• Journal of Korean Philosophical Society
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• v.147
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• pp.77-116
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• 2018

The purpose of this paper is to elucidate the late Heidegger's thought through commonality and differences with mystical thought. Heidegger embraces poetic and mystical elements in the process of overcoming traditional metaphysics and cognitive discourse and for exploring new meaning of Being. This study of mystical elements in his thought is important to present the uniqueness of the Heidegger's philosophy. This paper will not deal with mystical experiences or religious meanings, but with philosophical mysticism that reveals the fundamental connection between human and Being through thinking of Being itself. Here in connection with traditional mysticism the following topics will be discussed as mystical elements in the later Heidegger's thought: the Abyss of Being(Ab-grund), which go beyond conceptual reasoning and representational thinking(principle of ground); Lighting of Being(Lichtung), in which human and all Beings can be opened, and the Letting-be(Gelassenheit), which is gained not by any human accomplishment.

• 대학교육
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• s.59
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• pp.113-115
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• 1992

• The Science & Technology
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• no.3 s.406
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• pp.88-89
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• 2003

• Sim-seong Yeon-gu
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• v.27 no.1_2
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• pp.78-82
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• 2012

• Journal of the Korean Society of Clothing and Textiles
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• v.23 no.8
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• pp.1206-1217
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• 1999

This study is focused on 'mysticism' in fashion which is recently marked as one of the cultural phenomenon emerging at the end of the century, First of all the concept of 'mysticism' and 'occultism' are reviewed to define the mysticism in fashion. Mysticism as a cultural phenomenon is also examined in historical and social context. With these theoretical basis articles which were publshed in 1990s from Korean newspapers and magazines which reported cultural phenomenon related to mysticism are analyzed and categorized. Finally these categories are applied to fashion phenomenon and 'mysticimsm in fashion' is analyzed and clearly examined as a fashion trend. As a result mysticism in fashion that has arose as an end of the century phenomenon within the historical and social context could be categorized into five groups such as 'primitive religion' ' Christianity ' 'oriental philosophy' 'universe' and 'magic and witchcraft'.

• Digital Contents
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• no.9 s.136
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• pp.36-37
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• 2004

온라인게임 대작들이 하나둘씩 선보이면서 한동안 잠잠한 듯 하던 온라인게임 시장서 일대 격전이 예상된다. 라그하임의 인기감소로 성장세에 의심을 받았던 나코인터랙티브 역시 절치부심, 차기작‘라스트 카오스’를 내놓았다. 3일간의 제한적 서비스로 게이머들을 안달나게 만드는 신비주의 마케팅을 펼치고 있는 나코인터랙티브를 방문해 봤다.

• Proceedings of the Korea Fashion and Costume Design Association Conference
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• 2004.06a
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• pp.73-76
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• 2004

이슬람 신비주의 교단인 메블라나는 독특한 춤 의식을 통해 종교의 영적체험을 경험 한다. 종교적 춤을 출 때에 착용하는 메블라나 복식은 그 하나하나가 형태적인 면에서 뛰어난 조형성을 가짐을 물론 각각의 형태들은 종교적 상징성을 지니고 있어 디자인의 신비감을 더해준다. 본 연구에서는 이러한 메블라나 복식의 종교적 배경과 형태적 특성을 분석하고, 이를 현대 복식의 디자인에 응용하여 보고자 한다.(중략)

• 발명특허
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• v.5 no.11 s.57
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• pp.18-20
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• 1980

코페르니쿠스의 보수적요소를 거부하고 근본적으로 태양중심체계를 바꾸어 놓은 것은 케플러 (Gohannes Kepler, 1571-1630)였다. 그는 튀빙엔에서 신학을 공부했으나 천문학으로 관심을 돌렸다. 그에게 천문학을 가르친 매스틀린(Mastlin)은 지구중심우주체계를 강의했지만 사석에서는 코페르니쿠스가 맞는다고 했다. 그래서 케플러는 이미 학생시절에 열렬한 코페르니쿠스주의자가 되어 있었다. 케플러는 루터파 신교도로서 우주에서 삼위일체를 보았다. 즉 태양은 성교, 별들은 성자, 중간의 공간은 성신이었다. 그는 우주가 살아 있으며 행성들과 지구는 영혼을 가지고 있다고 믿었다. 이것은 아마도 당시에 크게 유행한 루터파 신비주의의 영향인 듯하다. 케플러는 철저한 피타고라스${\cdot}$플라톤주의자였다. 그는 우주가 수학적 조화를 이루고 있고, 신은 위대한 기하학자이며, 인간은 신의 이미지를 따서 만들어졌다고 보았다. 따라서 인간은 수학을 통해 우주를 이해할 수 있다는 생각이었다.

• Journal for History of Mathematics
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• v.18 no.1
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• pp.67-74
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• 2005

The purpose of this paper is to analysis with contents on thoughts and problems of philosophy of mathematics concerning around harmonical types of metaphysics and philosophy of mathematics. Moreover, we were gratefully acknowledged that the questions at issue of metaphysics and philosophy of mathematics are possible only in a philosophical position of mathematics in relation to nature of mathematical ion. These attitudes, important as they are in the study of an individual thinker, also have a pronounced effect on the future relation of mathematics to philosophy. And we can guess that many mathematician's research will have significant meaning in the future.

• Korean Institute of Interior Design Journal
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• no.39
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• pp.3-11
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• 2003

The attempt to find the origin of Post-modern aesthetics from the Middle Ages is easy to perceive the thinking system of contemporary design. The Middle Ages showed that things and God's relation were symbolized all things were connected with analogical ideas as mysticism(alchemy, gnosticism), and God's world was represented with the metaphor. While the hybrid style of Post-modern architecture expressed that the rationalism was opposed to Ideology, partly, the idea of irrational with mysterious, also unscientific with analogical discourse . And the Symbolism of Post-Modern Design is means of popular Communication. Exactly, the common feature of ideology with pre-rationalism and anti-rationalism are against the dominated ideology in present. In conclusion, the relation of significancy effect In Chaos and In composition can be considered inspirational source historically.