• Journal of Korean Society of Archives and Records Management
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• v.17 no.4
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• pp.109-126
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• 2017

This study deals with the theoretical analysis of important audiovisual archives, specifically regarding the historical context of the given theme. The study will feature a historical review of the concept, which is the basis for audiovisual archive research, followed by the specificities of audiovisual archives in sharp contrast to public archives, libraries, and museums. Audiovisual archives will also be covered primarily regarding documentaries as well as places and institutions. The study will conclude with various issues of audiovisual archives in today's digital age. The study hopes to contribute to the growth of audiovisual archive research in Korea and the establishment of various audiovisual archives that will be addressed on a national level both in policy and in practice.

• The Korean Journal of Archival Studies
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• no.70
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• pp.157-187
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• 2021

Broadcasting and audiovisuals are the easiest audiovisuals to access in everyday life and are shared through the media by recording the times. Overseas, independent broadcasting and audiovisual archives are already in operation under the legal system. As the domestic broadcasting and audiovisual industries continue to grow in size and are drawing global attention, the establishment and operation of public broadcasting and audiovisual archives need to be discussed in more detail. In particular, it is clear that the legal device is a task that must be preceded as the basis for the establishment of public broadcasting and audiovisual archives. To this end, this study first looked at the Digital Archive Center, which was operated in the 2000s. In addition, the cause of the dismantling of the Digital Archive Center was considered as the absence of a legal device, and the case of the Institut national de l'audiovisuel(INA), which has been operating on a legal basis for a long time, was investigated. INA is a representative example of implementing a lead-based system in the broadcasting and audiovisual fields, and has been introduced several times through previous studies, but tends to be focused on user services. Therefore, in this study, the analysis was focused on legal factors supporting the operation of INA. Finally, in order to realize the Public Broadcasting and Audiovisual Archive discussed in the previous study, I would like to suggest a legal device for the establishment of Public Broadcasting and Audiovisual Archive in Korea.

• Proceedings of the Korean Society for Information Management Conference
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• 2006.08a
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• pp.207-213
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• 2006

다매체, 다채널이라는 시대적 흐름 속에 영상콘텐츠의 수요가 크게 증가함에 따라 방송영상자료의 디지털화는 그 중요성이 더욱 커지고 있다. 그러므로 기존 방송영상자료의 디지털 변환작업을 통해 물리적인 한계 및 보존상의 어려움을 해결하고 접근의 용이성을 높일 수 있도록 디지털 방송영상아카이브의 구축을 통한 지원체계가 마련되어야 한다. 따라서 본 연구에서는 국내외 사례연구를 통해 분석한 내용과 국내 보존현황 및 요구조사의 결과를 반영하여 국내 실정에 맞는 디지털 방송영상아카이브의 구축모형을 제안하고자 한다.

• The Korean Journal of Archival Studies
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• no.78
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• pp.197-249
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• 2023

This paper focus on the demand for broadcast and video archive contents by users outside broadcasters as the archive openness and sharing projects of terrestrial broadcasters have become more active in recent years. In the process of creating works using broadcasters' released video footage, the study examined the criteria by which video footage is selected and the methods and processes utilized for editing. To this end, the study analyzed the the case of the 5.18 footage video sharing project 〈May Story(Owol-Iyagi)〉 contest organized by KBS in 2022, in which KBS released its footage about the May 18 Democratic Uprising and invited external users to create new content using them. Analyzing the works that were selected as the winners of the contest, the research conducts in-depth interviews with the creators of each work. As a result, the following points are identified. Among the submitted works, many works deal with the direct or indirect experience of the May 18 Democratic Uprising and focus on the impact of this historical event on individuals and our current society. The study also examined the ways in which broadcasters' footage is used in secondary works. We found ways to use video as a means to share historical events, or to present video as evidence or metaphor. It is found that the need for broadcasters to provide a wider range of public video materials such as the May 18 Democratic Uprising, describing more metadata including copyright information before releasing selected footage, ensuring high-definition and high-fidelity videos that can be used for editing, and strengthening streaming or downloading functions for user friendliness. Through this, the study explores the future direction of broadcasters' video data openness and sharing business, and confirms that broadcasters' archival projects can be an alternative to fulfill public responsibilities such as strengthening social integration between regions, generations, and classes through moving images.

• The Korean Journal of Archival Studies
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• no.58
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• pp.95-145
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• 2018

As a communication language, non-text records and archives such as photographs, images, and videos are becoming more important than text records. As a result, domestic institution, organizations, and specialists related to record management have been emphasizing the necessity of the archive management system appropriate for the distinctive characteristics of image records. This paper summarizes the points to be considered for the establishment of the Korean audiovisual archives management system, based on the writer's experience of participating in the International Audiovisual Archives Management Training for professionals in the world(INA Frame) of 2018. In particular, various types of contents including cinema, broadcasting, cultural should be managed at the national level. Furthermore, the necessity of a new concept establishment for "public audiovisual heritage" is accentuated. In addition, the tasks regarding the establishment of foundation, such as the modification of the related systems and infrastructures, and the layouts of the institution or governance, should be reviewed and revised. Moreover, the preliminary tasks revised, should be lead to the establishment of stable management system for public audiovisual archives of Korea.

• Proceedings of the Korea Database Society Conference
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• 1997.10a
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• pp.137-155
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• 1997

이 글에서는 디지털 아카이브 되거나 데이터베이스화 되어있는 영상정보의 저장규모와 이용 시장에 대하여 기술한다. 현재, CD-ROM 타이틀, 비디오 CD 및 DVD 타이틀과 인터네트를 통한 부분적인 이용에 그치고 있는 디지털 영상정보는 무어의 법칙을 따르는 컴퓨터 프로세서 성능 증대, 50 만원대에 20GB용량을 가지는 광자기 디스크의 출현처럼 계속 확장되고 있는 저장용량, Gigabit LAN의 등장과 같이 지속적으로 확대되는 통신 네트워크의 전달용량, 영상기반 렌더링을 이용하는 새로운 가상세계 구축기술 등 그 활용을 가속시키는 여러 요인들에 의해 용도가 큰 폭으로 증가하고 있다. 이에 따라 영상정보는 교육, 의료 등 기본적인 생환산업 분야를 비롯하여 여러 산업 분야의 경쟁력을 강화시킬 수 있는 정보원으로서의 근간이 될 것이다. 이러한 발전의 지속은 기술에 의해서만 보장될 수 있으므로, 영상정보의 디지털 처리, 디스플레이, 저장 등의 디지털 아카이브 관련 기술과 디지털 영상정보의 편집, 저작, 검색, 전송 등에 관련된 분야의 기술 확보를 어떻게 대비해야 할 것인가가 중요한 과제이다.

• Construction Engineering and Management
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• v.4 no.4 s.16
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• pp.42-43
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• 2003

• The Korean Journal of Archival Studies
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• no.24
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• pp.285-295
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• 2010

• Journal of Korean Society of Archives and Records Management
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• v.20 no.4
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• pp.107-128
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• 2020

In recent years, many users preferred video records, and as the broadcasting video data becomes necessary, the demand for video records' use has increased. However, most broadcasters' archive agencies currently provide archive services only for internal employees, and for the general public. In this study, the web-based online information services provided to the general public in the archive sites of domestic and foreign public broadcasting companies were examined and analyzed. The evaluation criteria for the web-based records information services were identified in three service areas: online accessibility, search and online browsing, and outreach or expansion services. The overseas public broadcasters' web-based services and the public broadcasting companies' current status were examined for each area. Based on the examination, direction improvements, such as providing online search and records, developing various outreach services, and expanding user levels were proposed for the information services on broadcasting video data in public broadcasting companies for the general public.

• Journal of Digital Convergence
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• v.12 no.2
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• pp.1-10
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• 2014

Recently, the value and the status of the digital archives that are built individually in the crossroads of oblivion and memory are due to big data has attracted attention globally is confusing. Video data that contains the cultural memory of the digital archive, such as culture, art, life, society, and social conditions of the time, it is a cultural heritage of national common expressed. Also, it remains a trace of history from the various media just like magazines, books, painting, photography, and film. Digital archive system is one of the best research results of media convergence and it has also a good opportunity to take full advantage of the new opportunities and cultural assets. The collection of infinite information of big data in perspective transient that exist at the same time compatibility of big data, it is trying to dismantle the cultural memory of us. It was asserted that must meet the criteria which can correspond to via the new digital era, will be applied to preserve the traditional media. The current image archive is necessary to accommodate proper two different directions.