• The Journal of the Korea Contents Association
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• v.18 no.12
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• pp.130-139
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• 2018

This study attempts to investigate the influence of the parental reality show viewing on both the marriage expectation and family value. More specifically, this study investigate the effect of the parental reality show() viewing on marriage expectation(romance and partner expectation), fair parental role model value, and parental nursing efficacy. Indeed, the mediation effects of wishful identification were examined. For this purpose, this study surveyed 407 college students from three different areas. The results showed that the viewing had significant influence on both romance and partner expectation directly as well as indirectly through wishful identification. For the family value, the viewing did not directly influenced on the fair parental role model value, however, it had indirect effects through wishful identification. Meanwhile, viewing had only the direct effect on the parental nursing efficacy.

• Journal of Korea Entertainment Industry Association
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• v.13 no.5
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• pp.37-46
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• 2019

The PRODUCE 101 (Chinese version《创造101》) program is an "Idol Nurture" reality show bought by China's Tencent Video from the copyright of the Korean PRODUCE 101 program. The program's "Idol Nurture" pattern is concentrated in the four aspects of the "Semi-finished" training objects, the complementary nurturing goals, the key points of storytelling, and the extreme empowerment of training subjects. The "Idol Nurture" process is fully presented through the programming of the training processes inside entertainment companies, and the foregrounding of the back stages of the recording, trainees and entertainment companies. The "Idol Nurture" pattern of the program has attracted great attention and has been applauded by many because it better satisfies audiences' diversion utility, personal relation utility, and personal identity utility. This pattern of "Idol Nurture" program can provide insightful reference and valuable experience to the development of other reality talent shows.

• The Journal of the Convergence on Culture Technology
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• v.10 no.1
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• pp.165-170
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• 2024

'K-contents' is in the spotlight worldwide. As the prefix 'K' became popular, interest in K-food(Korean food) also increased. Various studies on K-contents are being conducted, but research on K-food is still very limited. References and articles about K-food are mainly limited to the overseas expansion, marketing status, and sales of domestic brands, and a few research papers deal with only cases of a specific brand's overseas expansion. This paper aims to analyze how K-food is represented in TV unscripted shows and TV series produced in Korea and what their effects are through empirical works. Among the unscripted shows based on food, they are estimated that the point of competitiveness as K contents deal with foreigners' Korean food experiences. Representative examples here are the way foreigners who visit Korea experience Korean food as part of their Korean culture experience, or the type of temporarily setting up a restaurant overseas to sell Korean food to local people. However, the problem with such shows are that it lacks long-term appeal because it is based on the 'Gukbbong(a slang term for 'extreme nationalism')' sentiment. The exposure of K-food in K-contents creates a tremendous advertising effect. It is judged that the current status and analysis of K-contents based on K-food can help establish the direction of future program production and the identity of K-food.

• The Journal of the Korea Contents Association
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• v.16 no.1
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• pp.107-120
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• 2016

The purpose of this study was to analyze representations of fatherhood of childcare entertainment reality programs. For this purpose, two episodes of of MBC were analyzed by semiotic analytic methods, especially, signs, images, combined level of significations, etc. The results indicated that fathers of the programs reflected modern ideal images of feminist fatherhood in which fathers cooperated to care children with mothers, and played the role of intimate friend-daddies, daddies as friends. A post-modern male ideology was inherent in those fatherhood changes. Those fathers in this program intermittently exposed narratives of inexperienced fathers while dedicating themselves to cooperative childcare adequate to the purpose of the program, suggesting that it would reproduce the mother-childcare ideology as a result. Furthermore, although such reflected changes towards fatherhood enthusiastically involving in childcare represented the modern ideal fatherhood, it is still identified that gender stereotypes, gender-based discrimination and patriarchal male ideologies were inherent in the ways of their guiding children. In short, such trend of friend-daddies did not imply an revolutional change from male-centered patriarchal family structures to male-female cooperated family structures.

• (The) Research of the performance art and culture
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• no.32
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• pp.7-30
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• 2016

The inter­relationship of Korea southeast region community related to a mask dramas in depth. The Folk mask dramas are, for traditional community members to live well and enjoy cultural practices in society. Even if a mask drama would be performed in the 21st century, it would be the one of traditional society. It shows the life of traditional society and proposes the issue of traditional society. The thing is handed down well with technology of a mask drama assigned as intangible cultural asset. The Korea southeast region, Kyongsang Provinces, or Yeongnam area has been handed down several kind of mask dramas. These are Byeolsingut Talnori with religious, the Ogwangdae of wandering play team, the Ogwangdae of local residents, and the Dulnorum of local residents. The mask dramas of Korea southeast region are specified as intangible cultural asset, many traditional mask play were restored. The restoring is imitation. These things are difficult to assigned as the intangible cultural asset. But though it is the imitation of the mask dramas, it is culture phenomenon. So we need to make the fostering system.

• 건강소식
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• v.37 no.1
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• pp.18-19
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• 2013

지난 2012년 흑룡의 해에 빛났던 용띠 스타 중 가장 활발한 활동을 한 인물로 차태현을 꼽지 않을 수 없다. 데뷔 17년 만에 처음 도전한 사극 영화 <바람과 함께 사라지다>가 누적 관객 491만 명을 기록했고 KBS 예능프로그램 '1박 2일'의 새 멤버로 투입 돼 시청률 상승의 핵심 멤버로 자리 잡았다. 하반기에 시작한 KBS 드라마 '전우치'에서는 1인 2역의 배역을 소화하며 전반적인 스토리를 이끌어가고 있다.

• TTA Journal
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• s.133
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• pp.168-169
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• 2011

유명 예능 프로그램 방송작가가 한 인기 아이돌그룹을 비난한 트윗을 놓고 네티즌들의 설전이 벌어졌다. 핵심은 트위터가 무슨 말이든 쓸 수 있는 개인의 공간이냐, 아니냐는 것. 개인만의 공간이라면 어떤 비난을 한들 '당사자의 생각'일 뿐이고, 사회적 공간이라면 자신의 위치와 역할을 감안한 '의도적 행태'라는데 의견이 모아졌다. 결론은 아직 내리지 못했다. 그러나 이미 많은 이해집단들은 트위터, 페이스북, 미투데이 등 소셜 네트워크를 '소셜' 단어 자체에서 나오는 공유, 커뮤니케이션, 관계 노출, 영향력에 집중하며, 이를 통해 새로운 비즈니스 시장을 만들어내고 있다.

• 대학교육
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• s.93
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• pp.65-70
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• 1998

이 글에서는 21세기에 대비한 창조와 모험의 대학인 멀티미디어 학부의 설립 과정과 패러다임을 통해 대학의 교육개혁 사례를 보이고자 한다. 멀티미디어 학부는 국내.외적으로 아직 학문적 체계화가 이루어지지 않은 '벤처 대학'에 해당한다. 여기서 사례로 제시한 한남대 멀티미디어 학부의 패러다임은 국내.외의 다른 대학에도 영향을 줄 수 있다. 1998년 3월에 설립된 한남대 멀티미디어 학부의 경우, 현재 교육법상 공학사의 자격이 주어지지만, 향후 '멀티미디어 학사'가 주어져야 하며 입학생도 예능계, 문과 및 이과의 학생을 동시에 입학시켜야 할 것이다.

• 발명특허
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• v.36 no.9
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• pp.26-29
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• 2011

탤런트 이윤미, 현재 인터넷 쇼핑몰을 운영 중인데 sbs 예능프로그램에서 상표권 침해로 경찰서, 검찰을 오간 적이 있는 사실을 고백하며 브랜드 관리의 어려움을 토로했다. 이뿐만 아니라, 예전의 티켓몬스터도 사이트 오픈 불과 이틀 후에 바로 제3자가 '티켓몬스터'를 출원하여 상표권을 확보하지 못할 뻔 했으며 네이버 지식iN과 현재 상표 업무 중에도 소셜커머스업 또는 인터넷쇼핑몰을 운영하는 분 중에 이와 같이 제3자의 너무 빠른 선출원으로 인해 피해를 보는 사례가 급증하고 있다.

• The Journal of the Korea Contents Association
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• v.14 no.4
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• pp.379-388
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• 2014

This study analyzed the status of Korean professional baseball as TV contents utilizing ratings. For the purpose of the study, Korea professional baseball's relative status to other genres though ratings is investigated. For this study, ratings per minute for the whole cable TV channel viewer ratings in 2010 were analyzed, and the following is the result of comparing and analyzing ratings per genre and channel of cable TV. Among 11 genres, drama showed the highest rating, and entertainment, movies, kids, news/reports, sports, music, etc followed. Drama and entertaining channels showed the highest ratings and sports did not show any high ranking. However, when analyzing times for broadcasting Korean professional baseball separately, Korean professional baseball in both genre and channel showed the highest r ratings and it was significant statistically. Thus, it is considered that Korean professional baseball is the most valuable contents for the related cable TV times.