• Journal of the Korea institute for structural maintenance and inspection
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• v.14 no.2
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• pp.82-88
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• 2010

The purpose of this research is a seismic capacity evaluation and strengthening of existing railway station buildings, which were constructed before the seismic design code activated. The seismic capacity of 2nd story RC station building is evaluated by using nonlinear time-history analysis. Analysis results are checked by story drift ratio and story shear, which are described in design code. As a result, the story shears are exceeding the base shear of the design code, the appropriate seismic strengthening methods are needed. To improve the seismic capacity, metallic dampers are used. Evaluation parameters are metallic damper shape and damper installation methods. Dampers are installed in four places in X and Y directions of station buildings. By reviewing of time-history analysis results, the metallic damper, which is installed inverted K-brace type, shows a better seismic performance than other damper shape and installation methods.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2018.05a
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• pp.291-292
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• 2018

The purpose of this study is to examine the sensitivity of the audience to the background of the building where Chinese historical film 'Hero' is used. In this study, the sensitive vocabulary suitable for the building background was derived through previous research related to sensitivity, and the sensitive analysis was analyzed by questionnaire form. Research result shows that the building background of the movie can have an sensitive impact on the audience and will help to understand Chinese traditional style and culture.

• Electric Engineers Magazine
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• v.238 no.6
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• pp.22-25
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• 2002

건물은 인류의 역사가 시작되면서 초기에는 움막의 형태에서부터 시작하여 스스로의 생활을 유지하고 자연으로부터 생명의 위험을 보호하기 위한 수단으로서 구축되었다. 원시 농경사회 정착생활이 시작되면서 점차 생활의 규모가 커지고 건물을 건축하는데 문화와 예술적인 요소들이 반영되었으며 기술의 발달과 더불어 건물은 끊임없는 변화가 시도되어왔다.

• Electric Engineers Magazine
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• v.212 no.4
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• pp.29-34
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• 2000

경관조명을 설계 하는데 중요한 부분은 첫째로 그 도시의 건물 등이나 거리 등을 표현하는 것으로서 그곳에서 사는 주민들과 관광객의 개성, 역사적 풍토, 거리의 문화특징 등이 거리의 주택이나 도로에 표현될 수 있는 조명계획이 이루어져서 건물과 거리의 인상을 확립하는 것이다.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.31 no.4
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• pp.145-168
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• 2020

The aim of this study is to analyze the transition of the building of Daegu City Library during the Japanese Colonial Period. To do this, the articles of newspaper and periodicals, books, official documents, official gazettes, statistics, publications of official history of Daegu City Library and research papers were widely collected and cross-checked with each others. As the result of this study, the precedent researches and official history publications related to Daegu City Library had some important errors including the date of the municipal ordinance for Daegu City Library, the first building of Daegu City Library and the date of the breaking-ground, completion and opening for the new building. It is assumed that these errors were generated from the shortage of bibliographic information and full-text databases at those time. At the end of this study, additional research about the history of Daegu City libraries during the Japanese Colonial Period were suggested.

• Health and Mission
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• s.5
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• pp.54-58
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• 2006

1967년 건물 준공과 함께 첫 문을 연 성빈센트병원은 지역주민들과 역사를 같이하며 수원과 경기남부지역을 선도하는 핵심 병원으로 앞서고 있다.

• Korean Architects
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• no.3 s.335
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• pp.53-63
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• 1997

"제가 하고 싶은 비평은 우리 건축물의 좋은 점이 무엇이고 그것이 왜 좋은지를 먼저 찾아보는 것입니다. 저는 아직 연구가 부족해서인지 지금까지 우리의 건축이 (진심으로) 어떤 점에서 잘됐다는 얘기를 들어본 적이 별로 없습니다. 그런데 제가 아는 원로 건축가들은 어려운 중에 무척 열심히 살아오신 분들로 알고 있습니다. 아무리 여건이 나쁘다 하여도 그들의 작품 안에 좋은 점이 하나도 없으리라고는 생각지 않습니다. 그런데 아무도 그 좋은 점을 찾아내려하지 않으면, 그 건물이 사라지고(좋은 건물이 아니라고 생각하니까 언젠가는 헐리겠죠.) 도면도 기억도 사라진 후 우리는 계속 우리를 한심하게 생각하고 있을 것입니다. 우리가 우리의 좋은 점을 찾지 않는데 누가 우리의 좋은 점을 찾아주겠습니까? 한국 건축의 자부심(개혁?)은 건축가에 의해서가 아니라 건축 비평가에 의해서 먼저 이루어져야 합니다. 잘 팔리는 신파극 뒤에는 잘나가는 변사가 있듯이 말입니다. 물론 배우도 잘 나가야하지만. 그리고 저는 제가 모르는(건축가나 사용자나 같이 모르는) 서양철학에 비추어 이 건물을 이해하지 않겠습니다. 또 건축가가 건축역사의 어느 부분에 속할 것을 목표하여 설계하지 않은 이상, 건축사에 비추어 특히 세계건축사에 비추어 이 건물을 보지 않겠습니다. 저는 이 건물을 설계하는 이의 입장에서 또 사용하는 이의 입장에서 이해하려 노력하겠습니다.

• Journal of architectural history
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• v.14 no.3 s.43
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• pp.89-102
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• 2005

Frank Lloyd Wright and Mies van der Rohe are two of the most influential architects in modern architecture. In spite of the different values in their architectural lives, the design of high-rise building had been a continuous matter of primary concern for them. The purpose of this study is to compare the architectural characteristics of the two master architects in terms of building form, structure, function, and envelop skin. glass. Both of them shared with the principle of organic architecture even in the design of high-rise buildings. However, the specific approaches to realize it in high-rise buildings are significantly different. Although they emphasized the integration of building form and structure, Wright regarded the reinforced concrete structure as an organic form-giver, while Mies introduced the steel skeleton structure only as an efficient and flexible building frame. As primary finishing materials for high-rise buildings, glass was used for functional purpose by Wright, but for visual purpose by Mies.

• Journal of architectural history
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• v.23 no.5
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• pp.37-45
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• 2014

It was identified by the excavation that architecture remains were confirmed buddhist temple consist of ruins of main building of a temple, auditorium site, ruins of stone pagoda, embankment, pedestrian Facilities and drainage etc. in the Gwangmyeong-dong site. The site has been held temple arrangement with 1 main building of a temple, twin Pagodas from the Unified Silla period to Goryeo dynasty. The temple constructed after that was destroyed the architecture in the Unified Silla period. It seems that aristocrat or royalty power of within group of the nearby remains of city which was constructed in the Unified Silla period build and visit the temple. Considering there are excavations, it assumes that the temple had been constructed during the last days of the Unified Silla, was closed up during the mid-Goryeo Dynasty.

• Journal of the Korean association of regional geographers
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• v.21 no.4
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• pp.691-703
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• 2015

The purpose of this study is to examine the various concepts related to tall buildings, the history of skyscrapers, and their symbolism of our time. First, skyscraper is a word used to describe a very tall building, and the "tall" is a relative concept dependent on time and place. There is no firm height cutoff of skyscrapers, and their practical meaning depends on both time and place. Second, there is academic disagreement over which building should be considered the first skyscraper. Skyscrapers in the modern sense began to emerge in the late nineteenth century. From this point, the world's tallest building was always in the United States (especially, New York and Chicago). However, since the late 1990s, the skyscrapers in Asian countries have taken the title of world's tallest building. Third, skyscrapers are not simply tall buildings, but symbolic images. They are symbols of capitalism, finance, and ambition. The symbolism of the skyscraper has three dimensions, such as the symbolism of height (size), capital (corporate power), and landscape.