• Journal of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.20 no.3
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• pp.1-5
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• 2006

In order to produce a variety of lighting effects most of the modem museums use various light sources in the same space. This indicates, in other words, that each item on display is being exposed to a different lighting environment. There are required, however, different conditions for optimum environments for displaying and preserving items, respectively. In this research visible rays, ultraviolet rays and infrared rays measured in the show cases and display rooms of the National Museum of Korea were analyzed to assess its lighting environment.

• Proceedings of the Korea Contents Association Conference
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• 2014.11a
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• pp.311-312
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• 2014

다양한 변화를 겪고 있는 박물관에서는 관람객에게 적극적인 체험의 기회를 주고, 이를 통해 관람객과 전시물간의 상호작용에 초점을 맞추고자 노력하고 있다. 특히 역사박물관에서 디오라마전시방법은 한 가지 유물이나 사건에 관한 스토리텔링을 가장 효율적으로 적용할 수 있는 전시방법이다. 그러나 역사박물관의 디오라마전시는 대부분 축소모형을 통해 이루어지며, 스토리의 기 승 전 결의 구분이 명확하지 않다. 이는 관람객의 적극적인 체험을 이끌어 내는데 한계를 가진다. 이에 본 논문에서는 관람객의 주인공화, 배경의 다양화라는 전시 결과를 확인할 수 있었다.

• Journal of the korean veterinary medical association
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• v.46 no.3
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• pp.221-224
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• 2010

지금 국립중앙박물관 입구 계단에는 마추픽추(Machu Picchu)가 옮겨와 있다. 얼마 전 큰 홍수로 인해 관광객들이 고립되었던 바로 그 페루의 잉카 유적지이다. 계단에 붙여진 사진에 지나지 않지만 한 계단씩 오를 때 약간이나마 이 고산 도시 유적에 가까이 가는 흥분감을 맛볼 수 있다. 올해 3월 말까지 열리는 특별기획전시에는 고대 안데스 지역의 고고학 유물들이 전시된다. 특히 동물을 형상화 한 많은 유적들이 있어 우리 수의사들에게도 흥미로운 이야깃거리가 적지 않다.

• 보존과학연구
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• s.32
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• pp.185-193
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• 2011

The Wallace Collection in London (one of the national museums in the UK) has a gallery dedicated to conservation related displays. As well as permanent displays on the manufacturing techniques and materials of artifacts, there is a specially designed space for temporary conservation exhibitions. Through the example of the current conservation exhibition at the Wallace Collection and similar exhibitions and displays from other museums in the UK, this paper will study how the relationship and communication between the conservation profession and the general public have changed, from conservation as a behind-the-scenes and little-known activity to a closer interaction with the public and as a direct educational tool. The general function of a museum can be seen to have evolved from providing passive information to its visitors to offering more active and various forms of education. Conservation has developed with this change towards more awareness of the profession and its role in the preservation of cultural heritage through public outreach programs and displays.

• Korean Journal of Heritage: History & Science
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• v.52 no.3
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• pp.188-199
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• 2019

In this study, research trends were investigated by examining important academic research on museum lighting that has been carried out in Korea over the past 30 years. The aim was to highlight important studies conducted in Korea on material deterioration caused by museum lighting and to examine the current status of research on LED light sources to provide direction for future research. The ultimate goal of studies on museum lighting is to improve the long-term conservation effects, and this study examined the latest light sources of each era. Prior to the 1990s, the effects of light sources on relics were assessed by investigating incandescent light bulbs and fluorescent lamps, the first museum exhibition lighting. Then in the 1990s, the introduction of halogen lamps and HID lamps led to the analysis of the characteristics of a light source itself and the introduction of illumination standards. In the 2000s, the lighting environment of museums was investigated based on the characteristics of the light sources that had been studied, and in terms of preservation, research was conducted not only to improve the conservation of relics but also to improve the sentiments of visitors. After 2010, LED lamps were introduced; therefore, material deterioration studies on LED lamps were expanded. During this period, enhancements to LED light sources were made, such as reducing the blue spike area and increasing color rendering. With the development of lighting used in museums and art galleries, the direction of the display preservation criteria has led to the need to prepare advanced standards, covering all aspects from the center of illumination to the consideration of the color of an object and the speed of radiation from the light source. Regular studies of museum lighting in a long-term perspective should be planned to standardize the more advanced conditions of material discoloration.

• Conservation Science in Museum
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• v.7
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• pp.75-87
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• 2006

The National Museum of Korea has striven for the stable preservation environment for its collection as it reopened in October 2005. The temperature and humidity, harmful gases in the collection storage space and the galleries were regularly measured to confirm whether the environment was stable for the collection; the material that could directly influence the collection such as showcases were tested in advance to select stable material. In addition, to prevent biological damage, whole collection was fumigated; insect monitoring traps have been regularly established to check the status of the collection storage space.

• Journal of Conservation Science
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• v.31 no.2
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• pp.147-157
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• 2015

TExhibiting replicas of major artifacts is becoming common recently to raise their value and help the public to understand them. In Korea, more attention is paid only to appearance in creating replicas of artifacts. It is required to study reproduction technology minimizing damages to originals and applicable to massive artifacts like sculptures in the situation that replicas and artifact reproduction is increasing. To make a replica of the Stone Lion Statue excavated from Woljeong Bridge, a measured drawing and a cross section are produced based on art historical surveys using 3D scans. A non-contact reproduction method is selected. The strength of the non-contact reproduction method is that the output is detailed. Athough the non-contact method has known to be applicable only to small scale artifacts and require reprocess, it is discovered to be applicable to detailed statues like this lion statue. Therefore, this study may contribute to complement the historic authenticity of the statue as well as to raise its academic value. It also can be utilized as research material of similar artifacts'replicas and restoration.

• Proceedings of the Korean Society of Computer Information Conference
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• 2020.07a
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• pp.413-414
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• 2020

본 논문에서는 수중 문화재를 주제로 오감 인터랙션을 활용한 디지로그 전시 기법을 연구한다. 영상을 활용한 디지털미디어가 중심인 기존의 전시 기법에 시각, 청각, 촉각과 같은 다양한 감각기관을 활용한 인터랙션을 추가함으로써 관람객에게 새로운 경험을 제공하고자 한다. 프로젝션 매핑, 증강현실과 같은 디지털 기술과 난파선과 자갈, 실물 크기의 모형 유물과 같은 아날로그를 결합하여 관람객에게 실재감을 주어 효과적인 몰입감(flow)을 유도하고자 한다.

• Conservation Science in Museum
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• v.1
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• pp.75-86
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• 1999

Conservation treatments were done for the gilt bronze saddle accessory excavated from Tomb No. 89 in Kyo-dong, Changnyong in Japanese rule period. The saddle accessory, broken into numerous pieces, was mixed with other remains. Principal aims of conservation treatments were to recover original shape of object and stabilize its material. In the process of treatments manufacturing technique of the remain was examined minutely. Thick layers of corrosion substances were peeled off and numerous pieces were pasted together to restore the original shape. And then the saddle accessory was mounted on an acrylic board to be handled and exhibited safely. In this process, it was confirmed that various ancient techniques of metalic crafts such as amalgam gilding, riveting, piercing, line engraving, stamping, chasing etc. had been used to make the saddle accessory.

• Conservation Science in Museum
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• v.1
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• pp.37-42
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• 1999

Conservation treatment was done for the pottery-stand of Kaya period which was to be exhibited in celebration of the opening of Kimhae National Museum and for the jar of Chinese celadon which was to be exhibited in Korea National Museum's special exhibition "Formation of Ancient States". Through the examinations by naked eyes and under the microscope, condition before treatment, patterns and manufacturing techniques of the objects were observed. According to these examinations, conservation treatments, suitable for each object was finished. As the pottery-stand was damaged severely, the epoxy resin was pasted directly on the broken surface of the pottery to restore the original shape and pattern, color and feeling similar to original state were given to the restored area. Although same restoration material was applied on the celadon, it was not pasted directly on the broken surface of the celadon so that the restored area could be dismantled, and color and feeling were also treated somewhat differently.