• Journal of Digital Contents Society
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• v.11 no.2
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• pp.235-242
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• 2010

Differently from instruments which synthesized sounds and tones in the past, voice synthesis engine for music production has reached to the level of creating music as if actual artists were singing. It uses the samples of human voices naturally connected to the different levels of phoneme within the frequency range. Voice synthesis engine is not simply limited to the music production but it is changing cultural paradigm through the second creations of new music type including character music concerts, media productions, albums, and mobile services. Currently, voice synthesis engine technology makes it possible that users input pitch, lyrics, and musical expression parameters through the score editor and they mix and connect voice samples brought from the database to sing. New music types derived from such a development of computer music has sparked a big impact culturally. Accordingly, this paper attempts to examine the specific case studies and the synthesis technologies for users to understand the voice synthesis engine more easily, and it will contribute to their variety of music production.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.22 no.5
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• pp.740-746
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• 2018

Up until now, attempts to produce computer instruments have been largely focused on two types of sampling methods and physical modeling. Since the sampling method removes much of the harmonics in the sampling process, the effect of exciter that emphasizing the harmonic of the strings are mini. However, the physical modeling method can produce a lot of harmonics, and by emphasizing the harmonics of a particular frequency band among these harmonics, it is possible to produce a sound more like a lively sound. In this paper, we propose a method of using white noise in realizing exciter emphasizing harmonics of pre - specified frequency band in prefectural physical modeling. And comparing the envelope and spectrum of the Gayageum sound, we confirmed that the physical modeling method with the exciter is more suitable for the actual Gayageum sound than the sampling method and the conventional physical modeling method.

• Journal of Broadcast Engineering
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• v.21 no.6
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• pp.889-898
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• 2016

Virtual Bass System (VBS) is widely used to extend the lower frequency limit of small loudspeakers, which generates harmonics of a fundamental frequency. The perceptual quality of the VBS is highly dependent on the harmonic weighting strategy. There have been several weighting methods, including exponential attenuation and timbre matching. However, it is essential to match phases between harmonics in the original signal and generate harmonics to precisely convey the weighting strategy. This paper shows the limitations of the previous harmonic weighting schemes and proposes a new harmonic weighting scheme. The proposed weighting scheme proposes phase matching between the original and generated harmonics and varies the slope of the attenuation weighting dynamically according to the missing fundamental frequency. Objective and subjective tests show that the proposed harmonic weighting scheme provides more natural and effective bass perception in a limited situation than the conventional schemes, which implies that the phase matching is essential for the high quality bass enhancement.

• The Journal of the Acoustical Society of Korea
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• v.9 no.3
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• pp.11-23
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• 1990

In order to investigate the acoustical characteristics of the Hae-keum (Korean traditional musical instrument) tone quality, the spectrum and wave form of Hae-keum sounds were analyzed by the FFT Analyzer. The analysis was carried out by the varying of the tension of Hae-keum strings, the positions of bridge and the top plate's thickness of Hae-keum respectively. According to the experiment, the following results are obtained ; the over tone's amplitude nearby the top plate resonance frequency is greater than the fundamental tone's amplitude because the top plate resonance frequency is higher than the fundamental tone's frequency. Tone qualities are better when the bridge is situated in the middle of top plate and the tension of strings is larger. The inharmonicity coefficient of the Hae-keum's second string is 0.049 cents/$n^2$. The brilliance and richness is poor, because we seldom found the over tone over 5kHz and the inharmonicity of the Hae-keum is greater than that of a violin. Also we confirmed that we are able to get the best tone quality in 4.5mm thickness of the Hae-keum's top plate.

• The Journal of the Acoustical Society of Korea
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• v.14 no.2
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• pp.113-122
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• 1995

This paper describes characteristics of a bone conduction telephone which was developed for conductive hearing impaired persons to call without additional devices and results of its performance test. Not only the hearing impaired but also normal hearing persons can use this telephone because we developed a bone conduction vibrator with which they can perceive speech signal using functions of air conductive hearing as well as bone conductive hearing. It also has tone control function compensating hearing losses for the hearing impaired originating from their hearing characteristics, and using this function together with received volume control it has received volume range of 20dB in loudness rating, which is similar effect as what a telephone set with built-in received amplifier has. From results of articulation and intelligibility tests for 19 hearing impaired persons, we can see that if their bone-conduction hearing loss is 61dB or less, they can understand words or sentences and response well with this telephone.

• Journal of the Institute of Electronics Engineers of Korea SP
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• v.47 no.5
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• pp.1-8
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• 2010

In this paper, a sound externalization method is proposed for out-of-the-head localization in a headphone listening environment. In order to reduce timbre distortion by the conventional methods using a measured a head-related transfer function (HRTF) or early reflections, the proposed method integrates a model-based HRTF with reverberation. In addition, for improving frontal externalization performance, techniques such as decorrelation and spectral notch filtering are included. To evaluate the performance of the proposed externalization method, subjective listening tests are conducted by using different types of sound sources such as white noise, sound effects, speech, and music. It is shown from the test results that the proposed externalization method can localize sound sources farther away from out of the head than the conventional method.

• The Journal of the Acoustical Society of Korea
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• v.20 no.3
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• pp.98-103
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• 2001

The binaural auditory system of human has the capability of differentiating the direction and distance of sound sources. This feature is well characterised in terms of the inter-aural intensity difference (IID), the inter-aural time difference (ITD) and/or the spectral shape difference (SSD) arising from the acoustic transfer of a sound source to the outer ears. This paper proposes an effective way of extracting the three sound perception factors (IID, ITD, SSD) from the head-related transfer functions (HRTF's) that depends on the direction and distance of the acoustic source from the listener. It includes the estimation method of the equivalent ITD and 1/3-octave band-based IID factors and their usage to locate a sound source in space. Subjective and objective tests were carried out to examine the effectiveness of the proposed methodology and its applicability to real sound systems. Those experimental results are illustrated in this paper.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.32 no.10C
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• pp.965-974
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• 2007

In this paper, we proposed the feature selection algorithm for multi-class genre classification. In our proposed algorithm, we developed GMM separation score based on Gaussian mixture model for measuring separability between two genres. Additionally, we improved feature subset selection algorithm based on sequential forward selection for multi-class genre classification. Instead of setting criterion as entire genre separability measures, we set criterion as worst genre separability measure for each sequential selection step. In order to assess the performance proposed algorithm, we extracted various features which represent characteristics such as timbre, rhythm, pitch and so on. Then, we investigate classification performance by GMM classifier and k-NN classifier for selected features using conventional algorithm and proposed algorithm. Proposed algorithm showed improved performance in classification accuracy up to 10 percent for classification experiments of low dimension feature vector especially.

• Journal of Digital Contents Society
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• v.19 no.7
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• pp.1281-1287
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• 2018

In this study, specific elements and functions in modules of the AAC (Augmentative and Alternative Communication) application for children with severe and multiple disabilities were elicited, and screen interface was designed accordingly. As results, screen configuration, communication display edition, audiovisual output, and switch and scanning modules were defined. Screen configuration module consists of communication category, spelling board, favorites, screen lock, and setting function. The Communication display edition module includes communication categories, symbols, and favorites edition. The audiovisual output module provides the ability to adjust the pitch, intensity, speed, and tone of the voice individually in the form of auditory output. In the form of visual output, the background color and size of the frame, border color and thickness are adjusted. The switch and scanning module provides a function to select by pressing the switch when the symbol cell is highlighted audibly and visually. The development of the AAC application designed in this study is needed.

• Journal of Music and Human Behavior
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• v.9 no.2
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• pp.19-34
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• 2012

The purpose of this study was to investigate the empirical elements of non-Korean traditional musicians in the process of Pansori music listening. 5 non-Korean traditional musicians who are not professionally trained Korean music were participated in this study. The data were collected in depth interviews and analyzed from modified ground theory method. The findings showed that the elements of performer's voice, Chang-bub, contents, Gosu's buk sound and Gosu's role evoked various physical, emotional reponses and thoughts in all listeners. Through these responses the listeners awared internal issues related to inner problems and positive intervention aroused inner feelings. Also, emotional responses and awareness were reorganized their negative emotion and resolved through the different dimension of Pansori music.