• Proceedings of the Korean Society of Computer Information Conference
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• 2013.07a
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• pp.391-393
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• 2013

본 논문은 스마트폰 기반 축제 도우미 시스템으로써 단체를 형성하는 모든 집단에서 활용한 시스템이다. 이 시스템은 행사의 준비단계의 비용 즉 행사에서 활용할 소품, 행사요원 활용 비용을 최소화하고 시스템에서 이 준비단계를 대신한다. 또한 다양한 기술과 센서를 활용하여 기존의 행사에서 보았던 진부했던 게임 혹은 미션을 대신하여 참신한 미션으로 행사 진행을 도와준다. 또한 행사 시스템을 활용하는 사용자에게 맞춤형 서비스를 제공하고 미션 플랫폼화를 통하여 한 명의 개발자가 아닌 다수의 개발자로부터 미션을 업데이트하여 참신하고 신선한 미션들을 사용자에게 제공한다.

• Journal of Digital Convergence
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• v.15 no.9
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• pp.407-413
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• 2017

Mis-en-Scene is a direction method of image aesthetics for constructing screen and space. Mis-en-Scene is important factor not only in plays and movies, but also in animations, and it is a strong method to induce audience to immerse in the works and to continue the immersion. This study examined animation's Mis-en-Scene based on theories of Mis-en-Scene in movies, how Mis-en-Scene is directed and expressed in virtual spaces, and what factors and characteristics induce audience to immerse in the works and continue the immersion through analysis on visual Mis-en-Scene factors of a specific case, VR animation . It was found that as visual Mis-en-Scene factors, character and props, background, unique quality and friendliness of character, natural movement and acting, symbolism and utilization, and variety and consistency of background induce and sustain immersion. It is thought that this study would helpful for related areas based on the findings which suggest that there is a need for differentiated measure and method to catch audience's eyes and sustain immersion utilizing characteristics of vidual Mis-en-Scene factors in VR animation in the future.

• Journal of Korean Home Economics Education Association
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• v.33 no.3
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• pp.173-187
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• 2021

The purpose of this research was to develop instructions for making upcycled clothing accessories related to the 'clothing management and recycling' unit of middle school home economics applying the design thinking technique. Teaching and learning process plans were developed according to the ADDIE model which includes the following process: analysis, design, development, implementation, and evaluation. The design thinking process includes understanding the related knowledge, sympathizing, problem identification(sharing perspectives) and idea development, making prototypes, testing, and making the actual product. Thirteen home economics teachers served as critics. Student feedbacks were collected to evaluate whether the course objectives were attained after the implementation. As a result, teaching and learning process plans, course materials, and evaluation rubrics for ten class sessions were developed. Student feedbacks confirmed the attainment of following five course objectives: improvement of ethical responsibilities through the exploration of various clothing recycling techniques, practice of creative and eco-friendly clothing culture, acquisition of the skills to use sewing tools safely, improvement of abilities to think, sympathize, and communicate, and exploration of aesthetic activities and fashion careers.

• 한국HCI학회:학술대회논문집
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• 2007.02b
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• pp.304-311
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• 2007

플래시 기반의 wall pad에서 보여줄 수 있는 그래픽 인터페이스의 방향은 크게 세가지로 구분할 수 있다. 첫 번째, 디스플레이 내의 자유로운 공간 이동이다. Wall pad의 주요한 기능은 제품의 원격제어이며 디스플레이에서 각 제품의 위치와 상태를 표시해 주는 것이다. 그러나 한정된 디스플레이 내에서 이러한 동작은 쉽지 않다. 플래시 기반의 환경에서 자유로운 zoom in, out을 통해 제품에 대한 정보를 명확하게 전달 가능하게 된다. 두 번째, 사용자의 감성 만족도를 극대화하는 측면이다. 감성 만족도를 높이기 위하여 모바일 제품에서도 대기화면 등에 다양한 요소를 적용하고 있다. 다만 본 제품은 모바일 제품과는 달리 항상 거실의 고정된 위치에서 보여지게 된다는 환경적 제약을 가지고 있다. 따라서 이를 활용하여 그 자체로 하나의 거실 인테리어 소품이 되어 전체 거실의 분위기를 한층 돋보이게 하는 역할까지도 가능하다. 세 번째, 메뉴 전개 방식에 활용 가능하다. 기능이 다양해지고 복잡해질수록 메뉴를 찾아 들어가는 일은 어렵고 복잡해지기 쉽다. 이러한 문제는 시간과 공간의 개념을 활용한 메뉴 전개를 통해 플래시를 활용하여 좀 더 직관적이고 인공지능적인 메뉴 방식으로 접근이 가능해진다. 이와 같이 홈 네트워크 인터페이스에서 플래시를 활용하는 것은 큰 의미가 있으며 실제 제품에 최적화해 가는 과정에서 그 효과를 얼마나 유지할 수 있느냐에 대한 문제가 가장 중요한 이슈가 될 것이다.

• Proceedings of the Korean Society of Computer Information Conference
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• 2014.07a
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• pp.387-388
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• 2014

최근 2D 애니메이션은 세계적으로 애니메이션 산업이 디지털화 되어가고 있고 디지털 기술의 발전은 끊임없이 애니메이션이 발전과 진화를 거듭되어 오면서 기존의 표준적인 제작파이프라인이 제작 환경과 기법에 따라 독특한 형태로 발전되어왔다. CrazyTalk Animator는 초보자, 교육관련 종사자, 비디오 편집자 및 완성도 높은 캐릭터를 생성하는 전문가와 같이 고성능의 애니메이션 툴을 필요로 하는 전분가 등의 최적의 애니메이션 솔루션을 제공하고 있다. 본 논문에서는 CrazyTalk Animator를 통한 애니메니션 제작 방법으로 아바타 기반의 배경과 소품을 드레그 & 드롭하여 세트를 만들고, 캐릭터들을 카메라와 타임라인 트렉으로 조정하고 제작하여 2D 애니메이션을 제작하였다.

• Proceedings of the Korea Information Processing Society Conference
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• 2019.10a
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• pp.372-374
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• 2019

기계를 잘 다루지 못하는 사람들은 스마트폰을 활용할 때 어려움을 겪는다. 따라서 기계에 서툰 사람뿐 아니라 날씨를 확인하기 힘든 바쁜 현대인들이 날씨를 시각적으로 좀 더 쉽게 확인하고, 필요한 용품을 미리 챙겨서 날씨에 대비할 수 있도록 한다. 그뿐만 아니라 사계절이 없는 나라의 사람들에게 다양한 계절을 경험할 수 있게 해준다. 터치스크린을 이용해서 사용자가 원하는 나라를 선택하면 날씨 정보가 화면에 나타나고, 날씨 박스에도 시각적으로 표현이 된다. 날씨 박스로는 인형 소품을 이용해 계절을 알려주고, 조명을 이용해서 황사, 미세먼지 그리고 낮과 밤을 나타내고, 효과음을 이용해서 비 또는 천둥을 표현한다.

• Journal of Korean Home Economics Education Association
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• v.30 no.4
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• pp.127-139
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• 2018

The purpose of this study was to develop and examine the effect of flipped learning in hand sewing practice. The flipped learning class was designed to three steps(pre-class, in-class, after-class). Pre-class: Students learned kinds of hand sewing by watching video and ppt. In-class: Students were evaluated for their prior learning through the quiz. After the quiz, instructor had a brief hand sewing demonstration. Then basic hand sewing practice was progressed. After that advanced project(making things using more than 3 kinds of hand sewing methods) was progressed. After-class: Students were evaluated each other through project exhibition. The effectiveness of flipped learning was measured based on the students' self-reflective journals and class awareness surveys. As the results, students were actively participated in flipped learning and satisfied with the overall quality of the flipped learning class. They said that videos, project & feedback were helpful in understanding hand sewing. Flipped learning applied to hand sewing practice showed more positive learning effect than the general practice class.

• Journal of the Korean Society of Costume
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• v.64 no.7
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• pp.45-56
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• 2014

Embroidery is called 'Ja-Su' in Korea. The purpose of this study is to present a method that utilizes the technology of traditional Korean embroidery to get a genuine feeling of tradition. This study was conducted in the following manner: first, Previous researches and references were used survey traditional embroidery techniques. Second, by using traditional embroidery techniques, the study attempted to develop a design of embroidery household Items with modern sense and practicality. The results of this study are as follows: This study has developed and produced embroidery household items that can be used in modern life by using traditional embroidery techniques. A total of 10 kinds of miscellaneous everyday life utensils and interior pieces were produced. Materials used in the embroidery production were made out of natural fabrics, such as cotton (Kwang-Mok, Mu-Myung), linen, cotton thread were used for a practical reason for practical reasons (i.e. being easily washable). Embroidery techniques used in this study were straight stitch, outline stitch, satin stitch, separate stitch, french knot stitch, long&short stitch, brick stitch, chain stitch, couching stitch, Pad stitch, and pine-leaf stitch. In order to further develop traditional embroidery, a technique passed down from the ancestors, it needs to change to become more suitable for modern life while maintaining the tradition.

• Journal of the Korean Society of Costume
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• v.65 no.2
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• pp.92-104
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• 2015

Colored thread quilting is sewed up padded with Han-Ji (한지, korean paper) string using colored thread. This showed up geometric pattern with repeated line of straight, diagonal, curve. According to geometric pattern, Colored thread quilting showed visual effects. The purpose of this study is to present manufacturing techniques, kinds, use, shape of traditional colored thread quilting. furthermore, This study has produced fashion items that can be used in modern life by using techniques of colored thread quilting. According to the fashion items, It present succession and utilization of techniques of colored thread quilting. This study was conducted in the following manner First, It studied traditional colored thread quilting techniques through the documents consideration, previous researches and by surveying antiquity in the museum. 2nd, It tried to make a reproduction about techniques of traditional colored thread quilting. 3rd, This study has selected and developed item and design of fashion items that can be used pragmatically in modern life by using techniques of colored thread quilting. And Fashion items that have been produced in this study is a total 10 kinds that was composed of Vest 4ea, Pendant & Brooch 6ea. Colored thread quilting is a unique technique of thread quilting that combines powerful practicality with decorativeness only in korea. These technique hope that it can developed more variety of items in modern life.

• Cartoon and Animation Studies
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• s.43
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• pp.185-209
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• 2016

Pattern refers to singular or repetitive decorative form in a blank surface, Also pattern is not just something to simply fill in the blanks, and has more meanings. Pattern reflects the specific culture or regional feature. So Depending on which pattern to use, creator can give particular of identity. which is generally utilized in visual arts such as painting, architecture, craft, as well as animation. Pattern in animation plays a role of decorating background or surfaces of characters' outfits or props. And Parttern is effective way to describe the story of the times and space environment of the background. Tomm Moore, an animation director in in Ireland mainly produces animations based on traditional folk stories or myths. He usually utilizes cultural and artistic factors related to the themes in his work production. One example is the insertion of pattern closely associated with the narratives and backgrounds of animations to create profound scenes. Tomm Moore used the Irish Celt pattern in Secret of Kells (2009) and Song of Sea (2014) and Islam geometric pattern and plant pattern in a short nimation named On Love from Kahlil Gibran's The Prophe (2014). This study attempts to examine the historical and cultural foundation and the narratives of these two animations, Song of Sea(2014) and Kahlil Gibran's The Prophet: On Love (2014) in which Tomm Moore participated as the director and producer, exploring their relevant traditional patterns. Moreover, it also attempts to analyze how these traditional patterns are utilized in the animations.