• Title/Summary/Keyword: 장삼

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A Study on Some Female Ceremonial Robes (Jangsam and Sooboro etc.) of the Choson Dynasty (조선시대 비빈 장삼 및 수보노의 일고찰 -의궤 복완도설을 중심으로-)

  • Kim Myoung Sook
    • Journal of the Korean Society of Clothing and Textiles
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    • v.8 no.3
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    • pp.57-65
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    • 1984
  • This is to study some female court costumes, Jamgsam and Sooboro etc. (장삼, 수보노), which seem to had been used as ceremonial robes. There is no remaines, and only a little written materials can be used. The Kook-Chang-Dogam Eui Gues(국장도감의구) give us some know ledges on the shapes, materials, embroideries and the usages of them. After surveying the provisions of the Eui-Gues, Auther arrived at conclusions as follow; 1. Jangsam(장삼) set is the counterpart of the Myunbok(면복) set. 2. Sooboro(수보노), worn over the Sang(상), is short, divided into three parts from the middle of the length, and the peonies(목단) are embroidered at the bottom of the three parts. 3. Jangsam(장삼) is accompanied by susik(수식), which seems to be a kind of headband, and a pair of gloves(수의).

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밀양표충사소장 사명대사유품-가사와 장삼의 보존처리에 관하여

  • Lee, Tae-Nyeong;Bae, Sang-Gyeong
    • 보존과학연구
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    • s.5
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    • pp.1-20
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    • 1984
  • 본고는 밀양표충사 소장인 사명대사(중종39년-광해군2년) 유품으로 전하는 민속자료 제29호 견직의 금란가사편과 면직 장삼에 대해 과학적 보존처리의 연구의뢰를 밀양군청으로 부터 받아 실시한 내용에 관한 기록이다.

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Research on Jangsam in Buddhist Priest's and Shaman's costumes (승복과 무복으로 착용되는 장삼에 관한 연구)

  • 김은정
    • Journal of the Korean Home Economics Association
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    • v.42 no.2
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    • pp.151-160
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    • 2004
  • This paper researched and compared the Jangsam religious costume, of Buddhism in Yeongsanjae with that of Shamanism in Gutgeori. Jangsam is a full length, flaxen hemp dress used in both religions. (Ed-please amend this sentence as necessary but note that it is essential to give some description of the costume here for non-Korean readers) The religious point of view can cause Jangsam's features to differ Jangsam's meanings are as follows. First, the purpose of wearing Jangsam in both the Buddhist priest's and Shamans' costumes is to gain power from the Almighty in order to maximize the religious effect. Second, Jangsam in the Shaman's costume features universality mixed with Buddhism and folk religion and becomes symbolic in Buddhism. As society disregards Shamanism, it has become combined with Buddhism. Third, Jangsam for Yeongsanjae or Chukwon Gut has kept its religious specialty as a Pyoeui despite various modifications.

A study on Court Dresses (Jeockyoe & Yoedae) in the Yi Dynasty (가예도감을 통해 본 법복(적의)의 부수복식과 의대(노의, 장삼)에 관한 연구)

  • Baek Yang Ja
    • Journal of the Korean Society of Clothing and Textiles
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    • v.2 no.1
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    • pp.133-143
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    • 1978
  • This study is a latter series of 'A Study on the Changes of Court Dresses in the Yi Dynasty' (see Journal of the Korean Society of Clothing and Textiles Vol. 1. No. 2. 1977), and tries to discuss the additional clothing style--- Hapee(하피), Mal(말), Sang(상), Daedae(대대), Pesle(폐슬) and Seock(석) as well as how to obtain the textile fabric used in queens' wedding ceremony and Noeyoe(노의) and Jangsam(장삼). Through Karedogam(가예도감), it can be found that as queen's casual dress gold-round-pattern Noeyoe(금원문노의) was used, and the royal princesses wore Dan Noeyoe(단노의). Noeyoe was long in back and short in front and it was very luxurious with the two-phoenix pattern. Jangsam was queens' casual dress, and the royal princesses wore simple and double Jangsam. In public, the wives of the officials above the 5th-Class in status wore Jangsam; Noeyoe is a higher-class dress than Jangsam.

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