum. The exhibion fixtures, which the partitions, shelves, miches, and stages were put together in flexibility, play multiple roles as partitions dividing spaces, as furniture displaying art works, and as elements creating forms. The systematically arranged fixtures, also produce several visual axes and centers, which have visitors appreciate the works of art in various perspectives, hence create a unique environment.

• Trans-
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• v.7
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• pp.19-48
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• 2019

This study was described to examine the meaning of the media exhibition work <70mK>, which aims to capture the topography of the collective consciousness of the Korean people through large-scale interviews. <70mK> edits and organizes interview images of individual beings in mosaic-like layouts and forms, creating video exhibitions and holding exhibitions. The objects in the split frame show the continuity of differences that reveal their own thoughts and personalities. This is a synchronic and conscious collective typology in which the intrinsic nature of the individuals is embodied in a simultaneous and holistic image. Interview images reveal their own form as a actual being and convey the intrinsic nature of one's own as oral information. <70mK> constructs a new individualization by aesthetically structuring the forms and information of life individuals in the extension of a specific group. The beings in the frame are not communicating with each other and are looking straight ahead. it conveys to visitors their relationship and personality as the preindividual reality. It is the repetitive arrangement and composition of heterogeneity and difference that each individual shows, and is a chain operation that includes collective identity behind it. <70mK> constructs the direct images and sounds of individual interviewee, creating a new form of information transfer called Video Art Exhibition. This makes metaphors and perceptions of the meaning and process of transindividual relationships and the meaning of psychic individuation and collective individuation. This is an appropriate case to explain with modern technology and individualization of Gilbert Simondon thought together with the meaning of becoming and relation of individualization. The exhibition space constructed by <70mK> is an aesthetic methodology of the psychic and collective meaning and its relationship to a particular group of individuals through which they are connected. Simondon studied the meaning of the process of individualization and the meaning of becoming, and is a philosopher who positively considered the potential of modern technology. <70mK> is a new individual as structured and generated ethical reality mediated by modern technology mechanisms and network behaviors. It is an case of an aesthetic and practical methodology of how interviews function as 'transduction' in the process of individualization in which technology is cooperated. The direct images and sounds of <70mK> are systems in which the information of life individuals is carried, amplified, accumulated and transmitted. It is also a new individual as a psychic and collective landscape. It is a newly became exhibition art work through the multiple individualization, and is a representation of transindividual meanings and process. The media exhibition art of individualized metastable states leads to new relationships in which viewers perceive the same preindividual reality and feel affectivity. The exhibition space of <70mK> becomes a stage for preparing the actual possibility of the transindividual group beyond the representation of the semantic function.

• Journal of the Korean Society for Library and Information Science
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• v.54 no.1
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• pp.89-114
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• 2020

This research is a basic study to understand the current state of the complex cultural space in the public library and the programs in operation and to explore ways to activate the programs by complex cultural space based on the understanding of the public libraries that formed the complex cultural space. Thus, a survey was conducted on librarians of public libraries that had complex cultural space within the library and found that there were a number of educational, exhibition, and performance spaces, and in the same vein, there were a lot of related programs being run in the complex cultural space. However, due to the lack of personnel in charge and budget, difficulty in developing programs, low participation in the programs, and lack of cultural facilities and materials, the substantialization of complex cultural space management seems to be lacking. Therefore, it will be required to set the goals and visions for the complex cultural space in libraries and to secure space, manpower, budget, and promotional efforts to reinvigorate the complex cultural space in the future.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.15 no.3
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• pp.1236-1240
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• 2014

We propose a robot museum, "ROSIEUM," based on a new concept of museum. Roles of a new concept based museum are being investigated. We also propose a classification scheme for robot contents as museum's collections. This scheme for collecting and displaying robot contents includes the first robots, the delegate robots, the robots with special meanings, the robot experiences and the robot events. Also, types of robot contents are described. Key ideas and scenario for "ROSIEUM" have been presented. Operations of "ROSIEUM" are designed and implemented.

• Journal of the Korean earth science society
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• v.29 no.6
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• pp.506-519
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• 2008

This article explores the potential learning materials and methods of science practice from exhibits, and how those are presented in natural history museums as a feasible science inquiry community. The idea of science inquiry community was offered as a form of science practice that ended with science learning. A grasp of 'scientific practice to learning' is understood as a way to conceive scientific methods as well as facts and understanding knowledge. To get educational implications on the scientific practice of 'earthquake' as a socioscientific topic in the communities, we analyzed 1) the relationship between earth science curriculum and exhibits related to 'earthquake', 2) the educational goals and intentions of educators, and 3) the characteristics of the exhibits in the American Museum of Natural History and in the Smithsonian National Museum of Natural History. The results of this study showed that those museums presented the exhibits consisting of various and practical cases and events of 'earthquakes' as a socioscientific topic related to their curriculum. At the target museum, it was clearly stated that the pursuing educational goals focused on relations with local interests and socioscientific issues. For making earthquakes relevant to visitors, delivering lived experiences with raw data and interactive media was emphasized in exhibit characteristics.

• Journal of Intelligence and Information Systems
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• v.20 no.1
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• pp.1-14
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• 2014

Both researchers and practitioners are showing an increased interested in interactive exhibition services. Interactive exhibition services are designed to directly respond to visitor responses in real time, so as to fully engage visitors' interest and enhance their satisfaction. In order to install an effective interactive exhibition service, it is essential to adopt intelligent technologies that enable accurate estimation of a visitor's emotional state from responses to exhibited stimulus. Studies undertaken so far have attempted to estimate the human emotional state, most of them doing so by gauging either facial expressions or audio responses. However, the most recent research suggests that, a multimodal approach that uses people's multiple responses simultaneously may lead to better estimation. Given this context, we propose a new multimodal emotional state estimation model that uses various responses including facial expressions, gestures, and movements measured by the Microsoft Kinect Sensor. In order to effectively handle a large amount of sensory data, we propose to use stratified sampling-based MRA (multiple regression analysis) as our estimation method. To validate the usefulness of the proposed model, we collected 602,599 responses and emotional state data with 274 variables from 15 people. When we applied our model to the data set, we found that our model estimated the levels of valence and arousal in the 10~15% error range. Since our proposed model is simple and stable, we expect that it will be applied not only in intelligent exhibition services, but also in other areas such as e-learning and personalized advertising.

• The Optical Journal
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• s.151
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• pp.15-18
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• 2014

국내 최대 규모를 지닌 사진영상기자재 전시회, 2014 서울국제사진영상기자재전(P&I 2014)이 17일부터 20일까지 코엑스 1층 A,B홀에서 열렸다. 코엑스, 한국광학기기산업협회(KOPHIA), 한국사진영상기재협회(KOPI) 주최로 열린 이번 행사는 사진영상분야 151개 업체 680부스의 규모에서 300여 개의 브랜드를 만날 수 있었으며 사진과 영상에 대한 문화와 트렌드를 만날 수 있는 이번 전시회에서는 문화콘텐츠로 구성된 다양한 부대 행사와 세미나가 열려 관람객들의 눈을 사로잡았다.