• Title/Summary/Keyword: 이세신궁

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The Change of Architectural Image with its Age in Traditional Architecture Part 2 - The Image of I-SE Jingu from the Viewpoint of Their Members - (경년에 따른 전통건축의 이미지 변용(II)-구성부위.요소로 본 이세신궁의 이미지 특성-)

  • 김동영
    • Journal of the Korean housing association
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    • v.13 no.1
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    • pp.37-43
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    • 2002
  • In part 1, the image common to Jingu′s shrines can be represented as "strict" and "beautiful", regardless of their age. The image changed from gorgeous/orderly to modest/disorderly with times. In part 2, the image was considered on the characters of those architecture′s members and elements. The conclusion is as fellows; 1. The members that strongly influenced on the image of "strict" is a roof with it′s shape and color. 2. The decrease of lightness, yellowness and luster of members changed the image of architecture, from "gorgeous" to "modest". 3. Because of "Sabi" made from "modest", Jingu′s shrines look "beautiful".

Matsuri and Shinsen : Centering on the Rites of Ise Shrine and Emperor (마쓰리(祭)와 신찬(神饌): 이세신궁과 천황의 제사를 중심으로)

  • Park, Kyutae
    • The Critical Review of Religion and Culture
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    • no.32
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    • pp.13-54
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    • 2017
  • The Ise Grand Shrine(伊勢神宮) dedicated to the sun goddess Amaterasu (天照大神), located in the city of Ise(伊勢市), Mie Prefecture of Japan, is a center of Japanese Shinto Shrines and composed of a large number of Shinto shrines centered on two main shrines, Naiku(內宮=皇大神宮) and Geku(外宮= 豊受大神宮). Historically it has kept very close relationship with Emperor, because its enshrined deity Amaterasu is generally said to be the ancestor of Imperial Family. The food and alcohol offering to the gods in Japanese Shinto rites are called Shinsen(神饌, ambrosia). Main subjects of this essay dealing with Shinsen are the various matsuri (rites) of Ise Grand Shrine and Emperor, such as Higoto-asayu-omike-sai(日別朝夕大御饌祭, offering repasts to the gods in the moring and evening everyday), Kan-name-sai(神嘗祭, offering of the year's new rice harvest), Shikinen-sengu-sai(式年遷宮祭, year of the ceremony), Nii-name-sai(新嘗祭, Ceremonial offering by the Emperor of newly-harvested rice to the gods), and Daijo-sai(大嘗祭, first ceremonial offering of rice by newly-enthroned Emperor). Then, the purpose of this essay is to examine not only the social, religious, and political but also cultural meaning of Shinsen especially in relation to Korea, basically introducing some types and characteristics of Shinsen with its mythological background and historical development. In so doing, I will show the concrete list of items and processes of Shinsen in those rites. For example, the social meaning of Shinsen might be examined in association with agricultural features, ancient dietary life, Japanese food, and its contemporary context etc. Besides, its religious meaning can be mentioned especially from the perspective of divine nature, life and rebirth etc. On the other hand, the politics was in ancient Japan originally called Matsurigoto which means the ancestral rites for gods. This suggests the political meaning of Shinsen that the politics in Japan has originated from Shinsen.

경년에 따른 전통건축의 이미지 변용 (I) - 일본 이세신궁의 외관을 대상으로 -

  • 김동영
    • Journal of the Korean housing association
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    • v.9 no.3
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    • pp.79-86
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    • 1998
  • The image of architecture changes with its age. In spite of its age, traditional architecture still looks like beautiful. This study is to define the change of image for traditional architecture with its appearance. I-se Jingu, Japan was selected for subject architecture because of its new and old one were in same site. In part 1, the image was considered with six scales: gorgeous-modest, strict-loose, hard-soft, orderly-disorder, new-old, and beautiful-ugly. The image of strict-loose, hard-soft, orderly-disorder related with the style, roof materials and damage of materials. Respectively the image of gorgeous-modest is relevent to "beautifulness", regardless of its age.f its age.

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Archival Turning Postmodernism and Korean National Archives System since 1999(2) (기록의 전회 <포스트1999>를 전망하며(2))

  • Lee, Young Nam
    • The Korean Journal of Archival Studies
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    • no.40
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    • pp.225-277
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    • 2014
  • This essay focused on mapping out the next archiving model during 15 years. This metaphorical 'JINGU PROJECT' is titled from Shinto relation in Japan rebuilding every 20 years. We need some kinds of self sustainable growth archiving model. It means that it's time to say about our archiving experiences in field for archiving technics and knowledges. We should know the fact that a few thousands archivists have been acting ih fields. Since 1999, we have tried to build up the best practices in public offices. So far, So good. However, we need another wing for better flying from now on. I believe in the power of silences in field because they will speak up their voices.