• Proceedings of the IEEK Conference
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• 2003.07a
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• pp.85-88
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• 2003

본 논문에서는 FGK 알고리듬을 동영상 압축 표준안에 적용하였을 때 발생되는 문제점들을 해결하기 위한 방법을 제안한다. 먼저, 계산량을 줄이기 위해 트리의 갱신 주기를 가변적으로 적용하고 심벌 당 발생한 가중치를 한번에 처리하기 위하여 FGK 알고리듬을 수정하여 사용한다. 또한, 확률분포가 현재의 영상 시퀀스를 잘 반영할 수 있도록 모집단의 수를 적절하게 유지하는 방법을 제시한다. 제안 방법을 동영상 시퀀스에 적용하였을 경우, 영상의 종류와 비트 율에 따라 다르지만 최대 0.33dB 정도의 PSNR 이득을 얻을 수 있었다.

• Journal of Korea Multimedia Society
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• v.13 no.9
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• pp.1365-1372
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• 2010

Information of video can be percieved as the form of visual rhythm through temporal ordering systems. The shot, the base unit of video analysis, affects audience psychologicaliy with various temporal combination. Here, psychological stress and density of the story can be adjusted by the point of view shot of character. Acordingly the correlation analysis of shot duration and point of view shot can be useful for visual rhythm research. Identity one of the thriller genre works was selected for analyzing. This works produced by Kyle Cooper, a famous person in the opening sequence field. This works produced by Kyle Cooper, a famous person in the opening sequence field.

• Journal of the Korea Society of Computer and Information
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• v.6 no.4
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• pp.21-29
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• 2001

We show that image make converts of multiplex resolution using wavelet transform algorithm. To evaluate the robustness. we have measured comparison or similarity using various sequences which is inserted important coefficient of middle frequency band. The wavelet transform is advantage that it has a special quality of frequency domain and a special quality of spatial domain. Watermark is used pseudo random number, gaussian sequence, chaos sequence and sobel sequence. As result of experiments, it is to certify that The chaos sequence similarity is higher than other sequence. So the chaos sequence will be used for watermark sequence.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2005.11a
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• pp.61-65
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• 2005

비트율 제어 알고리듬의 목적은 ‘비트율 제한조건을 만족하면서 화질을 일정하게 유지하는 것’이다. 그러나 통상적인 비트율 제어 알고리듬에서는 화질을 일정하게 유지시키는 것 보다는 버퍼의 오버플로우 및 언더플로우가 발생하지 않도록 비트를 분배하는 것이 주된 목적으로서 시퀀스가 진행함에 따라 불가피하게 시각적으로 바람직하지 않은 화질의 등락이 발생한다. 본 논문에서는 비트율 제어의 본질적인 목적에 부합하도록 버퍼 제한조건을 만족시키는 범위에서 화질을 가능한 한 일정하게 유지하는 방법을 제시한다. 제안방법에서는 먼저 일반적인CBR(constant bit rate) 알고리듬으로 부호화를 먼저 시작한 후, 일정 크기의 슬라이딩 윈도우 내에서 발생한 시퀀스를 분석하여 다음 단계에서 사용할 양자화 파라미터의 기준값을 결정한다. 마지막 단계에서는 다시 시퀀스의 처음으로 돌아가 얻어진 기준 양자화 파라미터를 사용하여 VBR(variable bir tate)의 부호화를 수행한다. 제안 방법은 실시간의 제한요소가 엄격하지 않은 응용분야에서 유용할 것으로 기대된다.

• Journal of Korea Multimedia Society
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• v.4 no.6
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• pp.554-561
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• 2001

Wavelet transformation method which has special qualities of frequency domain and spatial domain is used for watermarking. We have compared the decree of similarity to find a robust watermarking sequence for different attacks, using random number, gaussian sequence, chaos sequence and sobel sequence. The experimental results show that chaos sequence is an effective sequence for robust watermarking.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2012.07a
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• pp.104-106
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• 2012

본 논문에서는 단일 반송파 MIMO 시스템 기반의 PN 시퀀스를 이용한 반송파 주파수 오차 추정 방법을 제안한다. 제안하는 방법은 송신되는 각각의 PN 시퀀스들의 위상을 회전시켜 전송하여, 일부 PN 시퀀스들이 서로 상쇄되어 버리는 것을 방지한다. 수신한 PN 시퀀스와 수신기에서 자체 생성한 PN 시퀀스의 공액곱셈 연산을 통해 변조를 제거한 뒤, 다수의 자기 상관기를 이용한 ML 알고리듬 계열의 L&R[3]을 이용하여 반송파 주파수 오차를 추정한다. 컴퓨터 모의실험을 통해, 송신 및 수신 안테나가 두 개인 $2{\times}2$ MIMO 시스템에 제안하는 기법을 적용하고 L&R 알고리듬을 이용하여 AWGN (Additive White Gaussian Noise) 채널에서의 분산 성능을 측정하였다. 그 결과 MIMO 시스템에서의 분산 성능이 SISO 시스템에서의 성능과거의 동일함을 보였다.

• Journal of the Korean Institute of Landscape Architecture
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• v.44 no.6
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• pp.120-136
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• 2016

This study, views the color of scenery not as a static state, but rather as a continuous sequence of perceptions that incorporates the concept of time. This study derived techniques to quantitatively analyze the flow and data from this sequence. By utilizing this, urban color trends can be based on openness. This is very close to what would be experienced by an actual viewer: it extracted color data and visual amount from frames at 2-second intervals by shooting a video of the color sequence of the city as seen from both the left and right sides from the inside of the monorail (line 3 of the Daegu urban railway). These images were classified by color group, brightness, chroma, high chroma distribution derived techniques such as openness of space, brightness level, clarity level, high-chroma distribution and code, advantage of visual amount, dominant factor exposure, hot and cold color image and dynamic of sequence rhythm. During the derived sequence, the data determines the openness in the visual amount of sky and it was found that the tendency of the colors of the city was opening regression analysis. The more colorful the city is opening the brightness is lowered, the chroma increased slightly, cold colors significantly increased, which also had a very deep relationship with Lynch enclosed proportion, color change of the city trends through the actual scenery could grasp in more detail.

• Journal of the Korean Institute of Landscape Architecture
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• v.44 no.5
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• pp.12-25
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• 2016

In this study, in order to facilitate analysis in a continuous sequence, including the concept of the landscape experience time, countless frames of a continuous landscape were extracted. The amount of visual elements in each frame was data-converted numerically to take advantage of the quantitative data necessary for landscape planning and design was calculated in the rhythm of the sequence. In Order to shoot video with the flow of the line of sight of experience in landscape districts and landscape control points along the landscape corridor which is a continuous path, each of the corresponding computer motion techniques. This study developed a CRVP Koo computer program to effectively calculate the continuous visual number of specific landscape components by extracting uncounted frames at regular intervals, and after verifying, attempting to apply this to the target site. Through the applied result, it was possible to extract the digitized quantitative rhythm for each component of each landscape, the margin of error is very small when compared with the results of manual in photoshop, it was able to overcome the drawbacks of the manual. Using the rhythm of the derived sequence, and those close to the experience of the landscape, it was possible to achieve quantitative analysis derived from a variety of perspectives as well as was possible to be used as quantitative basis data and analysis technique for landscape planning and design.

• Journal of the Korean Institute of Intelligent Systems
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• v.14 no.2
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• pp.136-141
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• 2004

There has been enormous growth in the amount of commercial and scientific data, such as retail transactions, protein sequences, and web-logs. Such datasets consist of sequence data that have an inherent sequential nature. However, few clustering algorithms consider sequentiality. In this paper, we study how to cluster sequence datasets. We propose a new similarity measure to compute the similarity between two sequences. We also present an efficient method for determining the similarity measure and develop a clustering algorithm. Due to the high computational complexity of hierarchical clustering algorithms for clustering large datasets, a new clustering method is required. Therefore, we propose a new scalable clustering method using sampling and a k-nearest-neighbor method. Using a real dataset and a synthetic dataset, we show that the quality of clusters generated by our proposed approach is better than that of clusters produced by traditional algorithms.

• Journal of the Korea Computer Industry Society
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• v.2 no.8
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• pp.1123-1132
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• 2001

We show that image make converts of multiplex resolution using wavelet transform algorithm. To evaluate the robustness, we have measured comparison of similarity using various sequences which is inserted important coefficient of middle frequency band. The wavelet transform is advantage that it has a special quality of frequency domain and a special quality of spatial domain. As result of experiments, it is to certify that The chaos sequence similarity is higher than other sequence. So the chaos sequence will be used for watermark sequence.