• The Journal of the Korea Contents Association
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• v.18 no.11
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• pp.146-160
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• 2018

The purspose of this study was to investigate on the TV drama of tvN from October to November of 2017, which was regarded as a well description of the current young generation's daily life and reality. In order to figure out how it depicted the young generation in TV drama, the authors tried to analyze it..Through this study, it was found that the rise of neo-liberalism changed their social and financial lives rapidly. It pushed the young generation to give up on dynamic challenges and dreams, and to search for normal and inactive life styles.It was also found that its myths and ideologies implied how much differently Korean young generation confronted big gaps between their cognitive realities and their actual realities. Furthermore, this study suggested that the necessity of full understanding why and how such Korean young generation sought for an unique life styles to overcome various difficulties in such chaotic societal situations.

• Journal of Popular Narrative
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• v.25 no.1
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• pp.55-85
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• 2019

In this article, we examine the real meaning behind the stories in which the N-po Generation (Millennial Generation) is depicted, through the observation of entertainment programs, TV series, and movies. This could be an opportunity to investigate the aspects of emotional customs of our era, which have been described by television media as portraying the complex and multifaceted reality in the most mundane and popular manner while influencing the public. Problems with youth unemployment, the polarization of life, and instability are not only global issues but situations that specifically occur in South Korea. It is thus vital to pay attention to the inner side of the N-po Generation who enjoy Sohwakhaeng (small but certain happiness) by eating alone as the placebo effect of this tough reality. This is an agenda that should be viewed as a problem in the fundamental design of South Korean society. The consciousness of the problem shown in the TV series has been drawing attention. The TV series Because depicts a love narrative that concentrates on emotions in a relationship that started between housemates due to poverty and housing problems, leading to marriage. Thus, the TV series persuasively dramatized 'confluent love' in the N-po Generation. In the movie , Miso can be regarded as a symbol that represents the emergence of a new generation of cultural sensitivity. There is a suggestion in the sequence of that identifies the pursuit of taste with the discovery of identity. The TV series is a growth narrative that deals heavily with youth unemployment, temporary workers, fragmented families, and dating violence. The housemates in find emotional stability through interaction with each other, and courageously approach their individual problems. In the process, images of women, who are empathetic towards others and are willing to jointly solve their problems, are calmly depicted to reveal a story of growth revolving around a ground emotional community. The current problem that South Korean society should contemplate is how to be fully human beyond mere survival, and how to further seek the conditions of human existence. In that sense, what we should pursue is a notion of 'publicness', which can put several generations together. Because of the reality that confliction between generations must be triggered, in order to make a passage of sympathizing, mass media's sensitivity training becomes more important. This may be the duty of mass media.

• Journal of Korean Society of Forest Science
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• v.52 no.1
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• pp.72-78
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• 1981

On August 25, 1979 a heavy daily rainfall of 465 mm pured into Jinhae area by the influence of Typhoon Judy. In consequence of the typhoon, 38 persons were killed, houses and arable land were demolished and caused wide ranges of landslides in the area. According to the previous investigation, there had been five cases of such typhoons accompanied a daily precipitation over 300 mm for 27 years, however, there had not occurred any landslides before, even though it is reported that any typhoon accompanied by heavy daily rainfalls over 300 mm is normally known to cause various kinds of landslides. This phonomenon was described to the fact that there has been a qualitative change in the agents of landslides such as precipitation, geology, topography and forest. Thus, in this report, the relations of the agents to the development of landslides were to be analysed and brought forth the following confirmation: 1. In the district, 71 landslides of which area covered 15.3 ha were observed. 2. In terms of geology of the landslided sites. 89 and 11% in numbers were observed in the andesite and the granite respectively, and the areas of those landslide estimated 45 and 55% respectively. 3. In a topographical point of view, 44% of the numbers of landslides(55% in area basis) were occurred within the slopes of $26-35^{\circ}$, while no landslides were observed in either lower (below $9^{\circ}$) or upper (above $41^{\circ}$) slopes. In terms of slope patterns, 39 and 33% in numbers (52 and 46% on the basis of area) were observed in concave slopes and compound slopes respectively. 4. In terms of forest ages, the most landslides were observed in 5-15 year-old forest, of which averages were 2.19 landslides per 100 ha and 0.47 ha per 100 ha. However, no landslides were observed in the forest of over 26 years old. 5. Among the agents, precipitation, geology, topography are considered not to be controlled but the only agent, the forest, to be controlled by human beings. Thus, this firstly observed landslides at Jinhae District are conclusively considered as the result of qualitative changes of one agent, the forest, in the area.