• Proceedings of the KGS Conference
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• 2002.05a
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• pp.41-43
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• 2002

• Proceedings of the KGS Conference
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• 2004.11a
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• pp.30-30
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• 2004

• Journal of the Korean Geographical Society
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• v.35 no.2
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• pp.227-241
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• 2000

본 연구는 지리산지에서 평지와는 다른 자연환경에 적응하기 위해 어떠한 관개체계와 물관리방법들이 사용되어왔는지를 살펴보는데 목적이 있다. 지리산자의 관개체계는 도처에 분포하는 수량이 풍부한 계류에 보를 만들고 자연적인 경사를 이용해 수로를 설치하여 논으로 물을 끌어들이는 즉 보를 이용한 계류관개가 주를 이루고 있다. 또한 지리산지 농민들은 벼농사의 가장 큰 장애 요소인 저수온으로 인한 냉해를 막기 위해 여러 가지 물관리방법들을 고안.사용해 왔는데, 이는 관개수량을 최소화하는 방법과 수온을 상승시키는 시설로 구분할 수 있다.

• Proceedings of the Korean Association of Geographic Inforamtion Studies Conference
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• 2007.10a
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• pp.185-191
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• 2007

최근 10년간 발생한 자연재해 중 태풍의 피해는 전체의 60%를 넘을 정도로 풍수해의 피해는 막대하며, 지속적 산업화와 개발로 인해 피해 규모 역시 매년1조원 이상을 상회하고 있어, 자연재해에 대한 피해 경감 노력이 매우 요구되고 있다. 이를 위하여 최근 풍수해의 피해 사전에 예측함으로써 예방 및 대비는 물론 재해 발생에 따른 응급 대응 및 복구의 효율성을 제고하고자하는 과학적 방법론에 대한 연구가 진행되고 있다. 태풍에 의한 피해 예측은 위험도(Hazard)의 추정, 피해 대상 자료의 구축(Inventory) 및 피해대상의 취약도(Fragility)의 세 가지 요소를 이용하여 수행되는 것이 일반적이다. 위험도는 자연재해의 특성인 강우, 풍속 등을 물리적으로 모델링함으로써 추정할 수 있으며, 피해 대상 자료는 공공 및 사유 시설물을 총 망라함으로써 피해의 사회, 경제적인 피해 규모 예측에 활용된다. 각각의 피해 대상이 위험도에 따라 갖는 취약도는 최종 피해 및 손실 규모의 평가 자료로 이용된다. 이때 위험도의 추정 및 피해 대상 자료의 구축을 위한 핵심적인 방법론으로서 지리정보시스템의 활용이 크게 요구된다. 따라서 본 연구에서는 태풍 피해 예측을 위한 자연재해 위험성 평가 방법론에 있어서 매우 중요한 요소인 자연 지형, 지표의 특성 및 활용도, 피해 대상인 인공 시설물 등의 자료항목을 분류하고 태풍 피해 예측 기술의 핵심 요소로서의 지리정보시스템 활용 방안을 제시하고자 한다.

• Journal of agriculture & life science
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• v.43 no.1
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• pp.9-16
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• 2009

A survey which was to find out visitor's behavior and their satisfaction on nature trails in Mt. Jiri National Park was conducted to provide basic information and management methods. According to the survey, major visitors were male with the age between 40 and 50, and the residents of Gyeongnam with relatively high academic background. The visitors had obtained information about natural trail mainly from other visitor, not from internet. The visitors were mainly composed of big group and family. The main purpose of visiting was to escape congested everyday in Yupyeong and Hadong district, and to enjoy mountain climbing in Jungsanri and Baekmudong district. Although there were differences among districts, most visitors were satisfied with natural interpretation program. About 40% were recognized optimum length of nature trails as 2km and less.

• (The)Study of the Eastern Classic
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• no.59
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• pp.405-428
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• 2015

Painting theorists in Song dynasty often spoke 'Li' when they talked about paintings. But 'Li' of the song dynasty is not limited to the 'ethics'. First, it includes visible 'natural's truth', such as the differences of 'geography' and 'physics' between the depicted objects. Second, it also includes 'common sense' which was based on both the observation and the thinking. The theorists thought if the 'common sense' was improper in the painting, the whole work was invalid. Thirdly, it also includes 'the reasonable sense in special situation', which requires great imagination ability and elaborative faculty. For example, when playing wind instruments and stringed instruments in the same time at the same concert, the painter should accurately draw the different gestures of musicians according to that the wind instrument is 'sound when the finger lift' and the stringed instrument is 'sound after the finger have left' in that moment. Fourthly, it includes 'art reason', theorists call it as 'ShenLi' or 'MiaoLi'. 'ShenLi' or 'MiaoLi' require the creator to join the spiritual concept besides his observation and thinking. For example, 'banana in snow' is neither observed available nor thought of available, but is the result of spiritual concept of creators for seeking everlasting. And at last, it certainly includes 'the principle of ethics'. Painters often highlighted the ethical relations of the feudal nation and the value of individual gentleman through the allegory story of figure painting and even the sudden composition in the landscape painting. 'Geography', 'physical', and 'common sense' are required the meticulous observation and the rational thinking for the painted object. And 'the reasonable sense in special situation', 'the art reason', 'the principle of ethics' are required enhancing painting style in the painting artistic conception and realm of life based on the nuanced observation, making 'technology' into the 'Tao'. This is the six reasonable increasing requirements for the painting work. Therefore, 'seeking the final reason' is the fundamental spirit of painting theory of Song Dynasty.

• Journal of the Korean Geographical Society
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• v.40 no.2 s.107
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• pp.172-186
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• 2005

I examine in this paper how the contemporary sacredness of Mt. Chirisan has been modified through the reworking of the embodied experiences of the mountain. 1 examine the theme of escapism through the cases of mountain men and Chonghakdong. The two mountain men, Huh Man-Soo and Ham Tae-Sik, tacitly suggested a modem aesthetic and environmentalist view of nature by articulating a typical form of appreciating nature in a transition period from pre-modern to modern society. Mountain men mediated their own personal dreams of revitalizing the Taoist utopian place with their social practices of modernizing and democratizing the appreciation of nature. Ultimately, the appearances and practices of mountain men symbolize the end of the pre-modern geographical imagination of the mountain as distinctive plate outside society (real world). Therefore, the vision of modem civic-national landscape, national park, was made concrete at the very site where the people's dreams of utopia, the inherited sacredness of the mountain and people's religious beliefs in its protective power were terminated.

• 공원문화
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• s.44.45
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• pp.14-19
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• 1989

• 공원문화
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• s.84
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• pp.16-17
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• 2009

• 공원문화
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• s.84
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• pp.40-43
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• 2009