• Proceedings of the Korean Institute of Interior Design Conference
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• 2008.05a
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• pp.93-96
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• 2008

The childhood reading and physical environments are an important factor for shaping personality and values established. Therefore, We have to provide a quality environment for correct reading habits to children. the purpose of this study is to provide a basic interior data through the analysis of case study. for this purpose this study has analyzed of 5 children's reading room of public libraries built in Seoul since 2000. especially the research which it analyzed these reading room of forms of space, furniture, color, finish material, lighting. the results of this study are follows : Chairs and desks were not considered of children's scale or uniformly made. compositions of convenient facilities has insufficient component. finish material and lighting plan is similar to adults reading room plan. To give correct reading habits and interest to children, considered space design is necessary.

• Korean Institute of Interior Design Journal
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• no.37
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• pp.29-38
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• 2003

Reyner Banham characterized the Second Machine Age as the age of domestic electronics and synthetic chemistry in opposition to the First. It means technology and science would be popularized in the Second Machine Age. The Second Machine Age began in the mid-50's in which pop culture and SF became popularized. The architects in both Machine Age choose the scientifism as the motive of architectural design. But not all of them approach to the design with the pure theory of science. This study analyses the types of scientifism in architectural design in the 1950's and the 60's based on approaches to technology which might be classified as pragmatic, radical, and pop.

• Korean Institute of Interior Design Journal
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• no.19
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• pp.151-159
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• 1999

종교 공간으로서의 교회 건축물은 각 지역 단체생활의 정신적, 물질적으로 다양한 활동을 공급하고 있는 장소이다. 그러나 오늘날 변화무쌍한 현대 사회의 도심 교회들은 그 참여수가 점차 줄고 있는 젊은 세대들에게 충분한 만족을 주고 있지 못한 실정이다. 대부분의 영국 도심 교회가 변화가 어려운 예배당 공간 하나로, 각기 다른 기능을 요구하는 이용자들에게 다기능 공간을 공급하고 있으며, 과거에 잠재적 기능을 고려하지 않고 디자인된 대부분의 한국 도심교회들도 비슷한 조건의 문제 발생으로, 현 이용자들에게 또 다른 요구사항들과 불편함을 주고 있다. 이것은 이용자가 공간을 사용함으로 즐거움과 감흥을 얻기가 어렵게 구성되어 있음을 보여주고 있다. 오늘날, 젊은이들의 생활 패턴이 바뀌어 가고 있음으로 그 실태는 더욱 심각하게 나타나고 있다. 본 연구는 먼저 도심교회 공간의 전형적인 문제점과, 연령별 이용자 그룹의 우선권을 조사하고, 각기 다른 조건의 종교적 공간 사례 조사를 통해 이용자들 및 공간 디자인의 요구사항을 분석하고 있다. 이어서, 각 공간에 따른 문제 해결 방법을 성공적 공간디자인 사례자료를 토대로 정리한 후, 어떠한 종교적 공간에서도 적용 가능하도록 통합적으로 설정된 디자인목표를 바탕으로, 세가지 다른 방법의 계획서들을 제시하고 있다. 마지막으로, 이용자들의 응답을 통해 계획서를 평가하여, 그것에 근거한 결론적인 종합적 디자인 계획서를 제안하고 있다. 본 연구는 교회가 필요로 하는 기능에 따라 변화가 가능한 예배공간을 활용할 수 있는 디자인을 제시하는 데에 그 목적을 두고 있으며, 기존의 교회건물이 더욱 더 많이 사용자의 요구에 만족할 수 있도록 만들어질 수 있는가에 대한 방향이 제시되고 있다.

• Proceedings of the Korea Society of Design Studies Conference
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• 1998.10a
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• pp.90-91
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• 1998

• Proceedings of the Korea Society of Design Studies Conference
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• 1995.11a
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• pp.70-73
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• 1995

• Korean Institute of Interior Design Journal
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• no.2
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• pp.10-16
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• 1994

The purpose of this study was to present systematic interior design guidelines for the elderly housing environment. As an environmental affordance system, Murth 's user benefit criteria was employed to analyze the items of the interior design guidlines in the 5 selected elderly housing literatures. 646 items were collected from the 5 representative literatures on elderly housing design. As a result of the content anaylysis, a set of comprehensive interior design guidenlines which was systematically synthesized based on the Murtha' s user benefit criteria was presented according to the specific spaces. The behaviroral facilitation and physiological maintenance dimension most frequently mentioned in foreign literature. Perceptual maintenance dimension needed to be developed in the future in elderly housing.

• Korean Institute of Interior Design Journal
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• v.19 no.3
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• pp.46-56
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• 2010

The nature is the foundation of human life and arts, and human beings have found order and principle amid ceaseless change and harmonization of the nature and diversified patterns and directly or indirectly applied the nature to interior through discovered principles. Interior space to which the organic factors of the nature is an expression of the vitality of the nature and expresses live forms as seen in change, development and growth of living organisms in addition to human feelings. The study aims to recognize the necessity of studies on interior space to which organic expressive characteristics of the nature are applied in uniformed space, suggest expressive characteristics and propose needed basic data required at a time of designing interior space. In this regard, the study has examined works by five contemporary designers including Zaha Hadid, Karim Rashid, Fabio Novembre and Nox with an aim to analyze expressive characteristics of interior design and figure expressive characteristics of organic design found in interior space. According to analyses on preceding literary studies and case studies (14 places), it has been found that organic expressive characteristics in interior space include vision, tactile sensation and auditory sense in terms of sensitivity, immateriality in terms of a property of matter, metaphor and abstraction in terms of the form of natural objects and non-linear curves and free curves in organic design. Organic spaces were characterized by symbolism, directionality, continuity, pattern and superimposition. This conclusion is expected to be useful in subsequent studies on the application of organic expressive characteristic factors at a time of planning interior space in the future.

• Science of Emotion and Sensibility
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• v.14 no.4
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• pp.593-604
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• 2011

This study examines potential growth and different perspectives on green-walls, which are being re-evaluated recently. The aim is to identify the viewer preferences concerning the walls by collecting a wide spectrum of information to create an interior design related comprehensive and intellectual database. Also based on this proposition, choosing a green surface of indoor wall as a specific example stimulus, identifying a relationship betweeationsviewer's preference factors. The relationship will formulate detailed and absolute qualities, which will reach potential areas that the green walls can be widely applied in. As a result of a factor analysis, the viewers classified into the 3 factors as is pleasant, gorgeous and rich about the stimulus. Preferred key factors, which are closely related to emotional image language, were; cool, tidy, comfortable and beautiful. The common factors in preferred design stimulus, in order of importance are color>elements>image/form/plants. Specific levels of design factors according to relevance are contrast>furniture> modern>central/creeper foliage plants. In the meantime, this study is leading the process of quantitative measurement of green-walls to a new design direction and it is critical to consistently experimenting to back up the theory with solid evidence.

• Archives of design research
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• v.16 no.1
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• pp.159-168
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• 2003

Modern fashion shop is changed by the changing of fashion style. And as purchasing pattern is changed to consuming pattern which has strong individuality, functions as space which reflet characteristics of products and consumers in order to present sensitive and individual image are also required, besides conventional concept as space which simply focused on sale. Meanwhile, in the 1980's, the fashion presented retro mood modernly by popularization of post-modernism and introduced minimalism that is one of the anti-cultures in the 1960's. Recently minimalistic trends which are expressed by various attempts and a new point of view are introduced to the fashion shop by interior designer. Therefore, in this study, minimalistic characteristics which appear in the composition of interior space of the modern fashion shop are researched by theoretical consideration and analysis of examples and consistent direction of fashion shop is presented.

• Archives of design research
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• v.17 no.2
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• pp.261-268
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• 2004

The Colonial House is one of the most popular styles in America. The purpose of this study is to closely examine this style based on interior features classified by patterns and elements during America's colonial period. Results of this study show that the interior style of the Colonial House was, at first, similar to Europe style. It was then integrated into the Georgian style of England and affected by Palladio as time passed. The interior style of the American Colonial House was based on rationality and practicality in concern with American weather and regions rather than imitation. The side of the roof was clapboard and the windows arranged with symmetry and rules around the entrance hall. It was generally Palladian style and was decorated with classical details. Timber frame of the interior was based on log cabins that appeared early in the American immigration. Furniture styles such as Jacobian, Queen Ann and Chippendale were matched with unique wood-oriented details and folkways like Chest, Rush Chair and Windsor Chair The house was also decorated with pictures, mirrors and ornaments, etc.