• The Science & Technology
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• v.11 no.9 s.112
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• pp.32-35
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• 1978

• The Science & Technology
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• s.497
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• pp.58-60
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• 2010

• 건강소식
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• v.6 no.5 s.43
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• pp.44-46
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• 1982

• Proceedings of the Korean Professional Engineer Association Conference
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• 1994.02a
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• pp.79-81
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• 1994

• Proceedings of the Population Association of Korea Conference
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• 2007.11a
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• pp.113-122
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• 2007

• 건강소식
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• v.36 no.2
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• pp.10-11
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• 2012

효과적인 비만관리를 위해서는 나에게 필요한 양반큼 다양한 음식을 골고루 섭취하는 것이 가장 중요하다. 그러기 위해서는 지방, 탄수화물, 단백질을 골고루 섭취해야 한다.

• 식품문화 한맛한얼
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• v.6 no.2
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• pp.110-158
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• 2013

떡볶이는 현재 한국 사회에서 남녀노소 즐겨먹는 대중적인 음식이며 외국인들도 선호하는 한국 전통음식 중 하나가 되었다. 본 호는 떡볶이에 관한 역사 문화 식품학적 우수성 등의 정보를 수집하여 산업적, 학문적 활용이 가능하도록 체계적으로 분석 정리한 것이다.

• Proceedings of the KGS Conference
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• 2004.11a
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• pp.28-28
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• 2004

• The Journal of the Korea Contents Association
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• v.16 no.5
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• pp.282-289
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• 2016

A term that has been used since ancient times, 'trickster' means 'a person who performs general tricks'. In other words, a trickster is a person who exhibits his or her intrinsic characteristics by using tricks, or who has a special ability to make any situation work well only for him or herself. This thesis looks for basic concepts and features of tricksters in research undertaken into tricksters to date. It also aims to uncover the trickster side of Maltugi in Talchum (a traditional mask dance). A trickster is a person who tricks, but the characteristic itself is unclear and abnormal. A trickster also has borderline, duplicitous or multi-value characteristics, so it is impossible to merely define him or her as 'a person who tricks'. When dealing with a trickster's characteristics, the 'Liminality' element is very important, because he or she is a person who exists in all the borderlines of space, time, society, and language, and assaults the social order via deceit, play, and the fulfillment of greed. Maltugi in Talchum is a man of humble birth, but he is a character who attacks the Yangban (aristocrats) without hesitation. He is a kind of representative of the people who speaks for the commoners' feelings. At a time of the Three Policies' Disorder and frequent external aggressions, the commoners felt a sense of helplessness against the Yangban, who they viewed as immoral. Maltugi laughs at and depreciates the Yangban through the use of puns, and shows a faithful attitude to the present without being afraid of the result caused by his activity. This implies that he has the characteristics of a trickster.

• (The) Research of the performance art and culture
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• no.42
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• pp.291-319
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• 2021

In this paper, I looked for the parts where laughter appeared in the Mundoong, Yangban, Yeongno, and Grandfather and Grandmother of Tongyeong Ogwangdae and Dongrae Yaryu, and investigated the meaning of those parts. Laughter in mask play has made him more tolerant of human injustice and foolishness. I softened the critical content and naturally revealed what I thought should be hidden. Through a short and noisy plot, the opposing forces, the inner conflict of the Mundoong, Yangban, Yeongno, and Grandfather and Grandmother were shown in a realistic and realistic way. The worldview that creates the structure of realism is typically skeptical and ironic, and the worldview that creates the comical structure related to laughter aims for the ultimate emergence of a new order based on unity and harmony. Masking is thought to be a work in the stage of moving from the latter to the former. Therefore, it is judged that laughter in mask play served as an important medium for Korean art thought to have a realist view of the world. This is because various expression methods that induce laughter are working to reveal negativity, reveal the illusion of contemporary values, and naturally expose restraint and taboo suppression. In laughter, there is a path that transforms perception by fusing several elements. There was realism at the end of the pathway to new perception.