• Journal of the Korea Convergence Society
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• v.9 no.2
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• pp.151-156
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• 2018

In this paper, an efficient reversible watermarking algorithm is proposed. By using the proposed algorithm, it is possible to increase the amount of copyright-related information to be embedded in cover image. Depending on the spatial locality and surface characteristics, it is possible to precisely predict the pixel value using neighboring pixels. If the predicted pixel value almost the same as the pixel value of the cover image, the differential value between the predicted pixel value and the pixel value of cover image is very small. So, the frequency is increased greatly at the peak point of histogram of difference sequence. Thus, it is possible to increase greatly the amount of secret data to be embedded in cover image. The experimental results show that the proposed watermarking algorithm is superior to the previous algorithms.

• Proceedings of the Korean Information Science Society Conference
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• 2010.06c
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• pp.49-52
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• 2010

본 논문에서는 윤곽선 이미지 매칭에서 회전-불변 거리를 계산하는 효율적 방법을 제안한다. 회전-불변 거리 계산은 이미지 시계열을 한 칸씩 회전하면서 매번 유클리디안 거리를 계산해야 하는 고비용의 연산이다. 본 논문에서는 엔빌로프 기반 하한을 사용하여 불필요한 회전-불변 거리 계산을 크게 줄이는 효율적인 해결책을 제시하다. 이를 위해, 먼저 질의 시퀀스 대상의 엔빌로프 작성과 이의 하한 개념을 제시한다.다음으로, 엔빌로프 기반 하한을 회전-불변 거리 계산에 사용하면 많은 수의 회전-불변 거리계산을 줄일 수 있음을 보인다. 실험 결과, 제안한 엔빌로프 기반 매칭 기법은 기존 기법에 비해 최대 수배에서 수십배까지 매칭 성능을 향상시킨 것으로 나타났다.

• Journal of Digital Convergence
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• v.14 no.12
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• pp.433-439
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• 2016

For the past hundred years, since many films have only been focusing on expressing suppressed desire and obsession, there have been few films in which unconsciousness desire is expressed and pursuing dream comes true as Freud says. Well known for a convoluted and dreamy structure and plot, David Lynch successfully represents a real dream sequence with his own way of image presentation form in his representative film "Mulholland Drive (2001)". In this study, I attempt to analyze how he expresses the realistic dream sequence with a strange film structure based on Freud's psychoanalysis. In general, dream world is known as completely visual matter, but the feeling of things is more important for making a realistic dream and it is the main reason that we can have more realistic experiences in a dream.

• Journal of the Korean Institute of Landscape Architecture
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• v.44 no.6
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• pp.120-136
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• 2016

This study, views the color of scenery not as a static state, but rather as a continuous sequence of perceptions that incorporates the concept of time. This study derived techniques to quantitatively analyze the flow and data from this sequence. By utilizing this, urban color trends can be based on openness. This is very close to what would be experienced by an actual viewer: it extracted color data and visual amount from frames at 2-second intervals by shooting a video of the color sequence of the city as seen from both the left and right sides from the inside of the monorail (line 3 of the Daegu urban railway). These images were classified by color group, brightness, chroma, high chroma distribution derived techniques such as openness of space, brightness level, clarity level, high-chroma distribution and code, advantage of visual amount, dominant factor exposure, hot and cold color image and dynamic of sequence rhythm. During the derived sequence, the data determines the openness in the visual amount of sky and it was found that the tendency of the colors of the city was opening regression analysis. The more colorful the city is opening the brightness is lowered, the chroma increased slightly, cold colors significantly increased, which also had a very deep relationship with Lynch enclosed proportion, color change of the city trends through the actual scenery could grasp in more detail.

• Cartoon and Animation Studies
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• s.15
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• pp.251-265
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• 2009

Motion Graphics are a great effective vehicle for precise communication between customers in various media and formats. The important thing in the expression of Motion Graphics is to deliver messages clearly. Some current Motion Graphics which are focused on only attracting attention or sensational expressions more than narrative are evaluated lower. This study aims to utilize easy and positive Motion Graphics to deliver messages by applying their utility to production of Motion Graphics, omitting time spent on delivering effective messages and analyzing their suggestive expression methods because of the nature of producing Motion Graphics. This thesis is to study several theoretical backgrounds of omission and implicated expressions mentioned in the similar studies from the view of Motion Graphics, and to search applied examples and functional things using the expression methods in some film title sequence. Excellent Motion Graphics use planned omission and implicated methods rather than to use entire narratives or complicated descriptions. Especially, a film title sequence should focus on symbolic visual expressions. They are necessary to attract the audience's interest. To overcome the limitation of time and space deliver a huge amount of information quickly and powerfully, Motion Graphics should properly use omission of image and time and suggestive expressions through symbols and metaphors. Then they will have a role to level up their current values and discussions.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.15 no.10
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• pp.6317-6321
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• 2014

Multimedia documents can be transferred quickly and easily across the Internet, and has attracted considerable interest in multimedia security and multimedia copyright protection. This paper proposes an animage watermarking scheme embedding a binary watermark image using Discrete Wavelet Transform (DWT) coefficients. The original image is transformed to the wavelet domain and decomposed in subbands. The binary watermark image, as a sequence of bits, is embedded into the middle frequency subbands. The original image is not needed to detect the watermark image. The proposed method detected fewer watermark bits but produced an approximately 10dB higher PSNR than the max/min method.

• Journal of KIISE:Computing Practices and Letters
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• v.16 no.10
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• pp.949-954
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• 2010

Computing the rotation-invariant distance between image time-series is a time-consuming process that incurs a lot of Euclidean distances for all possible rotations. In this paper we propose an innovative solution that significantly reduces the number of Euclidean distances using the triangular inequality. To this end, we first present the notion of self rotation distance and show that, by using the self rotation distance with the triangular inequality, we can prune many unnecessary distance computations. We next present that only one self-rotation is enough for all self-rotation distances required. Experimental results show that our self rotation distance-based methods outperform the existing methods by up to an order of magnitude.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 1998.06a
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• pp.139-142
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• 1998

장면 전환 검출(scene change detection)을 영상 정보의 인덱싱 및 검색을 위한 전처리로서, 전체 검색 시스템의 성능을 좌우하는 중요한 기술로 현재 많은 연구가 진행되고 있다. 본 논문에서는 MPEG 표준으로 압축된 동영상으로부터 얻은 DC 이미지를 이용한 장면 전환 검출 및 대표 프레임 검출에 대한 방법을 제안하고 이를 위한 시뮬레이터의 개발과 그에 대한 성능을 평가한다.

• Cartoon and Animation Studies
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• s.39
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• pp.183-214
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• 2015

For a long time, Disney has made animations including world views such as family-focused, conservative ideology, happy ending, etc. for families. Periodical situation and spectators' demands have been changed little by little, but Disney is still a company who is the most successful both nominally and virtually in animation industry. For the secrets of their success, there is fantasy world of fabricated animation, thoroughly organized story and image. When spectators watch animations, their sufficient immersion in the fantasy is to let them forget realities. In the introduction of Disney animations, spectators turn off the switch of realities and turn on the switch of fantasy world through the procedure to recognize and confirm virtual world sufficiently. In the switch of the introduction used frequently by Disney, there are four methods. First is to start while opening the cover of storybook. Second is to start while storyteller gives a talk directly. Third is to start with live action film and continue to animation. Fourth is musical method. Those four switches play a role of the gate which distinguishes spectators' realities from Disney's fantasy clearly. The process makes an opportunity to set spectators who feel uneasy due to the vague boundary between realities and fantasy at ease and let them immerse in animation sufficiently with mind at ease.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2001.05a
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• pp.90-94
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• 2001

This study hypothesizes that the imageability of a particular environments is decided by the unity of each visual sequences. We selected Ch'angdok Palace as our subject due to its greater applicability for image construction among various Korean architectures and their street furnitures. we apply the analytical methods of formal aesthetics and symbolic aesthetics to Ch'angdok Palace's space compositional characteristics, we can find distinctive features. The conclusions are that Ch'angdok Palace contains high probability of imageability through the contrast and harmony of two themes, reality and the ideal, and the rational and the emotional.