• The Journal of the Korea Contents Association
• /
• v.14 no.11
• /
• pp.60-67
• /
• 2014

In the history of ancient art, the form harmonizing Text and Image is founded in many genres of art. especially Buddhist art Image, which is used as important tool as the text to spread Buddhist ideas. This original literary form have switched the visual communication systems, patterns of speculation is another reason to have a symbolic system. The switch between Text and Image is very important on interpreting the aesthetic concept of the modern interpretation of visual media. Therefore, This research has investigated and compared the Wall paintings in Dunhuang to Animation 's Image Narrative. The original story of is based on the Buddhist Jataka tale of the same name, which were discovered as wall paintings made by unknown artists at the Dunhuang Mogao Caves.

• CHINESE LITERATURE
• /
• v.100
• /
• pp.85 -100
• /
• 2019

In the 21st century, there was a boom of research in the field of Taiwanese historical narrative on Netherland's colonial rule of Taiwan in the 17th century. Such trend expanded to the literature field, and creations were made using the forgotten historical material. Representative works are 《婆 娑之島》 and 《福爾摩沙三族記》, written by Ping Lu and Chen Yao-chang. By analyzing these texts, this study studies what kind of a message the author presents through the literary form, and what his view is on the present and the future. In 《婆娑之島》, Ping Lu presents the fate of Taiwan being in the midst of imperialism for 400 years, and points out the betrayal of imperialism on Taiwan. Ping Lu argues that in order for Taiwan to evade from such situation, the future of Taiwan should be discussed in the global context, outside of the limited perspective of "China/Taiwan". Chen Yao-chang established the Tiwanese identity based on the multiple history narrative, by referencing to the spacial identity instead of the innate kinship. Such establishment of identity gave a breakthrough to the identity politics in Taiwan. Amidst the rapidly changing world politics and economy, it is essential for Taiwan to reestablish the cultural identity for itself for its development. What is more important is that the multiple history narrative maintains openness of history and communicates with the grand narrative to prevent history from being baised.

• The Journal of the Convergence on Culture Technology
• /
• v.10 no.4
• /
• pp.209-216
• /
• 2024

This study examines the drama "Still in Marronnier Park"(2005) to examine the strategies by which the drama communicates Korean society and literature of the 1960s to the public. The drama focuses on three characters to characterize the historical upheavals of the 1960s and the literary response. In particular, the drama tackles the historical events of the time head-on by introducing characters who are real-life politicians. Therefore, the drama explains historical events through narrators, interviews, and video footage, and at the same time, it helps us understand how political and social events affected the inner lives of Koreans. Through the narratives of Kim Ji-ha and Kim Seung-ok, the drama also conveys how Korean literature responded to unjust realities in the political and social context of the 1960s. Kim Ji-ha's rebellion against those in power and Kim Seung-ok's depiction of her inner landscape are used to portray the response of literature to political reality. Although the drama has the limitation of being somewhat typical, it raises meaningful questions about the meaning of literature in the political and social context of the 1960s and how the memory of the 1960s has left a trace in the minds of Koreans.

• The Korean Journal of Archival Studies
• /
• no.64
• /
• pp.63-92
• /
• 2020

The SNS post records were not studied by some or essential characteristics of personal records. Until now, Studies on SNS post records have focused on research on technical characteristics, and studies on identity and online space have been rare. This study argued that SNS postings are records that reflect online identity and that SNS postings are meaningful in recreating events related to online and online. This study also suggested the composition of self-history from an epic self-image of events experienced by individuals from their own historical point of view, and argued that SNS post records perform an important role in the process. To this end, the media characteristics of SNS and the way individuals are used were analyzed together.

• (The)Study of the Eastern Classic
• /
• no.69
• /
• pp.259-296
• /
• 2017

This thesis examines the reality of Hwaseo's view of scholarship established through the various academic roots, and explains the writing techniques in his poetic world. The results are as follows; With the roots including the Five Books of Confucianism, Five Classics, the books of Zhuxi and Songjadaejeon, Hwaseo established his own scholarship based on the principle of 'keeping of piety and acting with prudence(持敬致愼)'. And he pursued a practical discipline in parallel with 'understanding the utmost principle and extension of knowledge(致知)' and 'diligent self-cultivation(力行)'. The characteristics of his poetic techniques are the use of quotation and interweaving narrative with discussion. He did not stay in just borrowing or variations on the quotation, but gave new meanings beyond the acceptation, and even reached the point of creating newly coined words. He made pithy narratives according to historical events and character's activities, put forward some discussions, and then expressed his emotion. In particular, there were the poems described by interweaving narrative with discussion based on Mencius's historical viewpoint of 'repetition of peaceful times and troublous times one by one(一治一亂)', which could be regarded as the most representative works of his literary value as well as the essence of his scholarship and ideas.

• Journal of the Korean Society for Railway
• /
• v.6 no.4
• /
• pp.30-36
• /
• 2003

궤도(track)는 열차가 안전하고 승차감(乘車感)이 좋게 운행되도록 충분한 강도를 가지고 더욱이 양호한 상태로 정비되어 있어야 한다. 일반적으로, 토목구조물(structure)은 하중을 받으면 변위(變位)ㆍ변형하고, 하중이 없게 되면 원래대로 되돌아간다. 즉, 각 부재는 탄성 한계 내로 응력(應力)이 들어가도록 설계된다. 그러나, 궤도는 열차의 하중과 진동을 궤도 자신의 변위 축적으로 흡수하고 있다. 결국, 처음부터 틀림이 진행되어 가는 것을 전제로 한 유일한 구조물이다. 일반적으로는 스프링 하 중량과 축중(軸重)이 큰 차량이 빠르고 대량으로 주행하게 되면 궤도 틀림이 발생하여 진행한다. 궤도 틀림 파형의 성장은 궤도 틀림이라고 하는 공간적인 파형의 시간적인 추이라고 하는 2차원적인 취급이 필요하다. (중략)

• Journal of the Korean Society for Railway
• /
• v.2 no.3
• /
• pp.8-18
• /
• 1999

철도(鐵道)의 역사는 레일(rail)의 발달로부터 시작되었다고 한다. 철도(鐵道)는 그 발상지인 영국에서 railway(미국 : railroad, 프랑스 : Chemins do for, 독일 : Eisenbahn, 네덜란드 : Spoorweg, 이탈리아 : Ferrovia, 스페인 : Ferrocarril, 중국 : 鐵路)라고 불려지고 있다. 이것을 직역하면 "레일 길(rail 道)"로 된다. 이 단어가 나타내는 것처럼 간단하게 말하면, 철도란 레일의 위를 달리는 교통기관이며, 철도에 있어 레일은 가장 중요하고 불가결·기본적인 부재이다. 따라서, 레일은 철도의 심볼이라고 할 수 있다. (중략)

• Korean journal of communication and information
• /
• v.71
• /
• pp.116-154
• /
• 2015

Officially given a historical signifier as Gwangju Democratic Movement since 1987, far-right and conservative group have restated that $5{\cdot}18$ is a rebellion and a riot that was committed by rebellious elements who obeyed North Korea's command or who were connected with North Korea. As those who had been responsible for the rebellion, revolt and riot were rewarded, far-right and conservatives' collective narrative that a country was born where the pro-North Korea left became dominated aroused extreme hostility towards $5{\cdot}18$. Far-right and conservatives involved in many different fields such as political party, university, press and media and civil group carry out incendiary discourse politics with intention to reestablish history and memory of $5{\cdot}18$ in their own story. Many people at online sites such as Ilbe Storehouse who are considered 'young right wing' is a main route to spread the far-right groups' remarks on $5{\cdot}18$. Ilbe is a main channel to reconstitute and reproduce the far-right conservatives' remarks and information on $5{\cdot}18$. Ilbe is one of main area where remarks of disparagement and ridicule, hostility and hatred on $5{\cdot}18$ unfurl. This study collects $5{\cdot}18$-related remarks and stories unfolded at Ilbe and examines how these remarks and stories make significance as to $5{\cdot}18$ and how information resources which remarks are dependent upon are connected each other. In this process, this study intends to find implications of incendiary politics that echoed of remarks on $5{\cdot}18$ have which at the online site Ilbe and by the far-right conservatives.

• Journal of Korea Entertainment Industry Association
• /
• v.13 no.5
• /
• pp.83-89
• /
• 2019

Zhang yimou's film "the shadow" adopts a lot of modern literary symbolic content in the story structure. The novel has been greatly modified, abandoning the setting of the original work and making up the historical background of the story, thus completing the discourse practice of aerial literature rather than historical literature. The film expresses the historical story poetically and even writes the personal mind. In this way, the audience's sense of substitution is increased, and a large number of traditional Chinese cultural symbols are adopted visually. In terms of clothing, the most traditional is sought, which advocates loyalty to history, and adds cultural connotation and depth. The audience can feel the bold and unfettered artistic creation spirit of the main creator, as well as the novel and unique visual expression style, which makes his works have both traditional visual perception and modern story content. The combination of traditional vision and modern drama forms a new visual and cultural experience.

• Journal of architectural history
• /
• v.27 no.4
• /
• pp.17-30
• /
• 2018

The purpose of this study was to determine changes in neighborhoods due to the development of residential districts around Jangchungdan(?忠壇) altar in Seoul from the 1920s to the 1930s. In the Joseon Dynasty, this area was a protected and sacred area to honor the spirit. The reputation of the area, however, turned into the place to play and take a rest and neighborhoods around Jangchungdan altar were developed as high-grade residential districts with the impression of suburbs during the Japanese colonial period. Residential districts were formed with the destruction of the Hanyang City Wall and the privatization of nation-owned forest, which were physical and symbolic boundaries of Seoul in the Joseon Dynasty.