• 한국컴퓨터정보학회논문지
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• 제28권4호
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• pp.151-163
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• 2023

본 연구는 친환경 소비에 대한 MZ세대의 인식과 친환경 기념품에 대한 선호도를 알아보고자 하였다. 업사이클링 제품을 구매하는 이유로는 디자인, 가격, 차별성, 환경보호 등의 순으로 나타나 디자인이 제품 구매에 가장 큰 영향을 미침을 알 수 있다. 업사이클링 기념품 구매 시에도 디자인을 가장 많이 고려하였다. 환경문제에서는 환경오염의 심각성을 가장 크게 인식하고 있었으며, 패션제품의 재활용이 필요하다고 생각하였다. 친환경적인 패션제품 구매행동에서는 유행하는 옷보다 오래 입을 수 있는 옷을 선택하는 경우가 가장 많았다. 환경이나 친환경상품에 대한 관심이 있을 때 업사이클링 제품에 대한 구매가 이루어지는 것으로 나타났다. 또, 업사이클링 제품 구매 경험이 있을 경우 친환경 패션상품과 패션제품 재활용에 대한 인식이 높고 관심이 많은 것으로 나타났다. 환경문제에 대한 관심과 업사이클링 기념품에 대한 인식은 남성보다 여성이 높았다. 추후 연구에서는 업사이클링 제품, 환경문제, 소비자행동, 업사이클링 기념품 간의 상관성에 관한 연구를 진행해볼 필요가 있을 것으로 생각된다.

• 한국의류산업학회지
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• 제16권1호
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• pp.111-117
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• 2014

This study investigated the perception of upcycling for sensitive university students in regards to fashion trends. It was conducted through questionnaires delivered to male and female college students who majored in clothing related subjects from June 2012 to June 2013 in Gwangju. The contents for this research are general details, seriousness of environmental resources, awareness of upcycle, and purchasing intention for upcycling products. Most of the respondents said that recycling of resources is absolutely necessary due to the impact of environmental pollution and the consumption of resources. On the contrary, the experience of the respondents which purchased recycling products was low. The awareness of also was low, upcycling, internal upcycling brands and internal consumption groups, however, the decisions for subsequent purchases were positive. The reasons for the unsatisfactory of upcycling of products were due to quality and price. The reaction for many upcycle goods had the best question response rate in daily supplies part; subsequently, this study suggested 3 items, apparel products, fashion accessories, and daily supplies. In addition, a group which contains people who expend more for clothing had a lower awareness of upcycle and purchasing intention than other groups that contained some people who expend less. The results of the study can be used in data that recognize the necessary of upcycle education for university students, and develop educational programs. It can also encourage the purchase of upcycle products that reduce the consumption of resources.

• 한국가정과교육학회지
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• 제32권1호
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• pp.1-14
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• 2020

본 연구는 업사이클링 DIY 의생활소품 키트의 개발에 목적을 둔다. 이를 위해 본 연구에서는 기존의 디자인프로세스 관련 연구를 참고하여 사전조사 및 분석, DIY 의생활소품 키트의 제작 방향 설정, DIY 의생활소품 키트의 완성, DIY 의생활소품제작 실행 및 평가의 네 단계를 설계하였다. DIY 의생활소품 제작 실행 및 평가 단계에서는 본 연구를 통해 개발된 완성품인 파우치, 갑티슈 케이스, 필통 DIY 키트 중 지퍼를 다는 과정이 포함된 파우치 만들기를 선정하여, 실제 제작참여자인 서울소재의 고등학교 1학년 학생 4명과 성인 여성 4명을 대상으로 실행하고 평가하도록 하였다. 그 결과, 파우치 만들기는 1시간 이내로 완수할 수 있었고, 중상 정도의 난이도를 가지며, 제작방법 동영상의 배속 조정이나 광고판의 소재의 개선이 된다면 기존의 업사이클링 교육에서 활용되던 소재보다 생소한 지하철 광고판을 활용한 업사이클링을 통해 환경의식이 개선될 수 있음을 확인하였다. 본 연구의 결과로 개발된 지하철 광고판을 활용해 만든 DIY 키트는 중·고등학생의 친환경적 의생활 노작교육은 물론 힐링을 위한 환경친화적 성인 취미생활의 자료를 마련할 수 있으며, DIY 키트의 대량생산을 통해 상품으로도 개발이 가능하고 이러한 상품은 환경의식 개선과 함께 경제적 이익 창출에도 기여할 수 있을 것이다.

• 한국의상디자인학회지
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• 제21권4호
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• pp.153-163
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• 2019

This study is designed to present a direction for the development of an up-cycling design applied with Hangeul calligraphy on outdated clothing materials, and recreating them as eco-friendly high value-added cultural products. The results of this study are as follows. First, Hangeul calligraphy enhances creativity and scarcity by expressing an unformatted analog sensibility in the digital era and further emphasizes the differentiated high value-added aspect of the products. Second, the characteristics of the up-cycling design products represent eco-friendliness, handcrafting, non-fabrication, originality, scarcity, storytelling, and customization. Third, the author made 11 up-cycling cultural products using Hangeul calligraphy, applying it to discarded jeans and pieces of cloth. Fourth, the phases of making cultural products are divided into planning and production. In the planning phase, items and materials are decided upon, design sketches are made, and in the production phase the items go through partial dismantlement, separation, reconstruction, collaboration, and the application of calligraphy printing. Along with the beautiful and lyrical sensibility of Hangul, it was shown that up-cycling using Hangeul calligraphy, which has excellent originality and practicality of design, can be expanded to a variety of cultural products.

• 월간포장계
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• 통권358호
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• pp.65-70
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• 2023

(사)한국패키지디자인협회(회장 강부연)가 '2022 제31회 대한민국패키지디자인대전'의 수상작을 발표했다. 이 공모전은 국내 유일의 포장디자인 공모전으로 대학생부문과 일반부문으로 나뉘어 독창성, 상품의 외관, 기능, 소재, 경제성 등을 심사하여 선정했다. 이번 공모전은 포장디자인 분야 디자이너들의 많은 관심과 호응으로 대학생부문은 10개 대학 177점, 일반부문은 30개 업체 71점이 우수 포장디자인 제품으로 선정되어 포장 디자인의 중요성을 통해 위상을 다시 한 번 드높였다. 출품작들의 주목할 점으로는 친환경 트렌드를 반영한 다수의 제품들이 출품되었다는 것이다. 특히, 코로나19 장기화로 인한 소비패턴과 생활의 변화에 따른 트렌드를 반영한 포장디자인 제품이 대거 출품되어 이목을 끌었다. 올해 '대상'은 서울우유협동조합 골든저지밀크 제품이 선정되었으며, 이외 은상으로 업사이클링에 포커스를 맞춘, (주)신원인팩/페어플레이파머스 농업회사법인 사과 부산물을 활용한 친환경 사과트레이 [업사이클링 : APPLE CLAM(애플클램), 화이트와 메탈릭 컬러 매치를 통한 고급화 이미지를 극대화시킨 디자인 (주)아워홈 AMORIS Charcutrie 등 우수 포장디자인으로 선정되었다. 본지에서는 공모전 일반부문 본상 수상작들을 통해 패키지디자인의 최신 동향을 살펴보도록 한다.

• 패션비즈니스
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• 제25권5호
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• pp.131-148
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• 2021

Upcycling is a sustainable way to recycle waste resources and solve the global problem of environmental pollution. Upcycling is now attracting attention as fiberization and the disposal of waste clothing have become a serious issue. However, the customer's willingness to purchase upcycled products should be increased by propagating that the product value of a reborn commodity is of high value; these products are meant for new purposes and prepared with recycled materials. In this study, we created 11 designer items by applying an eco-friendly concept in the design process of upcycled textiles and products. From 2020 to 2021, a PBL(Problem Based Learning) curriculum was taught in design planning classes. The final 11 design items were derived after developing an eco-friendly product design for upcycled textiles. These final items were as follows: 5 fashion bags, 3 dog products, 1 clothing, 1 fashion accessory, and 1 sanitary mask design. In order to develop only one aesthetic design idea for upcycling, we considered the following features: user-centered convenience, functionality, and practicality. Then, tie-dye, drawing, patchwork, and embroidery were used to create innovative design items. The product design of recycled materials is based on high functionality, waterproofing, and the use of organic natural materials. The results of this study indicate that the creative product design of upcycling has contributed to a sustainable and eco-friendly environment. Related research studies must be conducted for innovating the continuous design process of the future.

• 한국의상디자인학회지
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• 제25권2호
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• pp.1-16
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• 2023

Due to the current seriousness of environmental pollution and the eco-friendly movement of the fashion industry, research on sustainable fashion design is being actively conducted. In this study, consumer perception of upcycling products, are divided into image, function, and meaning; and image is further divided into shape, color, and material. It was redefined as pattern, and image recognition was evaluated among men and women in their 20s and 30s, and men and women in their 40s and 50s used as subjects. First, factors that determine each image were extracted based on qualitative analysis of the precedent cases of upcycling bags, and quantitative analysis of the subjects was induced through a questionnaire. As a result of the analysis of evaluation items related to image association, the average frequency analysis of all subjects for each stimuli and the cognitive variance of the frequency analysis by generation by gender were found to be similar. However, awareness of some stimuli by generation showed a significant difference. Overall, in the three stimuli with high overall preference, common features, such as the basic box-shaped symmetrical structure, the monochromatic color of the Munsell system, solid and practical texture, and appropriate use of patterns were identified. In addition, it was confirmed that there was a difference with factors such as femininity, simplicity, touch, and splendor in the measurement factors. In conclusion, it is considered that the main significance of this study is that it excluded the recognition and meaning of upcycling products and explored the original design and image elements of products. Therefore, it is expected that this study will be used as a basic data for responding to the gender image of each generation as an alternative method of sustainable fashion design, and it will be an opportunity to expand the scope of the study to a detailed study beyond the biased topic.