• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.28 no.3
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• pp.1-13
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• 2010

This research is the semantic study on the nature cognition and lyricism of pavilion builders as reflected in the pavilion tablets in the Damyang poetry culture area built during 16th century. The names of pavilions, pavilion writings and "poetry with given theme" were studied by actual site visits. The view on the nature and aesthetic awareness of the pavilion builders at the time were explored together with surrounding landscapes. Following conclusions were drawn. 1. Pavilion names borrowed phrases from the famous historical events left by the sages. Or, they took the compliment on the beautiful nature surrounding orthe academic achievement of pavilion owners as the theme, then elaborated them with thinking based on Sung Confucianism. 2. The writings of pavilion literature were the idealistic view on the nature. They think the nature and human as "object and ego are one, object and ego communicate each other, object and ego become one". 3. The nature in the 16th century was the "principle of birth-death-grow-wither" for the intellectuals. They thought that the nature is the ultimate place to return for the realization of life with self-respect. 4. The introduction of fairy land among literary activities in the pavilion was the symbolic means healing the frustrated ego. It was confirmed that they temporarily entrusted their depressed feelings by borrowing the fairy land, far from the reality. The pavilion was the space to escape from the reality and soothe the anger and discord in the reality. 5. The pavilion literature in the Damyang poetry culture area during 16th century sang their pleasure of enjoying the beautiful scenery in the rural area using their social status. The literary works also contained their agony due to the frustration of difficulty in the realization of ideal. When the intellectuals, who already mastered literature, history and philosophy, came down to rural area, built pavilions at the location with beautiful scenery, and spent time while composing poetry, it was an escape from the burden that they should take the social responsibility as the model intellectuals of the society. The pavilions in Damyang poetry-culture area during 16th century were the idealized conceptual world and the space of awareness reflecting the philosophy and thinking of the time.

• The Korean Publising Journal, Monthly
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• s.216
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• pp.16-17
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• 1997

적막한 시가 자본주의 사회에서 외로운 행보를 계속한다. 올 상반기에 나온 여러권의 시집은 창조와 파괴의 장소, 그 적막한 생명의 원천을 보여준다. 그러기에 지금이야말로 시의 여백의 시대, 아니 시의 르네상스가 도래할 시기인지도 모른다.

• (The)Study of the Eastern Classic
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• no.54
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• pp.183-211
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• 2014

This article is to search the aspects of realization and the characteristics of Gasa, Sijo, Japga among the Korean poetry genre based on Chohan-gosa. Chohan-gosa is a basic literary and historic discourse for the medieval intellectuals. The story had been realized its own literary value at almost every genres such as Chinese literature, novels, Gasa, Japga and Sijo etc. I focused on Gasa, Sijo and Japga among the genres in this article. First of all, I subjected to Wumiin-ga enjoyed in a area of boudoir culture from Gasa based on Chohan-gosa. I catch the meaning that the text has a characteristic that popularized history and normative ideology are mingled in through it. In the case of Sijo, I focused on the Sijo which Xiang Yu is appeared in because Xiang Yu has been most quoted person from people of Chohan-gosa. Xiang Yu was described as a strong man[hero] or a man who part with the beauty Wu. I understand that this point is caused by the theatricalized characteristic of the place where Sijo have been played. For the last time, Japga is played with the characteristic of stimulative reediting of the familiar normative ideology. Chohan-ga is based on contexts of former discourse eohan-yeonui but it was not plagiarized. Chohan-ga was organized for the way which attracted the interest of the public and stimulated the emotion of the public through using popular imagery or intensifying the sorrow.

• Proceedings of the ESK Conference
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• 1993.10a
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• pp.100-110
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• 1993

인간은 도구를 만드는 동물인 동시에 이동을 하면서 사회적 생활을 영위하는 동물이다. 인류는 초기, 도보중심으로 이동이 이루어졌기 때문에 그 생활활동 범위도 좁았었다. 그러나 인류는 여러가지 이동의 도구를 만들어 생활권을 확대시켜 나갔다. 그중 보다 빠르고, 보다 멀리, 대량의 사람이나 화물 을 이동시키기 위해 바퀴를 발명하게 되었다. 그래서 수레가 출현하게 되었고 그 후 발전을 거듭하여 오늘날의 자전거가 만들어지게 되었다. 최근에는 과학기술의 급속한 발전과 생산기술의 고도화로 산업의 발전은 물론, 경제성장도 급속히 향상되고 국민의 소득증대도 향상되었다. 이에 따라 여가시간의 활용빈 도도 많아지고 건강증진을 위한 레저나 스포츠용품에 대한 관심과 수요가 급증하게 되었다. 그중 자전거는 레저 스포츠로서 즐길 뿐만 아니라, 건강증진으로서 비만증, 성인병의 예방, 지구력, 폐활량 증대 및 인내심 을 길러준다. 또한 현재 대도시가 안고 있는 교통체증 문제, 환경오염, 에너지절약 측면에서도 자전거는 많은 관심의 대상이 되고 있다. 이러한 시대의 상황 속에서 자전거 선호도도 Casual style에서 Seports style로의 변화를 가져오고 더욱 더 고급화, 개성화, 다양화의 모델이 요구되고 있다. 이에 따라 새로운 고객층을 위한 풍요로움과 건전한 건강생활문화를 창출하고 새로운 고부가가치 상품의 연구로 제품의 경쟁력 을 높여 수출을 증대시킬 수 있는 데 목적을 두었다.