• Journal of Game and Entertainment
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• v.2 no.1
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• pp.45-55
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• 2006

The video production, as a recording data about the archeological survey, has advantages to be visualized in actuality and historical fact presented objects with elements such as moving images, audio(voice) and text(subtitle). While the report with text and images such as photographs and drawings does not present exactly, the video production can record a concrete excavation process to be difficult of represent with former media. To make a practical use the video production in archeological surveys, the use dimension should be expanded to the entire archeological excavations and the shooting and editing work should be done by those video production-specialized staffs. Ultimately, when this video production device is used but also for the survey purposes but also for the education, exhibition, and even commercial purposes, it can have the substantial meaning as a survey tool.

• The Journal of the Korea Contents Association
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• v.14 no.2
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• pp.247-256
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• 2014

"Artist Welfare Act" from the November 18, 2012 is being implemented. However, in the field of traditional culture and art the artists are the subject of a variety of policies by the newly launched Korean Artist Welfare Foundation Artists, but most of video production professionals are not aware of law enforcement and their legal status is ambiguous. This research raised the issue of poor video production workers welfare, and to seek the ways took a look at the key information of "Artist Welfare Act" and social issues. To this end, by in-depth interviews with video workers I analyzed the relationship between the parties, such as comments about the issues. Accordingly, a wide range of video production to reflect the welfare of workers in the "Artist Welfare Act" of the amendment shall be made. Above all, this should be reflected in measures to raise funds for artist welfare.

• Proceedings of the KSRS Conference
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• 2009.03a
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• pp.7-12
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• 2009

고해상도 위성영상을 이용한 DEM 제작의 경우 영상의 센서모델과 정합을 이용한 방식이 일반적으로 사용되어 왔다. 이 방식의 경우 영상에 존재하는 건물 및 도로, 그리고 지역 등에 따라 오류가 발생하게 되며 이는 DEM의 제작 시 공백(Hole)이나, 오류(Blunder)의 원인이 된다 이 방식을 보완하기 위하여, 본 실험에서는 1m 급의 공간해상도를 가지는 스테레오 위성 영상을 이용하여 제작된 고해상도 DEM을 제작해보았으며, 전 세계적으로 제작되어 있는 30m 정확도를 가지는 DTED를 이용하여 동일지역의 DEM의 갱신을 시도하였다. 고해상도 스테레오 위성영상에서 매칭 결과로 구해진 높이 값과 30m DTED와의 결과 비교를 통해 최상위 피라미드 단계에서의 DEM의 제작 시 발생할 수 있는 에러들을 걸러냄으로 정확한 DEM의 생성을 시도하였으며, 새롭게 구해진 DEM의 높이 값을 30m DTED의 높이 값에 근사시켜 기존의 방식보다 더 부드러운 고해상도 DEM의 제작이 가능함을 확인할 수 있었다.

• Journal of the Korean Society of Surveying, Geodesy, Photogrammetry and Cartography
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• v.27 no.4
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• pp.453-460
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• 2009

For constructing 3D information using aerial photograph or video sequences, left and right stereo images having different viewing angle should be prepared in overlapping area. In video sequences, left and right stereo images would be generated by mosaicing left and right slice images extracted in consecutive video sequences. Therefore, this paper is focused on generating left and right stereo mosaic images that are able to construct 3D information and video sequences could be made for the best use. In the stereo mosaic generation, motion parameters between video sequences should be firstly determined. In this paper, to determine motion parameters, free mosaic method using geometric relationship, such as relative orientation parameters, between consecutive frame images without GPS/INS geo-data have applied. After determining the motion parameters, the mosaic image have generated by 4 step processes: image registration, image slicing, determining on stitching line, and 3D image mosaicking. As the result of experiment, generated stereo mosaic image and analyzed result of x, y-parallax have showed.

• Proceedings of the Korea Contents Association Conference
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• 2004.05a
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• pp.456-460
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• 2004

Daejeon metropolitan city is now financing an undertaking for building the film production town in daeduk valley as one of strategic industries, at this point of time it is very necessary to studying on the source technology in daeduk valley as a present status and future practical application methods for the filmmakers. This study deals with information design for the Daeduk Valley directory of source technology as a film contents producing technique, with emphasis on the design planning and formation of Daeduk Valley directory about various source technologies for film making from a filmmaker's point of view.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2017.05a
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• pp.482-484
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• 2017

Over the past 70 years, movies and television have revolutionized the way people communicate. However, even with this development, TV has been used only as a means of communication targeting an unspecified number of people due to the restriction of media such as radio waves and movies. However, the development of the Internet and online video has come to a time when 100 million people watch YouTube videos uploaded from the other side of the world by eliminating these restrictions. The message that you want to deliver now can be delivered to anyone, but making the image with these messages remains the last obstacle to communication. To solve these problems, we implemented a web application and a video production program through AWS. This system basically provides the administrator with the video production through the easy interface, the information management and the program on the server on the internet through AWS, the assigned lecture including the computer and the smart phone, the learning materials, And implemented to increase the efficiency of educational video production service.

• Journal of Game and Entertainment
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• v.1 no.1
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• pp.31-38
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• 2005

Correct flow of various game manufacture among the justice which is used at the game development. and The understanding about the manufacture regards we making rather correct game. We justice understanding which we are correct in the image manufacture to become the reason air control of the game and We put the center in a 3B game image manufacture understanding. we are marked in maneuvered the game in actual game good. The image of the back of Cut Scene which is inserted at an opeuning incomparableness event time, we have been produced in this method. The thing which a 3D game image is utilized in a special effectiveness image though it is different from the game in the theater movie, we are the graphic which a game manufacture o'clock must be considered. The reason air control which the game player Is rather correct, we are regarded we offer the reason to immerse with his game.

• Proceedings of the KIEE Conference
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• 1999.07b
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• pp.662-664
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• 1999

본 연구에서는 자기공명영상에서 인체에 에너지를 주고, 신호를 받는 transceiver 역할을 하는 RF(Radio Frequency) 코일을 제작하여 phantom의 영상을 얻었다. 코일의 종류는 high-pass 타입의 birdcage형으로 제작을 하였으며, 영상을 얻는데 사용한 자기공명영상진단장비는 주 자기장의 세기가 1.5T인 GE사의 시스템이다. 이 시스템을 이용하여 phantom의 축방향과 축방향에 수직인 두 방향의 영상을 얻었다.

• The Journal of the Korea Contents Association
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• v.8 no.1
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• pp.203-211
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• 2008

Due to the advent of presumer and digital production of moving picture, a lot of UCC has been generated by editing the previous moving pictures in various way. It causes a lot of problems on copyright, duplication, and content. In reorganizing the contents, it is necessary to increase productivity and reusability by managing production pipeline systematically through the standardization of moving picture content. For this purpose, we try to develop the moving picture content management system that can manage all kinds of information on the production pipeline, based on SCORM of e-learning by considering production, publication and re-editing. Using the meta-data of content object, user and producer can easily search and reuse the contents. Hence, they can choose the contents object according to their preference and reproduce their own creative UCC by reorganizing and packaging the selected objects. The management of copyright by the unit of scene would solve the problem of copyright. The sequencing technique of SCORM as an interactive storytelling method makes it possible to produce individual contents by user's preference.

• Electronics and Telecommunications Trends
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• v.20 no.4 s.94
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• pp.3-15
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• 2005

최근 흥행에 성공을 거둔 대부분의 영화는 첨단 CG 기술을 제작 공정의 50% 이상 활용하고 있으며 점차 영상 콘텐츠 제작에 CG 기술 사용 비율이 증가하는 추세이다. 본 논문에서는 ETRI 디지털 콘텐츠 연구단에서 연구 개발중인 실사 수준의 디지털 영상콘텐츠 제작기술에 관해 소개한다. 개발 기술은 현장 요구가 많은 대표적인 CG 기술인 영상기반 모델링, 영상기반 렌더링, 디지털액터 표현, 디지털액터 상호작용, CG/실사합성 기술을 포함한다. 엑스트라급 디지털액터 및 디지털 환경 제작 도구를 개발하였으며, 최종적으로는 주연급 디지털액터 및 디지털 환경 제작 도구를 개발할 예정이다.