• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2005년도 추계학술발표대회 논문집
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• pp.139-142
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• 2005

The design of the period after 20th century has rapid change. It is due to the improvement and the change of technology which is composed of the parameter that is the science and the machine after the Industrial Revolution. The technology becomes the criteria of the value and appears to the symbol of the period. The purpose of this study is to define the expression characteristics by the development of technology and to examine how specificly it makes the influence on the change of Interior expression characteristics. Interior design can be expressed more creative and 4th dimensional spaces by the development of technology from the space, form and material side

• 디자인학연구
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• 제18권3호
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• pp.171-180
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• 2005

본 연구의 목적은 21세기 디자인의 이슈인 인간중심의 디자인, 디지털리즘, 친환경디자인, 문화지향디자인에 부합하는 디자인의 방향성을 실내디자인에서 모색하고자 하는데 있다. 이러한 목적에 접근하는 방법으로써 먼저, 경계형태의 이론적 고찰을 통하여 공간에서 나타나는 경계구조 형태를 이해한다. 그리고 조형예술 및 타 장르에서 표현된 키네티시즘 특성을 조사하여 공간을 구성하는 인자로서의 경계 형태에 도입된 키네티시즘적 표현특성을 도출하고자 한다. 이러한 연구의 진행과정으로써 제 1장에서는 연구의 배경과 목적 및 방법을 설명하고, 제 2장에서는 공간의 경계형태 구조와 키네틱 아트의 전개 및 표현 특성을 살펴본다. 제 3장에서는 현대 건축공간의 동적 표현 양성을 실제적 움직임, 상대적 움직임, 연상적 움직임으로 나누어 고찰하고, 제 4장에서는 3장에서 언급한 세 가지 타입의 움직임 특성이 표현된 현대 공간사례를 조사하여 어떠한 경계구조에 도입되는지를 분석한다. 마지막으로 제 5장에서는 위와 같은 분석을 통해 나타난 결과로서 경계형태에 도입된 키네티시즘의 표현 특성을 도출하여 미래 실내디자인의 방향성을 제시한다.

• 한국실내디자인학회논문집
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• 제34호
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• pp.45-52
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• 2002

It is noted that the expressionistic feature appears as one of characteristic phenomena for representing the regional culture and economic level. In architecture, it seems to be difficult to define the expressionism in a concrete way because of lots of meanings the word originally has. In this study, the expressionistic feature is defined as a mode which impresses the users emotionally with strength or as a touching and stimulating one, contrary to the designing conception which pursues only the rationality and the functionality. These features can be expressed as designing methods such as organic form, adoption of natural design factor, decisive opening of space or its extreme closing, contrast of mutually opposite components, or application of basic design components.These methods described above are largely categorized into spatial form, openness, scale and design component and also are studied for each example within the scope of these categories. This study has significance in conceptualizing this expressionistic tendency and in analyzing some detailed aspects for expression.

• 한국GIS학회:학술대회논문집
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• 한국GIS학회 2010년도 춘계학술대회
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• pp.303-305
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• 2010

실내공간의 특성을 고려하여 u-GIS 서비스를 제공하기 위해서는 그에 맞는 적절한 모델과 질의처리 방법이 필요하다. 프리즘 모델은 실내공간을 표현하기 위한 3차원 기하 모델이며, 이에 대한 질의처리 방법이 제안된 바 있다. 하지만 이에 대한 실험적 근거가 부족하므로, 본 논문에서는 프리즘 모델의 질의 처리 방법을 적용한 시스템과 B-Rep 기반의 3차원 공간 DBMS 시스템간의 연산 수행을 비교 실험하였다. 그 결과 프리즘 모델 기반의 질의처리 방법이 B-Rep 기반의 공간 DBMS 보다 질의 처리 성능이 우수한 것으로 검증되었다.

• 대한공간정보학회지
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• 제20권2호
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• pp.23-29
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• 2012

일반적인 실내 보행자 대피모형 및 대피시뮬레이터는 보행자 특성(예, 이동속도, 방향, 기동성, 성별, 나이, 몸무게, 신체사이즈 등)을 고려하여 개개인이 출구까지 대피할 때의 최단거리나 최소시간, 즉, 국지적(local)인 해를 구한다. 따라서 이러한 모델을 이용해서는 대상 공간 전체(예, 건물 전체)의 재실자들이 모두 대피한다고 할 때, 전체 대피시간을 줄이는 전역적인 최적해를 얻기 힘들다. 본 연구는 건물내의 전체 인원분포를 고려하여 건물 내 재실자들의 총 대피시간을 최소화할 수 있는 전역적인 실내 보행자 최적 대피모형을 제시하고자 한다. 총 대피시간을 줄이는 전역적인 최적해는 다항식으로 찾기 힘든 문제로, 본 연구에서는 메타 휴리스틱기법 중 유전자 알고리즘을 이용하였다. 다양한 분포 상황을 염색체로 표현하고 해를 반복적 필터링하여 최적에 가까운 대피경로 및 대피시간을 산출하였다. 설계된 알고리즘을 표현하고 실험하기 위해서 CA(cellular automata) 기반의 대피 시뮬레이터를 이용하였으며, 다양한 실내 인원분포에 적용하여 그 결과를 제시하였다.

• 한국실내디자인학회논문집
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• 제17권2호
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• pp.3-12
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• 2008

Most of these cultural spaces are Western architecture which is completely unrelated to our traditional style. In Japan's colonial rule of Korea these Western formation flowed in and passed on by them. Therefore before the understanding of modem cultural space built in Japan's colonial rule of Korea, it's essential to study about the background of the western period in that time, architecture and trend of interior. Due to Great Depression and other reasons the economical modernism of architecture raised in this period. In this thesis, based on such background of period, cultural space has been divided into assembly, theatre and exhibition spaces. Those spaces were studied according to its expressional characteristics and brought to following conclusion from the analysis. The cultural spaces were created around 1930 due to an increase of demand when the modernism started to establish. Like other buildings cultural space expressed modernized elevation and space formation with ferroconcrete building. However until Japan's colonial period the cultural areas were not used for public but for Japanese authority class's social gatherings only. Consequently, unlike other buildings the classical elements that could express these characters were more used in cultural spaces especially in theater and exhibition areas. This distinctiveness didn't appear separately but according to type of rooms in one space. Once more, place like assembly space was expressed with modernism, special or recreation rooms where people pursue a comfort were expressed with decorative style. Also a special theater which was used for only one person was generally expressed with western style to represent the stem character such as power.

• 한국실내디자인학회논문집
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• 제40호
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• pp.18-25
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• 2003

New simplicity means essential concept that is continuous rather than being concept that do not overcome formal, material functional boundary. Consuming masses, decorative reactionism is possible in infinite resource and continuous plenty. Nowaday situation can not forecast the affirmative future bases on economic performance and practicality, so simplicity esthetics which consisted of minimum things is justified. The purpose of this study is to discuss not the formal and functional simplicity but new simplicity to express the essential thoughts and emotional contents of human life.

• 한국실내디자인학회논문집
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• 제16권5호
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• pp.3-12
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• 2007

Modern architecture is very Important part of korean architecture history. Because It's a role in terms of connecting traditional and current architecture and introduction of western architecture. Accordingly, At this meaninglessly going out and leaving of modern architecture, the purpose of this study is systematic researching of the modern Government Office interior. This study to research into the period context at construction of the modern Government Office and tendency of architecture and interior at that time. And understand interior space organization of it. The modern Government Office adopted Neo-Baroque style from tendency of that time. Also, showed composite order which is mixed In the Creek temple, the Renaissance and the classic style representing the power. But, after late 1920 It adopted Modern Style. This characteristic is different from current composit order, which is comprehended by our. In order to understand aesthetic value of current straight interior space, It have to be Interacted the present and past. But It's averted because it was made In the period of Japanese imperialism. Therefore, We should explore history of interior design that is endowed with sociality and historicity between modern and future interior space as well as current.

• 한국실내디자인학회논문집
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• 제15권4호
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• pp.3-11
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• 2006

The vocabulary of modern grand hotels' interior designs reflects western design patterns, showing its nostalgia for modern architecture. And it also contains the trace of past designs implanted by others then, expressing the hardships of Korean history. Like this, the past architectural style distorted under the Japanese imperialistic rule has continued to exist until now without any significant changes, because there has been little effort to figure out the history of modern interior designs. And also there has been the lack of data and aesthetic descriptions about the modern interior designs that contain the historical nature of society. Therefore, this study will review the interior design of modern buildings, which trace back to the fawning of the Korean Interior Design. And it aims to understand the hotel interior's expressive characteristics and historical meanings by paying a particular attention to its lost parts. And it also alms to have a significant meaning in taking the first step toward a clue of the history of Korean modern interiors by systematically putting in order the ever-disappearing materials of modern hotel interiors.

• 한국실내디자인학회논문집
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• 제20호
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• pp.33-39
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• 1999

Nowadays minimalism has influence on Korean Architecture and Interior Architecture at the turning of new generatiov. Minimalism is a plural phenomenon that has developed from Modernism to Contemporary but there is the tendency to define minimalism within Architecture and Art. Also it is a fact that there are many disordered minimal aspects in Architecture. This study is started from accurate understanding the mistakes in the field of Interior Architecture, that are brought by the elapse of time, and analogizing the circumstances of Interior Architecture in the field of Architecture. Especially the purpose of this study is to grasp the relation between the minimal characteristics of Korean traditional Architecture and the stagnancy of Korean Architecture. Under the assumption that the characteristics of minimalism exist in Korean tradition, this study contents the characteristics of minimalism in western modernism to analyze the contemporary Korean Architecture and interior Architecture that the assumption is appled to.