• Korean Institute of Interior Design Journal
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• v.16 no.3 s.62
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• pp.111-118
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• 2007

Using effective light, which is physical experiences by its control and manner of adaption, and make human to recognize the shape and give the meaning, so that approaching against perception experimental method which plays a role in basic clue, is regarded crucial highly among human sensory organ. this study consider the perception conception, its feature and necessity against eyes' adaption among human perception experimental experiences which has been discussed indifferently for inner space. Also, we looked over the problems among actual examples of inner spaces which should be considered as to adaption conception of human beings. Furthermore, this study aims at basic studying, which searching for enable to adapt in case of planning for inner space planning and distributing the quality evaluation by using effective light.

• Korean Institute of Interior Design Journal
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• no.29
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• pp.203-210
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• 2001

Major companies have launched into the film industry since 1990s, which resulted in competition in facilities. In addition, restriction for the number of the prints was removed. Under these circumstances, the cinema has been transformed and developed from the established one-hall cinema into multiplex cinema with large-scaled halls. Contrary to the established cinema, modern cinema are a cultural place within easy access. They accommodate diverse social and cultural needs and their functions have been extending gradually. The waiting areas should not function only as the waiting space for the audience but also the places to attract the audience and provide them with various cultural and art information, and temporary restful break. For this study, the inter-relationship between the structure of the area and the audience are identified objectively by analyzing audience distribution and their routes within the area. The purpose of the study is to provide basic data about the design of the waiting area based on the findings above.

• Journal of the Korean Institute of Rural Architecture
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• v.7 no.3
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• pp.93-100
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• 2005

The purpose of this study is to investigate specific crowding areas resulted from diverse physical factors of multi-plex theaters in a fire evacuation, and more accurately predict the evacuation route of people. To achieve these purpose, the architectural characteristics of three multi-plex theaters in Jinju have been chosen, and the evacuation experiments through the computer simulation called Simulex were carried out for each on the these theaters. The conclusions from this study are as follows: (1) Crowding usually happens cross areas between theater inside and corridors, and Crowding rate depending on the number of cross areas. (2) It is necessary to design the escape routes being employed ordinary times. And the egress routes planning should be integrated into space programming at the early stage of building design.

• Proceedings of the Korean Society for Quality Management Conference
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• 2006.04a
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• pp.95-99
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• 2006

Resulting from a development of Korea's film industry, the number of the audience who visits a movie theater is increasing. so, interest in indoor service which is provided in the movie theater is also increasing, and there are needs for raising a movie theater's competitive power and an endeavor to offer a higher standard of service to customer. thus, this study will define service quality factor of a movie theater and provide ways of improving service quality by analyzing the effect of service quality on customer satisfaction and re-visit intention.

• Proceedings of the Korea Information Processing Society Conference
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• 2012.04a
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• pp.888-891
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• 2012

본 연구는 영화관과 같이 특정 시간대에 사람들이 많이 몰리는 복잡한 장소와 고궁, 유적지, 백화점, 그리고 테마파크와 같이 한 장소에 여러개의 화장실이 있는 곳에서 사용자 자신으로부터 가장 가까운 화장실의 위치 및 각 화장실 마다 사용하는 인구 밀집도 그리고 화장실 칸의 사용 여부를 알려주는 Application 을 제안한다. 본 연구에서 제안하는 Application 은 안드로이드를 기반으로 하며 제안한 Application 을 통해 익숙하지 않은 장소에서의 화장실 위치 파악이 가능하고 영화관과 같이 특정 시간 때, 특정 화장실에 대해 몰림 현상을 예방 할 수 있다. 따라서 연구에서 제안한 화장실 어플리케이션은 현재 사용 가능한 화장실의 위치를 알려줌으로써 고객들에게 보다 편리한 서비스를 제공 할 것으로 예상된다.

• The Magazine of the IEIE
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• v.31 no.6
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• pp.40-51
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• 2004

최근 크게 흥행에 성공하고 있는 국산영화들은 국내 영화팬들을 열광케 하고 이제는 해외에서까지 인기를 크게 누리고 있다. 이러한 국산영화의 성공은 심지어 영화에 무관심했던 사람까지도 영화관으로 끌어들이고 관심을 갖게 하고 있으며 영화산업의 발전가능성이 다대함을 증명해 주고 있다.(중략)

• Proceedings of the Korea Institute of Fire Science and Engineering Conference
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• 2002.05a
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• pp.226-232
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• 2002

• Proceedings of the Korea Institute of Fire Science and Engineering Conference
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• 2003.04a
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• pp.42-52
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• 2003

• The Science & Technology
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• v.32 no.11 s.366
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• pp.79-84
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• 1999

새로은 세기를 맞아 영화계에는 지각을 뒤흔드는 변혁의 바람이 불기 시작했다. 디지털기술이 영화의 제작과 편집방법을 완전히 바꾸고 있고 필름 없는 영화관시대가 빠른 걸음으로 달려오고 있다.

• Journal of Popular Narrative
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• v.27 no.1
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• pp.99-130
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• 2021

This paper examines printed materials such as weekly newsletters and leaflets issued by Dansungsa, a movie theater in Colonial Korea for a promotional purpose as independent modern media. During the 1920s and 1930s, in tandem with the development of the incipient printing houses in Namchon, Gyeongseong, including Suyeongsa, Dansungsa published promotional prints including weekly newsletters and leaflets in a serial manner to compete with Joseon-gukjang and Umigwan. As these materials contain various information including movie programmes, spectatorship, distributional channels, and promotional strategies that bears witness to theater culture of this time, this paper focuses on the dynamics where not only text and image but also audiences and filmic texts are mediated one another. To this end, the paper has three objectives. First, I argue that weekly newsletters and leaflets can be considered as 'flickering media' that meddles in text and image culture. Second, Dansungsa's promotional prints interpellated film audiences as a loyal fan group while mediating audiences and filmic texts. In doing so, I suggest that these print materials established its own cultural domain differentiated from filmic culture itself. Third, these ephemeral materials contributed to narrowing the gap between colonial Joseon and the World in its imaginary geography through the function of mediation.