• Korean journal of communication and information
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• v.54
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• pp.76-97
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• 2011

What are the meanings of abduction as a methodology of Cultural Studies? By contextualizing Charles Sanders Peirce's logic of abduction in the discipline of Cultural Studies, I explore the epistemological discussion on the modern scientific research methodology of social sciences. Abduction is a kind of logical inference, which is often associated with guessing or intuition. Peirce's method of abduction and Cultural Studies' contextual formation in effect address an alternative methodology to positivism. Criticizing the modern Eurocentric structure of knowledge construction, I suggest that the virtue of abduction, as a logic of discovery, should be re-discovered in the context of Cultural Studies. Abduction holds important lessons for Cultural Studies as well as social sciences in general because of its focus on intuition, empathy, and intellectual collaboration. Through its elaboration of the logic of abduction, Cultural Studies is able to maintain not only its epistemological ground but also its methodological communicability.

• Proceedings of the Korea Water Resources Association Conference
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• 2010.05a
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• pp.430-434
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• 2010

OECD등 국제기구와 현재 국회에 계류 중인 물 관리기본법 제정(안)등에서 물 이용자에 대한 수익자 부담 원칙을 요구하고 있어, 농업용수의 대부분을 관리하고 있는 한국농어촌공사 관리지역의 농업용수 이용료(구 조합비) 면제에 대한 문제점이 제기되고 일부 전문가들 사이에서도 농업용수 이용료 부과의 필요성이 지속적으로 제기되고 있는 실정이다. 이러한 시점에서 과거 농업용수 이용료(구 조합비) 부과 및 면제의 역사를 살펴보고, 농업용수 및 농업 농촌의 특성을 고려한 농업용수 이용에 따른 수익자 부담원칙에 대하여 검토하였다. 농업용수 이용료는 1908년 수리조합이 시작된 이후 1999년까지 조합비 형태로 부과하다가 2000년 농업용 수관련 3개 기관이 공사로 통합하면서 면제가 되었고, 지난 10년 동안 외부(OECD 등)의 요구뿐만 아니라 내부적으로도 농업용수관리 비용증가로 인한 이용료 부과가 필요하다는 주장이 제기되었다. 한편 이용료 부과시 농업인 경제적 부담증가, 농업용수관리 정책의 혼선, 농업인 반발로 인한 사회문제화, 이용료 징수의 실효성 및 실익성에 대한 문제가 발생될 수 있다. 따라서 농업용수이용에 대하여 단순히 수익자 부담원칙 준수를 요구만 할 것이 아니라 면제에 대한 역사적, 사회경제적인 배경과 농업 농촌의 특성을 이해하고 국내외적으로 대두되는 수익자 부담원칙에 대하여 어떻게 합리적인 방법과 사회적인 합의를 이끌어 낼 것인가 장기적인 연구와 검토가 필요하다. 또한 비용부담측면만이 아니라 농업인의 물 관리 참여(PIM, Participatory Irrigation Management)등을 통한 수익자부담 원칙 달성 및 비용절감을 유도할 수 있는 제 3의 방안을 찾아야 한다.

• Korea Science and Art Forum
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• v.19
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• pp.243-257
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• 2015

The Cultural Heritage Administration has selected Seoul Fortress Wall as the representative heritage of Korea to be applied for being registered as UNESCO World Heritage and announced the plan to restore and organize it, which has increased the interest to the Seoul Fortress Wall, the Historical Site No. 10. The great work to make the heritage value of Walls, 4 Big Gates and 4 Small Gates composing the Seoul Fortress wall with the length of 18.627 km to be recognized worldwide has limits if it is focused only on the physical restoration. It is because the Seoul Fortress Wall represents the long historical and cultural value as the space of life which connects closely the capital city and its vicinity. We need the plan to discover and utilize historical and cultural contents of Seoul Fortress Wall and its vicinity. Especially, Gwangheemun, which is one of the four Small Gates of Seoul Fortress Wall, is a precious cultural heritage which represents the transition of fortification technology of Chosun period as the space representing ordinary people. However, now Gwangheemun and its vicinity does not stand out the charm because of passive accessibility, landscape falling behind and absence of program. This made the lack of domestic and overseas tourists and the convenient space and various contents. This reality is because the value of space has been considered simply as a cultural heritage without considering the traditional, historical and cultural specificity. Therefore, this study is aimed to find the meaning and value of Gwangheemun by discovering its own latent intangible cultural, historical and artistic resource, and to find the way to connect with Gwangheemun, the existing tangible traditional architectural space and the way of vitalizing Gwangheemun as a new space.

• (The)Study of the Eastern Classic
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• no.69
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• pp.179-204
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• 2017

Hojil(虎叱) and Yangbanjeon(兩班傳) reveal the characteristic styles of Park Jiwon(朴趾源)'s writing, which is combining styles of unofficial history/biography(外傳) and allegory(寓言), and full of the senses of satire and humour which form another characteristc of his writing style or tone. This paper reexamines narrative styles, meaning structures and themes of these two works which combine the styles of unofficial history/biography and allegory, and researches methods and techniques of allegory and satire which presents the subversive and critical themes and thoughts of the author. In Hojil, combining of the two styles, the author constructs the narrative world and plot, manipulates allegoric figures to symbolize and present multilayered meaning, and criticize the decadence of confucian aristocracy [Sadaebu: 士大夫] and it's abuses. In Yangbanjeon by combining of two styles, the author weave a biography of Yangban(兩班) in general, which presents the attributes and historical position of the Yangban class. And by the nonsensical fictional event which caricatures crisis of the Yangban class, and tedious description of the manners and behaviors of the Yangban, the author and satires the snobbery of the Yangban and the absurdity of their classical privileges. As he did in Hojil, the author urges the self-examination of the reader raising a question about the position and the function or duty of the Yangban class in the changing world. And the various skills of satire together with the irony, paradox, parody and pun were used dexterously in above two works.

• Pallet News
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• s.53
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• pp.24-29
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• 2009

물자의 흐름에 있어서 빠르고 합리적인 방법으로 운반되어지는 가장 중요한 운송기기 수단은 파렛트로 이용되어지고 있다. 물류라는 통칭에서 파렛트는 작은 운송기기에 불과할지 모르지만 그 쓰임새와 역할은 물류의 기본 틀에 자리 잡고 있다. 한국의 파렛트 역사와 전반적 시장을 분석하여 본다.

• (The) Research of the performance art and culture
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• no.35
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• pp.373-404
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• 2017

As an art, Korean dance is a history, a tradition, and a continuing activity of consciousness. It is a present and future activity in the past that will continue the identity of Korean people. So storytelling is not just a description of the historical background, but of eternity that is being recreated. From this study, the inquiry of artistic beauty of Korean traditional dance is questioning the original essence and value of 'storytelling' through old tradition and historical art. If the study of the Korean dance among them was a study of the theorists for the aesthetic essence or the ideological system, the point of view of the storytelling of the Korean dance is that the public understanding about the core structure and reason of Korean dance and the study of the humanistic value It reminded me of a desperate attitude. The meaning of this study is to verify the usefulness of storytelling as a way to construct various contents of Korean dance in conceptual definition of storytelling. In the symbolic meaning of Korean dance, Cheoyongmu text formed the deep meaning network of the original art beyond the linguistic narrative structure and suggested the importance of storytelling development as DB of original contents.

• Communications of Mathematical Education
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• v.13 no.1
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• pp.19-38
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• 2002

알고리즘이란 ‘유한한 단계를 거쳐 일련의 문제를 해결하기 위한 명확하고 체계적인 방법’ 으로써 수량에 관련된 문제를 보다 신속 ${\cdot}$ 정확하게 처리하기 위하여 역사적으로 다양한 알고리즘이 존재 ${\cdot}$ 변천해 왔다. 계산기가 발명되기 전까지는 지필 알고리즘이 매우 강조되어 왔으나 계산기가 상용화되면서 지필알고리즘에 대한 효용성과 활용도가 점차 줄어들고 있으나 지필 알고리즘은 수학학습의 기초 ${\cdot}$ 기본인 동시에 뼈대로써 그 가치와 역할은 여전히 중요하다. 그러나 표준화된 지필 알고리즘에 대한 지나친 강조로 인해 학생들은 대수적 구조나 계산 원리를 바르게 이해하지 못한 채 반복 연습을 통해 익힌 표준 알고리즘을 기계적으로 적용하여 답을 구하는 경우가 많으며, 이로 인해 학생들은 수학학습에 대한 불안감과 기피현상이 보이고 있다. 또 인간의 창조적 사고활동의 최종적인 산물인 표준 알고리즘은 대안적인 알고리즘에 비해 효율성에서 앞서지만 학생들의 사고 수준에서는 그 원리를 이해하기 힘든 경우가 있을 것이다. 따라서 수학교육의 목적 중의 하나인 문제 해결력을 기르기 위해, 그리고 표준 알고리즘의 가치와 효율성을 인식시키고, 수학학습에 대한 불안감을 줄이기 위해 표준 알고리즘뿐만 아니라 대안적인 알고리즘을 병행하여 지도할 필요가 있다.

• KSCE Journal of Civil and Environmental Engineering Research
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• v.37 no.3
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• pp.629-636
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• 2017

Urban railway are the most widely used means of transportation in the metropolitan area. It is difficult to draw out problems through the quantitative analysis technique because most of the research results show that most of the guide signs are installed with many or few guide signs. In this study, we propose a method to evaluate the information load and proper installation location at the main decision point in the transfer passageway for Suseo Station by applying Positive Guidance. As a result of analyzing the information load using this technique, it is suggested that the necessary information should be provided centered on the copper node because it provides confusion of the users by providing the same information in the transfer line. It is necessary to obtain guidance on how to remove the sign (advertising, high ceilings, etc). The study will be regarded as a key for the basis and placement of the guidelines for determining the appropriateness of the in the future urban railway station sign guide.

• The Journal of the Korea Contents Association
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• v.10 no.2
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• pp.155-164
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• 2010

This dissertation is considered a historic generation that Chinese film $6^{th}$ director remembers through their life. Also it is figured out historic anguish and hurt how it was remembered and appeared in film. They have made actual films through their efforts which are different from the conventional generation. In addition, between memory and oblivion the time's signification in the history is showed how what way can be represented. It was presented the time's anguish through memory's metaphor in Chinese film $6^{th}$ works. Also, it was shown the existence's reality from dream was losing as memory was hiding between desire and despair. Additionally, the self of daily was expressed to unconcernedly accept reality, and its against the unchangeable world's eye and memory. The $6^{th}'s$ films' desire was expressed passive appearance to accept reality with losing dream in these three things; cannot be reality in the process to figure out own natural character, and appearance to keep traditional character, finally gradually changing reality. When $6^{th}$ directors analysis the history as memory, social repression follows family's repression, family's repression brings personal repression, and then repression changes to desire, finally the life as a reaction could be maintained. In conclusion, personal desire was covered for fantasy, and the overcoming figure was represented. Moreover, Chinese face that $6^{th}$ directors have memorized was presented through these sentiments.

• Journal of the Korean Applied Science and Technology
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• v.16 no.1
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• pp.1-14
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• 1999

계면활성제는 수용액에서 미셀을 형성함에 있어서 자기확산이 분자 운동과 상변화에 대하여 자세한 정보를 제공하고 공업적으로 응용할 수 있는 기술이 점차 증가하고 있다. 계면활성제가 미셀을 형성함에 있어 자기확산 정도는 화학구조의 변화성과 상호 결합 및 회합현상에 매우 민감한 것은 사실이다. 특히 계면활성제 용액의 넓은 범위의 분자 시스템과 콜로이드 상태의 변화성은 다향한 물리, 화학적 성질에 기여됨이 많다. 더욱이 미셀 형성에서 자기확산 계수는 분자 치환에 직간접적으로 상호관계가 있어 NMR 분광학에서 스핀 이완속도의 해석과 분자의 재배열, 스핀 이완에 대한 모델선정 등에 많은 관심을 갖는다. 그중 미셀형성에 있어서 자기확산에 대한 측정 방법중 가장 많이 이용되고 있는 Fourier Transform Pulsed Gradient Spin Echo(FT-PGSE) 측정법은 계면활성제의 미셀형성에 대한 상변화성 및 물리, 화학적 성질을 다루는데 새로운 도구로 제공되고 있다. 이는 이 계통의 기술적 측정방법에 있어서 적절한 개선과 새로운 응용분야를 확장하는데 있어서 많은 가능성을 갖고있다. 그리하여 이들에 대한 역사적 배경과 기초적인 이론을 가지고 미셀 형성에 있어 자기확산에 대한 개념을 말하고 그에 대한 응용성을 계통적으로 설명하고자 한다.