• 제목/요약/키워드: 장신구 착장

검색결과 3건 처리시간 0.016초

대학생의 패션라이프스타일에 따른 장신구 착장 (Ornament Wearing Practices according to Fashion Lifestyle of College Students)

  • 신주동;최종명
    • 한국생활과학회지
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    • 제17권4호
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    • pp.723-731
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    • 2008
  • This study was performed to investigate the relationship between the fashion lifestyle and the ornament wearing practices of college students. A questionnaire survey was conducted on 545 college students (male students 36.7%, female students 63.3%) in the Cheongju area, Korea. Frequency, factor analysis, cluster analysis, t-tests, $X^2$ and ANOVA were used for data analysis. The results of this study were as follows: 1) Fashion lifestyle of students was classified into 4 factors; fashion oriented, aesthetics pursuit, brand preference and reasonable economy. Based on the factor scores, 4 clusters were identified; practical, brand oriented, personality and self conspicuous. Female students were more affiliated to personality and self conspicuous group than male students. 2) They owned earrings, necklaces and rings, in the order. There were significant gender differences in the wearing practices of ornament. 3) Also, there were significant differences in the ornament wearing practices according to fashion lifestyle.

청소년기 장신구 착장에 관한 연구 - 라이프스타일과 의복행동을 중심으로 - (A Study on the Ornaments Wear of Adolescents - Focusing on the Life Style and Clothing Behavior -)

  • 최은영;전경란
    • 한국생활과학회지
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    • 제9권1호
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    • pp.137-152
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    • 2000
  • The purpose of this study was to investigate the disposition of adolescents in their ornament wearing pattern associate with their life style and clothing behavior. The subject of this study consists of 345 middle and high school girls living in Chung-Nam Province and Taejon Metropolitan City. SPSS/PC+ program was utilized to calculated frequency(N), mean value(M) and standard deviation(SD) for statistical analysis. Differences among the populations were examined through f test, ANOVA. The results of this study reveals that the ornaments wearing patterns are significantly different according to their life style and clothing behavior as follows: 1. Correlation between the wear of ornaments and the life style: School girls who pursue the modernistic life style prefer the fashionable ornaments (e.g. sunglasses) and they are always in contact with the latest information. On the contrary, school girls who pursue the practical life style emphasize on the practical use when they purchase the ornaments, e.g. umbrella. School girls having romantic or passive nature have a preference for the brand name and brand image of the ornaments and they in general would like to buy ornaments such as the bracelets. 2. Correlation between the wear of ornaments and the clothing behavior: School girls having sympathetic nature and being deeply interested in clothing put a stress on the latest fashion of the ornaments. They usually want to buy fashionable ornaments such as the cellular phone, beeper and sunglasses. Subjects who estimate themselves by their garments are sensitive to the price of the ornaments while aesthetes emphasize the brand image of the ornaments. Chaste school girls put their emphasis on the quality of the ornaments and they most want to have functional hair bands. Following suggestions can be made based on the discussions above: It is necessary for us to have correct understanding about the correlation between the ornaments and clothing of school girls in order to lead them to have appropriate clothing behavior. Furthermore, it is required to construct a bridge linking a course of study to rational habits guidance which will provide us more appropriate tools for clothing behavior guidance.

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스토리텔링에 의한 판소리 발레극 '도깨바! 도깨바!'의 무대의상 연구 (A Study on the Stage Costume of Pansori Ballet Theater 'Dokkaeba! Dokkaeba!' Based on Storytelling)

  • 유진영
    • 문화기술의 융합
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    • 제9권3호
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    • pp.399-406
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    • 2023
  • 본 연구의 배경은 한류의 확산으로 주목되는 공연 콘텐츠 개발에 있어서 전통 소재가 중요하게 부각되고 있으며 창작과정에서 스토리텔링을 적용하는 것이 필요하다는 것이다. 이에 따라 판소리 발레극 '도깨바! 도깨바!'의 공연창작 과정에 스토리텔링을 도입함으로써 나타나는 차별화된 무대의상 디자인을 살펴보는 것이 연구의 목적이다. 안무가, 작가, 의상 디자이너가 작품 기획부터 작품 내용 창작까지 스토리텔링 과정에 공동으로 참여하였으며, 그 결과로 한국적 도깨비는 초월적인 힘을 가진 신적 존재이면서 동시에 인간이나 사물의 모습으로도 나타나는 일상적이고 친근한 존재로 정의되었다. 그리고 공동으로 창작한 시나리오에 따라서 디자인 된 무대 의상은 기존의 공연에서 뿔이나 장식으로 표현하던 '귀면와'나 '오니'를 연상시킬 수 있는 도깨비의 모습을 지양하고, 퓨전한복과 다양한 조형적인 장신구, 색채 대비를 통한 모던 창작 의상, 질감에 의한 간접적인 사물에 빙의한 도깨비 캐릭터 표현, 일상복 착장 등으로 인간화 된 도깨비를 표현함으로써 차별화하였다. 따라서 본 연구의 의의는 도깨비를 주제로 한 새로운 공연 콘텐츠 제작에 기여하고 무대의상 디자인의 다양한 방향성을 제안하는 것이다.