• 주택과사람들
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• s.199
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• pp.22-22
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• 2006

피카소 이후 대중에게 가장 사랑 받아온 현대 미술가 앤디 워홀(Andy Warhol). 액자를 에워싼 엄숙주의를 조롱하며 경쾌한 팝 아트를 선사했던 그가 돌아왔다. 인사동 쌈지길에서 2007년 1월 25일까지 펼쳐지는 전은 1987년 세상을 떠난 워홀과 21세기의 새로운 워홀을 위한 무지갯빛 헌사다.

• Journal of the Korean housing association
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• v.17 no.1
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• pp.29-36
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• 2006

Welwyn Garden City benefits from the greater design cohesion and management of development which gave it a more distinctive 'brand image' almost from the outset than its older garden city(Letchworth, Hampstead). Its planner, Louis de Soissons, brought a more obvious sense of traditional formal urbanism to the design of the second garden city. This was rather different to the distinctive but rather more informal arts and crafts approach of Raymond Unwin. Here it attempts to analyze how they greatly and firmly established the concept of Housing Group in the residential design, and what similar elements between Unwin and de Soissons in the New Town planning. It is pointed out that the Housing Group theory is composed of recognizing urban life as totality, and group planning theory, and that they definitely originated a new technique in the residential area. It is analyzed that the syntactic relations between the group planning theory and enclosed housing cluster designs in the English garden city are epitomized in Welwyn Garden City.