• Title/Summary/Keyword: 이별 가사

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Parting Lyrics Emotion Classification using Word2Vec and LSTM (Word2Vec과 LSTM을 활용한 이별 가사 감정 분류)

  • Lim, Myung Jin;Park, Won Ho;Shin, Ju Hyun
    • Smart Media Journal
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    • v.9 no.3
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    • pp.90-97
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    • 2020
  • With the development of the Internet and smartphones, digital sound sources are easily accessible, and accordingly, interest in music search and recommendation is increasing. As a method of recommending music, research using melodies such as pitch, tempo, and beat to classify genres or emotions is being conducted. However, since lyrics are becoming one of the means of expressing human emotions in music, the role of the lyrics is increasing, so a study of emotion classification based on lyrics is needed. Therefore, in this thesis, we analyze the emotions of the farewell lyrics in order to subdivide the farewell emotions based on the lyrics. After constructing an emotion dictionary by vectoriziong the similarity between words appearing in the parting lyrics through Word2Vec learning, we propose a method of classifying parting lyrics emotions using Word2Vec and LSTM, which classify lyrics by similar emotions by learning lyrics using LSTM.

Study Analysis of Love topics in Hook Songs - Focusing on the lyrics from 2007 to 2016 - (후크송에서의 사랑 주제 분석 연구 - 2007년부터 2016년까지의 가사를 중심으로 -)

  • Yang, Ji;Lee, Seungyon-Seny
    • Proceedings of the Korea Contents Association Conference
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    • 2017.05a
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    • pp.155-156
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    • 2017
  • 대중음악에서 작사가의 역할이 늘어나는 것은 그 시대가 갖는 문화적 특성이 노랫말에 부각되기 때문이므로 근래 청중의 관심이 높은 작사가를 추출하여 이들의 가사를 주제별로 분류한다. 주제별 분류를 통해 가사가 총 4가지 주제인 사랑, 이별, 자기표현, 유흥 등으로 나뉘는 것을 알 수 있다. 본 연구는 4가지의 주제 중 대중가요에서 가장 높은 빈도수를 보이는 주제인 사랑을 지정하여 사랑 주제에서 다양하게 세분화되는 소재를 분석한다. 이에 대중적으로 인기가 많은 가사에 나타난 구성 방식을 제안한다.

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JANG-YOOK-DANG's and Irreverence by casting upon the world (장육당(藏六堂)의 육가(六歌)와 완세불공(玩世不恭))

  • Yoon, Yoeng-Ok
    • Sijohaknonchong
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    • v.25
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    • pp.101-127
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    • 2006
  • JANG-YOOK-DANG(장육당) is the pen-name of Lee, Byeol(이별). His elder brother is Lee, won(이원). He was putted to death by the king Yeon-san(연산군). So abandoning the way of the world, JANG-YOOK-DANG hided himself at mountain valley in Peong-san of Hwng-haedo(황해도 평산). Here he angled for fish and with the persons over sixty years old drunk, sang the songs. Then he composed the poem . This poem spreaded abroad, and came to the ears of Lee, Hwang(이황). He criticized this poem to have irreverence by casting upon the world, not to have gentleness and affability. But imitating the poem he composed intended to be sung. For that gentleness and affability are the instruction of the Poetry, he filled the poems with contents of the gentleness and the affability. But the livings of the two persons were different, and then their poems was intended to be sung were different. In these different contents, we can not say that this or that is right. JANG-YOOK-DANG would do to express his bitter sentiments by his song.

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Aspects of Realization of the Korean Poetry Genre Based on Chohan-gosa (초한고사를 소재로 한 국문시가 장르의 실현 양상)

  • Yook, Min-su
    • (The)Study of the Eastern Classic
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    • no.54
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    • pp.183-211
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    • 2014
  • This article is to search the aspects of realization and the characteristics of Gasa, Sijo, Japga among the Korean poetry genre based on Chohan-gosa. Chohan-gosa is a basic literary and historic discourse for the medieval intellectuals. The story had been realized its own literary value at almost every genres such as Chinese literature, novels, Gasa, Japga and Sijo etc. I focused on Gasa, Sijo and Japga among the genres in this article. First of all, I subjected to Wumiin-ga enjoyed in a area of boudoir culture from Gasa based on Chohan-gosa. I catch the meaning that the text has a characteristic that popularized history and normative ideology are mingled in through it. In the case of Sijo, I focused on the Sijo which Xiang Yu is appeared in because Xiang Yu has been most quoted person from people of Chohan-gosa. Xiang Yu was described as a strong man[hero] or a man who part with the beauty Wu. I understand that this point is caused by the theatricalized characteristic of the place where Sijo have been played. For the last time, Japga is played with the characteristic of stimulative reediting of the familiar normative ideology. Chohan-ga is based on contexts of former discourse eohan-yeonui but it was not plagiarized. Chohan-ga was organized for the way which attracted the interest of the public and stimulated the emotion of the public through using popular imagery or intensifying the sorrow.