• 한국콘텐츠학회논문지
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• 제16권3호
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• pp.116-124
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• 2016

본 논문은 아쿠아리움에 적합한 디지털 전시 콘텐츠에 대해 제시하며, 특히 경포 석호생태관 아쿠아리움의 전시에 대하여 기획하였다. 전체 공간에 대한 스토리텔링을 바탕으로 각 공간에 적합한 미디어 콘텐츠를 제시함으로써 전체 아쿠아리움과 동떨어진 것이 아닌 그 안의 각 요소에 자연스럽게 녹아들 수 있는 기획을 제시하고자 하였다. 아쿠아리움이라는 전시 특성상 전시와는 상관없지만 분명히 존재해야 하는 공간들이 존재하게 되는데, 이 공간들을 최대한 활용해 디자인함으로써 아쿠아리움 전체가 하나의 바닷속 공간인 것처럼 느껴지도록 유도하였다. 각 부분의 미디어 전시 기획은 공간에 적합한 미디어 플랫폼을 먼저 제시한 후 각각에 들어갈 콘텐츠를 기획하였다. 3D Water Projection, Kinect를 이용한 인터랙티브 미디어, Fog Screen로 총 3가지의 미디어 플랫폼의 사용을 제시하고, 그에 설치될 인터랙티브 전시 콘텐츠, 게임 콘텐츠, Fog Screen 콘텐츠에 대해서 기획하였는데, 이는 2D 드로잉 컨셉과 3D 전시 공간 모델링, 가상현실에서의 구현을 통해 제작되었다. 본 연구는 일반적인 전시와는 다른 특징을 갖는 아쿠아리움이라는 특정 전시 장르에 맞는 디지털 전시 콘텐츠를 단계적인 사전 시각화 방법을 통해 제시함으로써 차별화된 디지털 전시 콘텐츠를 제시했다는 데에 의의가 있다고 하겠다.

• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2002년도 가을학술발표대회 디자인학 연구
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• pp.96-97
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• 2002

• 한국실내디자인학회논문집
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• 제21호
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• pp.42-53
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• 1999

The purpose of this study is to clarify the relationship between the exhibits layout and the spatial organization in exhibition spaces. As an analytical method, the space syntax theory devised by Bill Hillier(1984) was applied for analysing the potential differentiation of exhibition spaces and remodeling method in Seoul City Museum selected for case study. The results are as following. Especially from the convex analysis, axial analysis and exhibits(interpretation); 1) the closed spatial system(1F) has high visibility and high intelligibility in hall area but lacks route continuity, 2) the circulated spatial system(2F) has low global visibility but offers high intelligibility and connectivity due to its coercive circulation, 3) and the organization of exhibition design consists in differentiating space that reintegrates them into another spatial order. Therefore, there process are expected to provide a methodological framework for analysing and interpreting spatial organizations of design, leading to the clear explanation of remodeling.

• 한국실내디자인학회논문집
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• 제20호
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• pp.105-113
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• 1999

This study intends to analyze the various spatial structures of the Seoul city museum with reference to the layouts and the qualitative mode of exhibition items. Understanding the way of actual exhibition design can be a clue to understand the contents of exhibition story which guarantees to make the pertinent space and visitors route organization between different levels of architectural space and exhibition space. The basic methodological ideas of this study are as follows; 1) Systematic analysis about the characteristics of exhibits, historic context, and hierachy of each thematic zone. 2) Analysis of physical combination of object spatial cell in the view of visitors circulatiov. As an actual example History zone (1F), Life and Culture zone(2F), City zone(2F) in the museum are analyzed and examined

• 한국실내디자인학회논문집
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• 제15권6호
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• pp.213-220
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• 2006

Le Corbusier (1887-1965) is known as a great architect ranking with such master architects as Frank Lloyd Wright and Mies van der Rohe who produced great architectural achievements in an era from the dawning to the maturity of the modem architecture. His works are marked for their peculiarity in expressing his architectural concept as perceived through his artistic sensibility. He has brought the form of his architecture to perfect through the influence of Purism. His architectural concept has instigated him to construct the relations between structure, form and the notion of space through the 'Dom-ino' structural system and the 'Five Principles of the Modem Architecture.' As a result, he has become such an architect as has ripened his works by adopting the 'Modulor' for human measurement. During the decade from 1929 to 1939, he made public the 'Museum of Unlimited Growth' programs in an attempt to give a concrete form to his concept of 'unlimited space' spreading to all directions, which was actually visualized by the constructions of three art museums, located Ahmedabad and Chandigarh in India and Tokyo in Japan. Although a number of researches have so far been publicized on the works and the architectural ideas of Le Corbusier, no systematic research has yet been released on the idea of 'Museum of Unlimited Growth' as a matter of fact. Therefore, this study has set its purpose to grasp the peculiarities of his exhibition space design through an analysis on the characteristics of the 'Museum of Unlimited Growth' so designed as to reflect the concept of a space, which is centrifugally growing. With this purpose in mind, this research is also to suggest how the design of the 'Museum of Unlimited Growth' would influence the modem museum exhibit space. The contents of this study comprise the consideration on the early ideas of Le Corbusier, the typical features of the growing museum and the analysis as well as the integration of his works.

• 한국과학예술포럼
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• 제37권4호
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• pp.205-216
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• 2019

본 연구는 박물관 비정형건축형태가 늘어나고 있는 현시점에서 학술적 건축형태계보에 관한 패러다임의 변화를 초래하고 있으며 이에 따른 전시공간에 미치는 영향에 관한 유무의 논증이 요구되어 진다. 따라서 선행되어야 하는 단계로서 비정형 건축형태와 전시공간과의 상관관계를 검증하기 위해 최근 2000년 이후 다양한 박물관 설립 또는 재개관한 사례의 현황분석을 통한 실질적인 비정형 형태의 경향을 파악한다. 이에 전시공간이 관람자의 공간체험에 더욱 효과적인가를 유추하기 위해 비정형건축과 전시공간과의 관계성에 대한 결론을 도출하는데 본 연구의 목적이 있다. 연구방법 및 결과는 다음과 같다. 첫째, 박물관의 비정형건축 형태적 개념 및 건축형태의 분류에 관한 문헌조사와 선행연구의 고찰을 통해 기준을 정립하여 도입하였다. 둘째, 싱가포르, 독일, 네덜란드 등을 직접 방문하여 사례 고찰을 통해 비정형 건축형태와 전시공간의 현황과 특성을 고찰하였다. 이때 Kare Vollers의 비정형 형태기준을 차용하여 분석을 하였다. 셋째, 비정형건축형태와 전시공간과의 관계성을 증명하기 위해 Kare Vollers의 비정형 형태기준과 비정형 전시공간을 중심으로 사례별 크로스 체크하여 결과를 도출하였다. 연구 결과의 내용은 다음과 같다. 첫째, 비정형건축형태의 EX(Extruder)(angle, ortho)와 전시공간 사선형은 유의미한 상관성을 가진다. 이는 싱가포르보다는 네덜란드와 독일에서 92.3% 명확하게 검증되었다. 반면, 전시공간 곡면형은 불명확한 관계성을 보이며 싱가포르 경우 RO(Rotor), FR(Free Shaper), TW(Twister) 등을 통해 곡면형 관계성을 가진다. 둘째, 비정형 건축형태와 전시공간의 사선 및 곡면형이 복합적 형태조합을 가진다. 특히 N-02, G-02는 융합된 형태로써 EX를 기본적 가지며 부분적 다양하게 형태를 함유하여 비정형의 복잡함을 유도하였다. 이와같이 비정형 형태는 다양한 조합으로 무한정의 변형이 가능하며 이를 대응하기 위해 다각도에서의 융합적 접근이 요구된다. 차후 본 연구를 기반으로 박물관의 비정형 건축형태와 전시연출디자인과의 관계성 유무를 논증하고자 한다.

• 한국실내디자인학회논문집
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• 제16권3호
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• pp.111-118
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• 2007

Using effective light, which is physical experiences by its control and manner of adaption, and make human to recognize the shape and give the meaning, so that approaching against perception experimental method which plays a role in basic clue, is regarded crucial highly among human sensory organ. this study consider the perception conception, its feature and necessity against eyes' adaption among human perception experimental experiences which has been discussed indifferently for inner space. Also, we looked over the problems among actual examples of inner spaces which should be considered as to adaption conception of human beings. Furthermore, this study aims at basic studying, which searching for enable to adapt in case of planning for inner space planning and distributing the quality evaluation by using effective light.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2003년도 춘계학술발표대회 논문집
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• pp.88-92
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• 2003

Although natural and science museum project is being promoted, performance of research that can be recommended for exhibition space plan is not sufficient. Nature and science museum is the space of participation type so structure and type of space depends on the content of exhibition. Therefore, this paper is the gradational research to understand correlation and characteristic and give direction for exhibition space plan suitable for system of exhibition content through analyzing system of exhibition content and structure of exhibition space. Further, prepare basic material for exhibition space of nature and science museum being newly planned or renovated through understanding structure of exhibition space according to exhibition scenario.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 춘계학술발표대회 논문집
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• pp.71-76
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• 2004

The Public-founded Museum for Enlargement must Propel some articles of the following. Firstly, it can satisfy the regional inhabitants' desire but also make a role and function by means of synthesis of cultural artistic space. Secondly, it must build up The Operational system of The Central information System for the systematic managing or various kinds of data, The Thirdly the Spatial Creation in consideration of the citizens' advantage is needed for the citizen's easy approach to the museum. The Fourthly, it builds up public services like convenient facilities and resting areas. Fifthly, it must provide information through the build up the Cyber-Museum for the survival in the information-oriented, Globalization of current times. Next, it focus's on the public advantage of not mixing mean and purpose but of having a geared mind. Lastly, it educates the regional inhabitants through training professional human resources in each sphere.

• 한국실내디자인학회논문집
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• 제41호
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• pp.180-189
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• 2003

This study aims to understand the correlation between system of exhibition contents and structure of exhibition space in nature and science museums. So, in this paper it deals with 10 examples of overseas nature and science museums as analytical objects, using Space Syntax as an analytical tool. In conclusion, the system of exhibition contents of nature & science museums can be divided into field and theme, and subdivided into total 6 systems according to categorization and integration. The system of exhibition contents by field is generally characterized by unconstricted access and system of exhibition contents by theme is generally marked by high visual openness. And the system of exhibition content according to categorization is characterized by strong concentration on exhibitory convex and its wide distribution.