• Title/Summary/Keyword: 윌리엄 포사이드

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A Study on Movement Pattern of William Forsythe Dance through Bartenieff Fundamental (바르테니에프 펀터멘탈을 활용한 윌리엄 포사이드의 움직임 패턴 연구)

  • Kim, Ji-Young;Cho, Sunghee
    • Proceedings of the Korea Contents Association Conference
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    • 2017.05a
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    • pp.443-444
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    • 2017
  • 본 연구는 윌리엄 포사이드(William Forsythe)의 "One Flat Thing Reproduced"를 바르테니에프 펀더멘탈(Bartenieff Fundamentals)을 통해 그의 무용수들이 가지는 특징적인 움직임 패턴을 분석하였다. 본 연구 목적은 윌리엄 포사이드의 대표적인 안무적 특징인 역동성, 강인함과 공간적 조화로움을 가능하게 하는 그의 무용수들이 가지는 특징적인 움직임 패턴을 알아보기 위함이다. 연구결과 윌리엄 포사이드는 호흡을 안무의 요소로 사용하였고, 상-하체분리패턴은 포사이드 움직임의 특징적인 요소로 관찰되었으며, 서포트(Support)가 있는 듀엣(Duet) 움직임에서는 신체반쪽연결패턴을 사용하는 것으로 나타났다. 이는 역동성, 강인함과 공간적 조화로움이 깊은 관련이 있을 것으로 보여 진다. 더 많은 사례를 통해 움직임 패턴을 연구한다면 에너지 표현에 직접 적용 가능한 패턴들을 구체적으로 밝혀내어 안무를 하는데 있어 기초자료로 활용될 수 있을 것으로 예상된다.

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A Study on the Body Image in Surrealistic Art Characteristics - Centering on William Forsyth's Choreography (초현실주의 예술 특성에서 나타나는 신체이미지 연구 - 윌리엄 포사이드의 안무방법을 중심으로)

  • Yoo, Min-Hee;Choe, Sang-Cheul
    • The Journal of the Korea Contents Association
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    • v.22 no.8
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    • pp.227-234
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    • 2022
  • This study identified the characteristics of surrealistic art and examined the choreography method based on the representative work of choreographer William Forsythe. Forsyth developed into a ground breaking performing art through surrealistic characteristics and his own method, and sought to find a new body image based on this original choreographic approach. Through this, it was found that the destruction and dismantling of forms, which are surrealistic art characteristics, appeared as separate movements, space reconstruction, and special objects in the choreography method of Forsythe. Therefore, the purpose of this paper is to investigate the characteristics and forms of surrealism and to identify the surrealistic elements that appear in William Forsythe's.

A Study on the Expression Characteristic of Objects: Focusing on the Works of William Forsythe (윌리엄 포사이드(William Forsythe) 작품을 통해서 본 오브제(Object)의 활용과 표현 특성 연구)

  • KIM, TaeHee
    • Trans-
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    • v.2
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    • pp.161-190
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    • 2017
  • As times progress, creative change is achieved by attempts to embrace different needs. These attempts are expressed as the form of an Object which pulls down the barriers of genre between art. There is now in fact difficult to find a work that doesn't contain the characteristic of an Object. The necessity of this study is that it tries to approach an Object with a holistic perspective and understand it as a single system. It also tries to analyze the roles that an Object's characteristic and expression and the research ways they influence the dance work by contemplating the aesthetic discussion process of an Object in the art field. Also, by researching the characteristics of expression and how Objects stimulate a dance work, this study will take an important part in developing the dance works. Based on this necessity, this research choose the works of William Forsythe, (2006), (2009), (2009) which clearly depicts the expression characteristics of an Object. It is noted that the usage of an Object maximized creativity and brought expansion of expressions in a dance performance by using diverse mediums, body actions and even nonmaterial components without losing the essence of a dance. As a result, this usage of an Object provides theories that bring the enlargement of expression and suggests various ways to overcome the limits of other existing dance works.

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