• Proceedings of the Korean Society of Computer Information Conference
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• 2015.01a
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• pp.189-190
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• 2015

본 연구에서는 모션 그래픽을 이용하여 스톱 모션 텍스트 제작을 나타내었다. 스톱모션은 컴퓨터애니메이션의 한 종류로서 인형이나 찰흙 같은 소재를 이용하여 한 장면씩 정지 영상을 촬영하여 연속적으로 나타냄으로써 애니메이션으로 이용된다. 본 연구에서는 스톱모션 응용으로 텍스트 애니메이션 기법을 적용하여 텍스트 콘텐츠로 제작하여 나타내었다. 따라서 다양한 영역에서 스톱모션 활용을 할 수 있음을 나타낸다.

• The Journal of the Korea Contents Association
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• v.18 no.1
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• pp.665-672
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• 2018

The purpose of this study is to analyze the problem of existing stop motion animation and to apply 3D printer technology and computer special effect technology applied with latest technology as a solution to solve this problem. For this purpose, we review the history of stop motion animation and confirm how the technology applied to stop motion animation through previous research. As a result, we have overcome limitations of the existing stop motion animation limited to the cline cloth in terms of expression by using 3D printer like recently released and . Furthermore, the natural phenomenon, which is the biggest limitation of stop motion animation, was able to produce a unique work of stop motion animation rather than computer special effect processing. Therefore, in the stop-motion animation, the acceptance of 3D printer technology and computer special effects technology has enabled unlimited imagination and original expression. Recent technology-based stop-motion animation is expected to provide the foundation for the continued development of the animation field in the future.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2017.05a
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• pp.207-209
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• 2017

3D printing, will make it integrated into one of the important branches of animation art, such as stop-motion Animation, to improve stop-motion Animation and put the modern science and technology and the manual craft into perfect combination. Throughout the development of stop-motion Animation, innovation in traditional concept is needed, to put the 3D printing integrated into traditional making and apply it to stop-motion Animation creation, and make sure to reconsider the animation production technology and production material, exploit its unique and distinctive features in multi-level and multi-angle, reshape art form of stop-motion Animation so as to highlight the advantages of 3D printing in making stop-motion animation.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2017.10a
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• pp.191-193
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• 2017

Stop-motion animation, which is based on the physical object and is shot frame by frame, is an traditional art of animation. As an independent art form, it has formed a unique art language through a century-long development. With the continuous exploration by animators, stop-motion animation has actively combined with digital technology, and has made a great progress in the use of materials and the technique of filming. the introduction of digital technology not only enriched it's artistic expression, but also laid the basis for it's sustainable development in the new era. This study investigates how 3D printer technology affects the production process and industry of stop motion animation.

• Journal of Digital Convergence
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• v.14 no.11
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• pp.489-494
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• 2016

Stop-Motion Animation is the work that gives lives to the objects. In order to give lives to objects and to form story line to persuade the audience, it is important that the reason of choice of color, material, and texture has something to do with the narratives. For this study, among the Garri Bardin's animation, the ones with good representation of the objects have been chosen: Conflict (1983), Fioritures (1987), and Adagio (2000). With these animations, I would like to look for the meaning of existence of the objects, and to consider the importance of the relationship between the types of objects that are represented and the narratives.

• The Journal of the Korea Contents Association
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• v.7 no.11
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• pp.258-269
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• 2007

Stop-motion is a technique that should be in the basic stage of the animation education, as it gives a chance for students to learn a three-dimensional sense about the movement, just to name a few, as this technique can give movements to actual objects in real life. As the old animation education is consist of forms to make a short animation. most students got a situation that they should be reeducated about 'movement' at their work after graduation from the school. It is necessary to have a systematic education about basic movement for 16 weeks to solve the problem under these circumstances. Therefore this researcher came to seek a more effective way for students who aim to major in stop-motion as well as students who try to nurture their basic capability of animation. This study aimed to present the optimized education model for the basic stage of the stop-motion technique specifically around expressions such as 'walking/ free-movement/ facial expression'.

• Cartoon and Animation Studies
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• s.5
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• pp.447-451
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• 2001

실험 애니메이션의 성격을 지닌 스톱모션 애니메이션의 장르로서 상업성 애니메이션과 기존의 영화 애니메이션에서 탈피하여 작품성과 앞으로 개척해야 할 우리 애니메이션 학계의 당면 상황을 인식하고 작품제작에 중점을 두고 있다. 이 작품은 나의 길이라는 주제로 개인의 인생을 축으로 내가 살아온 과거와 현재 다가올 미래의 불확실성을 컨셉으로 하여 애니메이션을 전공하는 학생과 대중에게 쉽게 다가설 수 있는 있도록 하였다. 표현기법은 앞서 말한 바와 같이 스톱모션 방식으로 재즈와 모던 클래식을 바탕으로 큐시트 하였으며, 창의적인 상황에 부합되는 소싱(Sourcing)과 싱크(Sync)로 믹싱(Mixing) 작업을 하여 현대적이면서 감각적인 면을 강조하는 등 표현재료는 콘테와 색연필을 사용하여 애니메이션이 한 컷 한 컷의 작품이라는 예술의 개념적 문제에 접근 일러스트로 작품화하였다. 작품 내용으로는 객관적 세계에 대한 인식의 문제를 이야기하고 다양한 입장과 생각을 표현하였으며 또는 주체가 바라보는 대상을 통해 그 주체를 묘사하기도 한다. 따라서 대상에 비중을 두는가 하면 보는 주체에 비중을 두기도 하였다. 인간 개인이 걸어온 발자취를 형상화시켜 재해석하였으며, 이 작품을 통해 자신의 삶을 직${\cdot}$간접적으로 재해석하며, 관객이 자신을 되돌아볼 수 있고 미래를 직시하도록 꾸몄다.

• The Journal of the Korea Contents Association
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• v.17 no.1
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• pp.444-454
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• 2017

Stop-motion animation is highly valued for realistic imagery and its ability to captivate the five senses of the audience. Despite this, practical research in this area is limited to date. The long hours required to produce stop-motion animation and turn these into profits can be attributed for the lack of knowledge in this area. In production research, the matter is made worse as it is difficult to protect the intellectual property made through the collaborated efforts of students and teaching staff through each laborious stage of planning, broadcasting and making 2D models. Meanwhile as the animation industry finds the investigation of new production processes taxing, it has maintained its focus on pre-existing processes such as the use of pipeline. This paper aims to shed light on new production methods that can be used to improve the effectiveness of existing stop-motion production. In addition, by working with Taktoon Enterprises on its T.V series Galaxy Kids the paper will revise real world production methods including the traditional use of hand made models. Thus by investigating the use of graphic technology such as 3D printing the paper will be able to extend current business models. Research conducted in this paper is a necessary part of overcoming various contents production obstacles. Furthermore, it may help publicize issues faced in production leading to the discussion and sharing of new innovations.

• Proceedings of the Korea Contents Association Conference
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• 2014.11a
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• pp.265-266
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• 2014

본 연구에서는 애니메이션 기법을 사용하여 콘텐츠를 제작함에 있어 다양한 콘텐츠 제작 방법으로 콘텐츠를 제작할 수 있으나, 본 연구에서는 스톱모션 애니메이션 방법과 스플라이트 애니메이션 제작 방법으로 콘텐츠를 제작함을 비교하여 보다 효과적인 애니메이션 방법으로 콘텐츠를 제작하는 효율성을 높이는 애니메이션 방법을 제안한다.

• Proceedings of the Korea Contents Association Conference
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• 2005.11a
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• pp.461-465
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• 2005

How to express movement in animation is one of the most important elements which form a work. An Interaction of the expression of a movement and the timing is a basic element which we need to understand and create an animation as a visual art. At this point the timing is an amount of the time required to move object or characters. This paper clears up the fundamental principle of the timing in stop-motion animations and shows Ideal timing methods by comparisons and experiments of the timings which change on a camera's angles.