• Journal of the Korea Society of Computer and Information
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• v.17 no.11
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• pp.39-46
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• 2012

The development of the computer widens the expressive ways for the nature objects and the scenes. The cutting edge computer graphics technologies effectively create any images we can imagine. Although the computer graphics plays an important role in filming and video production, the status of the domestic contents production industry is not favorable for producing and research all at the same time. In digital composition, the match moving stage, which composites the captured real sequence with computer graphics image, goes through many complicating processes. The camera tracking process is the most important issue in this stage. This comprises the estimation of the 3D trajectory and the optical parameter of the real camera. Because the estimating process is based only on the captured sequence, there are many errors which make the process more difficult. In this paper we propose the method for correcting the tracking data. The proposed method can alleviate the unwanted camera shaking and object bouncing effect in the composited scene.

• 한국HCI학회:학술대회논문집
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• 2006.02a
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• pp.1256-1261
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• 2006

본 논문은 스토리에 기반하여 여러 편의 드라마 동영상 파일 중에서 사용자가 찾고자 하는 파일을 찾아주는 검색 시스템의 설계 및 구현에 대하여 기술한다. 기존의 동영상 검색 방식은 제목 및 주연 배우와 같이 제한적인 검색어에 의한 검색을 제공하고 있으나, 대부분의 드라마 파일은 영화 또는 다른 동영상 파일과 달리 여러 회로 나누어져 있기 때문에 기존의 주연 배우나 제목과 같은 정보만을 가지고 사용자가 원하는 파일을 검색하기 어렵다. 본 논문에서는 드라마의 제작사에서 제공하는 각 회당 스토리를 기본적인 불리안 모델과 결합시켜 사용자가 원하는 회차를 검색하는데 유용한 시스템을 설계 및 구현하였다. 본 논문에서 제시한 방식의 유용성을 보이기 위하여 실제 서비스 되고 있는 드라마를 대상으로 실험을 하였으며, 실험결과 높은 검색 능력을 보이고 있다.

• 한국HCI학회:학술대회논문집
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• 2007.02a
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• pp.649-652
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• 2007

이 논문에서는 영화, CF 같은 영상물 제작 시 CG/실사 합성을 위해 배경기하정보를 추출하는 알고리즘을 제안한다. Metric Reconstruction 은 카메라 자동 보정을 통해 이루어지며 이는 오랫동안 연구되어 온 분야이다. 접근방법은 영상의 특징점 추적 정보와 카메라 내부변수 가정으로부터 유도되는 자기 보정 방식과 공간상에서 미리 기하 정보를 알고 있는 보정틀을 사용하는 방식으로 크게 분류될 수 있다. CG/실사 합성의 작업 효율성을 위해서는 배경 영상에 보정틀이 보이지 않는 것이 좋은데 자연 특징점(Natural Feature)에만 의존하는 자기 보정 방식의 경우 2K 급 영상에서 CG 객체를 합성했을 때 떨림이 느껴지지 않을 만큼 정확한 결과를 얻기 힘들다. 이 논문에서는 Polleyfeys[2]가 제안하였던 영상 시퀀스를 입력으로 하는 자기 보정 시스템을 바탕으로 마야 작업 환경에서의 핀홀 카메라 모델에 맞도록 카메라 내부변수의 비선형 최적화를 수행하는 방법과 사용자 개입을 통한 카메라 변수 정확도 향상방법을 제안한다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2012.11a
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• pp.103-104
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• 2012

본 논문에서는 디지털 영화 제작 환경에서 흔히 발생하는 얼라이싱 현상을 최소화하기 위한 방법을 제안한다. 제안된 알고리즘은 영상의 얼라이싱 현상을 웨이블릿-푸리에 분석 (Wavelet-Fourier Analysis)으로 분석하고, 노치 리젝트 필터(Notch Reject Filter)를 이용하여 얼라이싱 현상을 최소화 시켜 영상 화질을 개선한다. 실험결과에서 보듯이 제안된 알고리듬은 디지털 시네마 영상에서 얼라어싱을 효과적으로 제거하여 개선된 화질의 영상으로 관객의 몰입감을 높여줄 수 있다.

• The Journal of the Korea Contents Association
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• v.9 no.10
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• pp.159-167
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• 2009

With the increase of weight and influence of TV drama, many researchers began to publish papers on TV drama. However, those papers were mainly focused on social meaning and viewing motives and attitudes of TV audience. However, only a few papers researched about television image production techniques, such as 'Relationship between TV ratings and image production techniques', 'Transition process of TV drama's image production techniques', and 'Comparison of TV and film image production techniques'. According to the recent research on the relationship between TV ratings and image production techniques, TV rating is inverse proportionate to multiple camerawork and shot average duration with a very close relationship. The purpose of this thesis is to analyse the relationship between TV genre and image production technique with the data of top 100 of TNS Media Korea from the year 2004 to 2008. This paper found out that history drama uses more closeup, longshot, tracking and less waist shot than other genres, with shorter shot duration and longer scene duration.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2012.07a
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• pp.40-43
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• 2012

3차원 영상 기술은 방송, 영화, 게임, 의료, 국방 등 다양한 기존 산업들과 융합하며 새로운 패러다임을 형성하고 있으며, 고품질 및 고해상도의 3차원 영상 획득에 대한 필요성이 강조되고 있다. 이에 따라, 최근에는 3차원 입체 영상을 제작 하는 방법 중 하나인 2D-plus-Depth 구조에 대한 연구가 활발히 진행되고 있다. 2D-plus-Depth 구조는 Charge-Coupled Device(CCD) 센서 등을 이용한 일반 카메라와 깊이 카메라를 결합한 형태로써 이 구조로부터 얻은 깊이 영상의 해상도를 상향 변환하기 위해서 Joint Bilateral Upsampling(JBU)[1], 컬러 영상의 정보를 활용한 보간법[2] 등의 방법들이 사용된다. 하지만 이 방법들은 깊이 영상을 높은 배율로 상향 변환할 경우 텍스처가 복사되거나 흐림 및 블록화 현상이 발생하는 문제점이 있다. 본 논문에서는 2D-plus-Depth 구조에서 얻은 고해상도 컬러 영상에서 보간 정보를 구하고 이 정보를 저해상도의 깊이 영상에 적용하여 상향 변환된 가이드 깊이 영상을 제작한다. 이 가이드 깊이 영상을 Bilateral Filtering[8]을 이용함으로써 고품질의 고해상도 깊이 영상을 획득한다. 실험 결과 제안하는 방법으로 해상도를 상향 변환을 할 경우에 기존의 보간법들에 비해 깊이 영상의 특성을 잘 보존함을 확인할 수 있고, 가이드 깊이 영상에 필터링을 처리한 결과가 JBU의 결과보다 향상됨을 확인할 수 있다.

• Proceedings of the Korea Contents Association Conference
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• 2006.11a
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• pp.322-326
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• 2006

Though human being has ability to percept a full colored vision, the technology of early photography only can produce black and white images. For cinema filming imagery also captured mono tone with black and white, until developed a color film technology. The desire for presenting color imagery and the technique for producing film and color ink, photography and print utilize color on it with noticeable color impact to viewers. It, however, abusing fun colors image each and every printed and filmed imagery, the freshness of eye catching power diminished now. On contrast, color becomes black and white or partially used for making discrepancy among full colored images. This image detected commercial and music video, and it spread to film. To use those bleached color images is for evoking a nostalgia and a visual differentiation. Especially, it can be provocative images brought to audience with that. such as "Anycall", "Dimchae" for CF, and "Schindler's list," and "Sin city" for movie. It is hard to investigate on the color studies for partially used images. Therefore, this study is to research that through CF and film, base on it, to investigate the application for this image. To collect data from survey, it will be established a basic concept for understanding the partial color applying.

• The Journal of the Korea Contents Association
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• v.9 no.2
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• pp.193-202
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• 2009

This dissertation is considerably studied Faction Genre which is embossed as a new image content, and it is figured out practical used works' possibilities for Korea film production's varieties. Faction, a neologism, which is combined by Fiction and Fact, is a boundary as limits. If authentic history is closed to a truth, it is a record history description method. Also, if unauthorized history is closed to a fake, it is a fictitious history description method. In addition, macro history and micro history are respectively connected to social criticism's matter and personal action, and these can make various analyses, depend on a boundary's limits and personal analysis. On the other hand, history film could be remembered to audience merely history film itself without existed history's fact. However, there are Faction Genre's Genre possibility and film's attraction which indirectness experience of historic fact could be experienced through film. For Faction Genre’s developing solution, there are three cognitive switches; audience's interpretation ability about history film through watching perception, linking between the past and the present for audience through communication with history, audience's considerable decision about history first or fiction first as film writer's interpretation. Above all, hopefully filmic pressure can be shown with historical true to audience. Therefore, it would be Korea Faction Genre's attraction and hope.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.20 no.4
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• pp.755-762
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• 2016

Motion graphic is the recently emerged technique which extends the ways of expression in video industry. Currently, it is worldwide trends that the image design gets more attention in the field of movie, advertisement, exhibition, web, mobile, games and new media, etc. With the development of computer's new technologies, VFX methods for the visual content is dynamically changed. Such production methods combine the real scenary and CG(Computer Graphic) to compose realistic scenes, which cannot be pictured in the ways of ordinary filming. This methods overcome the difference between the real and virtual world, maximize the expressive ways in graphics and real space. Match moving is technique of accurate matching between real and virtual camera to provide realistic scene. In this paper we propose the novel technique for motion graphic image production. In this framework we utilize the match moving methods to get the movements of the real camera into 3D layer data.

• Journal of Korea Entertainment Industry Association
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• v.13 no.2
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• pp.101-110
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• 2019

Filmic spaces are not only a core expressive factors that can embody both internal and external meanings of films, but also play an important role for initiating dramatic context in terms of narratives. They establish visible environment in which provocative incidents occur and characters' behaviors are induced, include characters' psychology or emotional meanings of narratives and provoke tensions through symbolic meanings and the implicit function of surface background. This paper, therefore, analyzes the film, , by focusing on the dramatic function of narrative space. This film provides insights and thoughts through deep philosophical reflection, by escaping from the convention of such a genre, through deep philosophical reflection, by escaping from the convention of such a genre, though it belongs seemingly to the crime thriller genre using Mexico's drug cartel as it main material. In the film, narrative spaces are responsible for emotions invoking dramatic tensions beyond provocative incidents and the elaborately planned and controlled mise-en-scene absorbed audiences' attention by organizing ultimate suspense. In conclusion, flow and dramatic lingering imagery of this film might be achieved by power of scenes rather than plot factors. This study thus explained the correlation between narrative spaces and dramatic immersion, by analyzing spaces appearing in and visualized construction. It is hoped that this will further extends the pattern of researches on dramatic immersion, which have been primarily focused on plots and characters.