• 한국양식학회지
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• 제10권1호
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• pp.17-24
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• 1997

한국산 갯지렁이류 중에서 산업적으로 가장 중요한 청충의 양식기법 개발에 관한 기초자료를 얻기 위하여, 실내에서 인공사육한 청충의 생식과 발생에 관하여 조사한 결과는 다음과 같다. 1. 0.4~2.4 g의 청충을 자연수온 및 $20.0\pm1.0^\{\circ}C$와 $25.0\pm1$의 가온구에서 사육한 결과, 생식형의 체중(Wt)과 산란량(NS)과의 관계는 NS=48635.5897Wt 상(1.3044) (r=0.8572)의 식으로 나타났다. 2. Atokous segment 는 암컷이 23~28(평균24.8$\pm1$), 수컷은 22~29(평균24.6$\pm2$)개로 같았고, 체색에 의한 암수의 차이는 없었다. 3. 수정란의 난경은 $220\mu m$으로, 수정 21.0~$23.0^{\circ}C$에서 수정후 56시간 만에 부화하였다.

• 한국양식학회지
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• 제1권1호
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• pp.25-39
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• 1988

사육 조건하에서 넙치는 사육 수온이 $12^{\circ}C$에서 $14\~15^{\circ}C$로 상승하고 광선 주기가 10L/14D에서 14L/10D로 되는 시기에 성숙하여 산란하였다. 사육 환경하에서 사육된 어미의 산란 기간중 전반기에 산란된 수정란이 후반의 것에 비하여 양질의 알로서 종묘의 대량 생산시에는 전반의 수정란을 활용하는 것이 바람직하다.

• 한국실내디자인학회논문집
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• 제34호
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• pp.69-77
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• 2002

The purpose of this study is to recognize the living space and life pattern transition which is expressed in the modernization course with the analysis of the Jeju rural houses. For this study, I choose 72 residences examples in 8 villages as the subjects which are changed by the spontaneous purpose of the inhabitants who live in Jeju area were chosen as the subjects. As for the research method, after visiting the subject residence directly, and the field study such as the actual estimation, observation and interview were performed.The conclusion of the study with these purpose are as follows. First, The opened spatial composition of the sitting-inclination is composed of the form which has the individual opened room and living room with the mechanism to grant the flexibility to the limited space and the structure for enduring the much-humid oceanic climate. Second, The life pattern shows the sitting life which usually uses the an-bang and living room with the seasonal change.

• 한국실내디자인학회논문집
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• 제25호
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• pp.205-212
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• 2000

The purpose of this study was to analyze the form of composition and principle of reduction in architectural composition. Theorical category is to find reduction system with the connection between idea of society and tradition in compositional frame. The results were as follows : First, it is appeared the mimesis of style. The mimesis of style is differentiated characteristics between Greek Style or Roman Style and Gothic Revival or Renaissance Revival. Second, it is the reduction of primitive of form. It si divided with mimesis of nature and reduction of primitive hut. Like Laugier the former find the architectural prototype, the latter is convinced of simplicity, purity of nature with us.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.270-277
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• 2007

Postmodern designers freely used historical motifs as symbolic expressions or ornamentations. Historical references often became a key to express their ideal against modern standardization. Among the historical references, Art Deco style was frequently appreciated by postmodern furniture designers from the 1960s throughout postmodern era. This study is Intended to explore the way of incorporating Art Deco in postmodern furniture design. Rational Italian designers in Anti-design Movement began to adapt historical motifs and Pop, and this spread out throughout to other Postmodern designers. The research explored how Art Deco and postmodern design are related and what the examples of Art Deco revival in the postmodern era we. In this sense the research mainly covered from the exhibition catalogs from the 1960s to 1990s. As a result of stylistic, symbolic, methodological analysis, Art Deco revival in postmodern era was an essential method to express anti-modern characteristics of postmodernism. In postmodern design, Art Deco was one of historical styles that surpass the limitation o( modernism, at the same time decorative style that express the postmodern ideal.

• 한국실내디자인학회논문집
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• 제2호
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• pp.46-53
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• 1994

The Soubise Mansin which construction ended in the latter half of 1730s has several rooms which symbolize Rococo which appeared in the 18 century. The work of the Soubis Mansion done by an architect, Boffrand , is a significant work in which he had introduced a new style of building , Rococo, based on a style of Regency, thereby showing a big leaf in that kind of art. In other words, with the elements already established in the days of Regency-white wood panel, gold molding, mirror technique, etc. -and the characteristics of unprecedent, outstanding spatial forms and Rococo decoration introduced. Rococo had enjoyed its peak of full flourish within the moderation of being never excessively magnificent, beautiful, and dignified. It is a remarkable thing that a model of such perfect ideal beauty was suggested even in the begining state of Rococo and it is deemed that such a point resulted in such influence on other places like the Versalilles Palace, etc.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2006년도 추계학술발표대회 논문집
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• pp.86-90
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• 2006

Through this study, I conducted surveys on apartments with western style furniture to investigate perception on the western style furniture and its use. For the subject of survey, I selected three apartment complexes at Suji-gu, Yongin city which has been recently developed as a new town. Out of total 150 copies of survey sheets 142 fully answered copies were adopted as a final analysis data. Considering supply rate and application, sofa and chair of dining table were chosen to refer as western style furniture. As a result, most of the respondents had inconvenience in using western style furniture. Further study on side effects of adopting western style furniture should be followed.

• 한국실내디자인학회논문집
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• 제13호
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• pp.50-59
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• 1997

The purpose of this study is to arrange the modification and the changes of modern fniture in Korea. The results of this study are as follows: 1) The style of traditional furniture was influenced by changes in class structure and social system, an increase in Honsu norms in terms of both quantity and quality, family, marrige, housing patterns, and behavioral patterns etc. 2) Modern furniture in Korea devided into two groups, one was traditiional group of innovative function and scale, the other was electing group of Japanase or Western style. 3) Due to the Honsu norms, Wedding furniture items became more various in kind. Jangrong has been an essential Wedding furniture items since moderv.

• 한국실내디자인학회논문집
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• 제14권6호
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• pp.185-192
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• 2005

The Tabernacle was Personally designed by God and was ordered from God to Moses to build it as the first Piece of church architecture that accurately showed God's love and will of salvation towards humankind. Tabernacles, through the architecture of tabernacles teaches the Lord being among us. His Holiness and man's sins, and also reflects the path of eternity as well as the good news and salvation through Jesus Christ. And the Tabernacle is talking of the Glory of New Jerusalem that is provided Kingdom of Heaven for us at the same time being a completion of a final and ultimate church constructed long predicted through the Bible being already designed by God. The external expression of modern architecture may follow the uniqueness of that age but the special quality of the interior and exterior symbolism of church architecture will have to consist the standards of God for He is the first, sincere designer.

• 한국대기환경학회:학술대회논문집
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• 한국대기환경학회 1999년도 추계학술대회 논문집
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• pp.374-375
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• 1999

오늘날 경제적 생활 환경의 개선으로 인하여 현대인의 생활에 많은 변화를 가져오고 있다. 제한된 공간에서 인간 활동은 지하생활공간이라는 새로운 활동영역을 창출하였고, 이에 따라 실내에서의 거주 시간은 더욱 증가하고 있다. 지하생활공간이라는 용어가 일반인들에게는 다소 생소하게 받아들여질 수 있지만 여기서 말하는 지하생활공간이라 함은 불특정 다수인이 이용하는 지하철, 지하상가, 지하주차장, 지하 보ㆍ차도, 지하터널 등을 말하며 개인의 생활 양식에 따라 단시간 이용하거나 또는 생활터전으로 장시간 거주할 수 있는 공간이라고 할 수 있다.(중략)